Whistling in the Dark

Red Skelton (in his first starring role) plays Wally Benton who plays 'The Fox' on a radio show. He writes the murder mysteries and as 'The Fox' solves them. Joseph Jones (Conrad Veidt) is trying to figure out how to perform the perfect murder on someone. He kidnaps Benton, his girlfriend (Ann Rutherford) and another girlfriend (Virginia Grey). He tells Benton to write out the perfect murder...or his girlfriends get it...

Very funny and enjoyable movie. Fast-moving (it's only 77 minutes), a good script and perfect casting really puts this across. Skelton is very good in his first starring role--very funny, fast, handsome and intelligent. Veidt is excellent as the evil Jones. Rutherford and Grey are lots of fun as Skelton's girlfriends. All three of them play off each other perfectly--their verbal sparring is the highlight of this pic. Also fun to see Eve Arden in a small role.

Well worth your time.

The operators of 'Silver Haven', a cultish group bilking gullible rich people out of money, is set to inherit a large sum after the deceased woman's heir also dies. Leader Joesph Jones decides to hurry the process along and kidnaps Wally Benton, his fiancé, and a friend, to further this goal. Wally, 'The Fox', is a radio sleuth who solves murders on the air. Jones wants him to devise a perfect murder, and isn't above killing others sloppily along the way to get his foolproof murder plot.

I am more familiar of Red Skelton of the 50's, where he's older, but here he's very young and quite funny in his wisecracks. Supporting him are Ann Rutherford and Virginia Grey who match him in the wit department- this is fun lighthearted fare that has a touch of sinister air, thanks to Conrad Veidt as a cult leader. He plays it straight, oozing refinement and menace. The story idea is quite well realised and the production is top notch.

There are 3 of these movies, all similarly crafted and each extremely amusing. Red plays radio sleuth Wally Benton, aka The Fox who gets wrangled into solving real life crimes along with his fiance played by your typical wartime girl next door looker, Ann Rutherford. Many of the one-liners and gags are dumb and probably were in the 1940s which I anticipated. But, just as many actually made me laugh out loud, which was unexpected to say the least. Red Skelton has a surprisingly strong screen presence, surprising I say because I grew up with a much older version of the man who's charm really didnt play well in my formidable years. I have to give these movies the go ahead though -if your in the mood for this type of nostalgic fare. I almost threw in light hearted, but in truth people get wasted and beaten up and dare i say it, the suspense at times is well above average. As with most movies from this era, it gets a PI (politically incorrect) rating for reasons you can well imagine. Wartime is funny that way I guess, and so then again are these movies. Watch one, watch them all.

You have to be awfully patient to sit through a film with one-liners so flat and unfunny that you wonder what all the fuss was about when WHISTLING IN THE DARK opened to such an enthusiastic greeting from audiences in the 1940s.

On top of some weak one-liners and ordinary sight gags, the plot is as far-fetched as the tales The Fox (Red Skelton) tells his radio audience. You have to wonder why anyone would think he could come up with a real-life solution on how to commit the perfect crime and get away with it. But then, that's how unrealistic the comedy is.

But--if you're a true Red Skelton fan and enjoy a look back at how comedies were made in the '40s--you can at least enjoy the amiable cast supporting him. Ann Rutherford and Virginia Grey do nicely as his love interest and Conrad Veidt, as always, makes an interesting villain. One of his more amusing moments is his reaction to Skelton explaining the mysteries of wearing turbans. "I never knew that," he muses, impressed by a minor point that is cleverly introduced.

All in all, typical nonsense that requires you to accept the lack of credibility and just accept the gags as they are. Not always easy for a discriminating viewer as many of them simply fall flat, the way many comedies of this era do because the novelty of the sight gags and one-liners has simply worn off.

It's Red's first starring role and he plays it fairly straight only sometimes mugging it up in ways that would become his comedic trademark. It's an excellent supporting cast, especially the unsung Don Costello as the henchman with a bad case of nerves and unsteady loyalties. And whose inspired idea was it to walk the thuggish-looking Hilda (Mariska Aldrich) through several scenes, allowing Red to get off some choice one-liners, ("Didn't I see you on 'Wrestling' last week."). Still, I'm curious why there're two leading ladies instead of one. Grey's character "Fran" seems unnecessary to the comedy set-ups and the storyline, so perhaps there's an inside story on this odd bit of doubling-up.

In my little book, the movie's only fitfully funny, mainly because the two comedy set-ups (the secret room and the radio trick) go on too long and lack the intensity of Red's better comedies. As other reviewers point out, the best parts are the many choice throwaway lines that sometimes fly fast and furious, so keep your ear cocked. All in all, this first of the "Whistling" series is not the best, but it does present a chance to catch one show-biz's brightest comedy acts developing his way up the Hollywood ladder.