Suspicion

The strangest of coincidences haunt newly-wed Joan Fontaine (Oscar-winning) in this sleight of hand from Alfred Hitchcock. She starts to believe that husband Cary Grant may be too good to be true. It appears that he may be a heartless murderer who may be targeting her as his next victim. Hitchcock, the undisputed master of suspense, does not let the audience off easy here. The film's twists and turns will keep you glued until the stunning final act. Not without flaws, but still another winner from Hitchcock. 4.5 out of 5 stars.

A timid, attractive young girl named Lina(Joan Fontaine) falls in love with John(Gary Grant) an adventurer, wealthy man. Her parents( Dame May Witty and Sir Cedric Hardwicke) are opposed about the relationship. However, they early married ,living in Sussex . Then she gradually realizes and suspects that her hubby is allegedly a murderer and that she is the intended victim . Lina fears may be next on his list.

After ¨39 steps¨ and ¨Jamaica Inn¨ Hitchcock was encouraged to go to America and promptly won Oscar to best picture for his first film there, titled ¨Rebeca¨. Later,R.K.O, Radio Pictures offered him the direction of ¨Suspicion¨. The picture packs tension , thriller,suspense and excitement. The film is one of the splendid thrillers with 'imminent danger' as its theme, achieving the maximum impact on the audience and containing numerous exciting set pieces with usual Hitchcock touches . The movie is full of lingering images as the glass(Hitch put into the object a light) of milk and shot of the characters upstairs pacing up and down with shades on the walls.

The casting is frankly magnificent .Gary Grant, actually named Archibald Leach ( born in Bristol,1904) in his first Hitchock film is excellent. Joan Fontaine as the timid, shy bride consumed with fears is awesome and won a deserved Oscar to best main actress. First rate secondary cast constituted by Nigel Bruce ¨the famous Watson¨ who worked in ¨Rebeca¨ too ; Dame May Witty (The lady vanishes) ; Cedric Hardwicke(The rope)and Leo G.Carroll a habitual in Hitch movies. But to Hitch didn't like the film for the cutting out the ending, due to production's insistence to retain the sympathetic image Gary Grant, the most attractive of all Hollywood actors ; however Hitch will let ultimately to remake his movie .The motion picture is based on a novel titled : ¨Before the fact¨ and screen written by his familiar brain trust, his wife Alma Reville and Joan Harrison. Also shown in computer-colored version though best avoid it .It's remade in an inferior version by Andrew Grieve(1987)with Anthony Andrews and Jane Curtin.

The first time I saw this movie, I was kind of undecided. I had taped an Alfred Hitchcock marathon on TV and I only watched it for the sake of watching another Hitchcock film. The second time though, was in the back seat of a conversion van on a LONG road trip and I had a lot of time on my hands, so the more movies I had to watch, the better.

I thoroughly enjoyed it. Having read about the movie, I knew that the ending wasn't Alfred Hitchcock's first choice, but I thought the final shot was very beautifully filmed, and the ending was ok with me.

Of course, the whole movie is beautifully filmed in brilliant sunlight. I think the only really dark scene is the milk one. However, the theme of a woman suspecting that her husband is a murderer is indeed dark.

The movie is about Lina McLaidlaw (Joan Fontaine) who marries the rascally Johnnie Aysgarth (Cary Grant). She slowly begins to suspect that he is plotting to murder her for money, and it certainly doesn't help when his best friend dies under mysterious circumstances. Fontaine is excellent in her role and she certainly deserved her Oscar.

The movie is really quite entertaining. Many people consider Rebecca or Notorious Hitchcock's best movie of the 40's. I like both films a lot, but something about Suspicion makes it my personal favorite of the decade.

This is a must-see for Hitchcock fans. Full of classic performances and of course, suspensefully directed!

Hitchcock's 'Suspicion' starts off as a slow moving silly romantic comedy before switching to a thriller. Hitchcock's style of narrating the story as the events unfold is brilliant as usual. Cary Grant turns on the charm button but it is Joan Fontaine who steals the show. Lina's increasing suspicion, confusion and despair as she discovers Johnnie's deadly secrets are skillfully displayed. Hitchcock maintains the element of suspense and increasing tension very well. However, it is the ending that is a let down and the only reason I can think of why such a closing was chosen was to fulfill the Hollywood 'happy ending' standard. 'Suspicion' could have been an excellent dark thriller had the ending been more plausible and made sense of all the preceding events. Yet, it remains a good job mostly because of the crafted way Hitchcock builds tension throughout the movie.

I'm surprised so many people are disappointed with this movie. It doesn't seem to me more unreal than any other Hitchcock film. As always, the highlights are those moments when we get a glimpse of someone doubting what someone else is saying. This movie specializes in such moments and, inasmuch as doubt is Hitchcock's stock in trade, I can't find anything wrong with SUSPICION. It's playful, scary and, yes, escapist. Hitchcock never made a realistic movie, and I thank him for it.