Spooks Run Wild

Fairly innocuous East Side Kids movie that's notable primarily for the presence of Bela Lugosi. Bela doesn't get much to do and appears to only be in this because of his name value. He doesn't seem to be taking the part seriously, either. This is also the first of several movies Bela did with dwarf Angelo Rossitto as his pointless sidekick.

This is one of the movies that is often cited when people talk about the crap movies Bela did when Universal wasn't calling. Truth be told, it's not a bad movie. I actually enjoyed it. But then, I happen to be a fan of the Bowery Boys. Well, they're the East Side Kids here. They were the Dead End Kids first, then East Side Kids, then the Bowery Boys. I like them a lot, especially the movies they made during the Bowery years. They made some of the better movies Poverty Row studio Monogram put out. Obviously, as with all comedy teams, their style won't appeal to everybody. Spooks Run Wild isn't their best movie, and God knows it isn't Lugosi's, but it's an enjoyable way to pass an hour.

As another reviewer has noted, SPOOKS RUN WILD is a film which perfectly captures the spirit of Halloween, American-style: that is, a night in which kids can be scared by dressed-up ghouls and ghosts and the macabre is celebrated. This film's one in the long-running series of East End Kids movies, in which a group of overage twentysomethings play a gang of feral youths who are always getting into trouble with both the law and various criminals.

This time around, things take a decidedly macabre turn with the police hunt for a serial killer, played to the hilt by a cameoing Bela Lugosi. All of the kids and Lugosi himself end up in a creepy old mansion, where lots of jokes and ghoulish gags arise. Lugosi doesn't have much screen time but is fun when he does show up, and there's a nice role for Angelo Rossitto (FREAKS) as his henchman.

Other than Lugosi, this film is pretty good for being a programmer from poverty-row studio Monogram Pictures. The cast are lively and give dedicated performances and the jokes come thick and fast. Yes, this is dated, but in a fun way, and I still prefer it to 90% of modern American comedy. Sunshine Sammy Morrison, playing the token black comic relief guy (a character trope that turns out to have existed since forever) steals the show with his likable, scaredy-cat humour.

Would anyone have believed that an Academy Award would be in the future for one of the participants in Spooks Run Wild back in 1941? I think one would have been told to get a cranial examination. Yet Carl Foreman who wrote the screenplay would be getting one eleven years later for High Noon. Unfortunately blacklist was also in his future.

Academy Award winners didn't usually work at Monogram Pictures, but one starts to learn the trade somewhere in the film business. In this case it's with The Bowery Boys. They've been sent in the charge of Dave O'Brien and Dorothy Short to a summer camp. The boys go wandering off and come upon a haunted house occupied by Bela Lugosi.

The usual Bowery Boy monkeyshines are present throughout. When the boys go wandering off however, we're informed that a serial killer is also loose in the area.

It's from Monogram so don't expect all that much. Still it's interesting to see the genesis of High Noon?

Just a few quick points. - This was one of the nine little gems that Lugosi made for Monogram (one of the better ones), and it's one of two he made with the East Side Kids. It's important to note that they WERE still kids (teenagers) when this film was made.-- They became "The Bowery Boys" when they grew up (It's mentioned in another comment that this film stars The Bowery Boys-- that's a BIG mistake!). The East Side Kids acted differently than, and looked different from, The Bowery Boys. -- The Bowery Boys films had more of a "Three Stooges" look and feel to them, and had none of the adolescent angst than can sometimes be seen in The East Side Kids films. And let's not forget that both groups grew out of the original Warner Brothers group: "The Dead End Kids."

Although this East Side Kids feature has its pluses and some good sequences, it probably could have been better. Having Leo Gorcey, Huntz Hall, Bobby Jordan, and the rest of the gang being paired with Bela Lugosi is an intriguing thought, and it certainly seems as if it could have been the basis for a really entertaining movie. Perhaps the biggest letdown is simply that Lugosi never gets a lot to do, so that he does not really get the chance to become a part of things.

The setup is kind of convoluted, and it takes a fair amount of time to get to the main action, which has the gang roaming around in an old abandoned mansion where Lugosi's character has just taken up residence. Long stretches of the movie are carried simply by the interplay among Muggs and the rest of the group as they explore, stumble around, and get lost in various situations, all the while wisecracking, ad-libbing, and playing with the props.

As always, most of these antics are quite entertaining, but here the actual story is too negligible to sustain its end of things. A more carefully written story, and most importantly a better, less thankless role for Lugosi, could have made much better use of this unusual combination of talent.