Ex-Lady

If the script of this movie was a little better this could have really been something. The force of Bette Davis in this film is captivating. Consider this is 1933 as the code nears and she is prancing around in plunging necklines in nightgowns while in bed with her co-star Gene Raymond. The subject matter of this film considers illicit affairs and to understand this Warner Brothers film a little better it helps to know the director was French. Still, the script was American and for The Great Depression the scenes of the high-ceiling city apartments with the flashy gowns and suits and costumes and nightlife must have seen so foreign and glamorous to audiences at the time. To think that 90 years later I can watch this movie and feel the same way as most of America did looking at this film - such a foreign place, time and atmosphere that we may never get back. In many ways, I wonder if this film was ahead of its time or a reflection of the 1920's good times or a mix of Hollywood selling fantasyland to a depressed America. No matter which way you take this movie, the energy of Bette Davis is always something to behold. Interesting that Raymond, who married MGM star Jeanette McDonald, is not better remembered. He reminds me of Paul Henreid, and shows some good chops here. As I say, if this script was a point or two better, this film could have been an 8 but I give it a 7 primarily for the great acting of Davis, the solid performance by Raymond, the great costumes and to be frank - the shock value of how scandalous this seems to me now putting the film in the context of its time and place.

Good acting and a slightly snappy script keep your interest afloat for this light sex comedy about marriage and early woman's lib. Decadent 30's New York is the background for this I-was-checking-out-while-she-was-checking-in (thank you, Don Covay!) tale of wavering fidelity.

I saw this on TCM one day & was so delighted I actually recorded it. It is a rare gem and I found the screenplay and acting both believable and enjoyable. As many reviewers have noted, it is Pre-Code, meaning that women are allowed cleavage and men and women were portrayed in a natural way- that is sleeping in the same bed. (I actually remember asking my mom one time why Ricky Ricardo & Lucy slept in separate beds if they were married? What did they do, squeeze into that tiny bed the night Ricky, Jr. was conceived?! Preposterous! As most of the post-code was.)

But the 2 main strong points of the movie are Bette (of course) and the dialog. Bette plays Helen Bauer, a successful commercial artist and Gene Raymond plays Don Peterson, a successful advertising manager. There's a part early on in the movie when Helen & Don are discussing their relationship and it goes like this:

Don: "I'm just about fed up with sneaking in... let's get married so I'll have the right to be with you." Helen: "What do you mean 'right'? I don't like the word right." Don: "Let's not quibble about words." Helen: "No, I'm not quibbling, right means something. No one has any rights about me, except me."

And it's the WAY she says it, that means so much. She is able to say it and really mean it- without offending him.

Her character believes that women have the same rights as men. This is something I've always believed in very strongly myself, so I admit this is part of the reason the movie appeals to me so much. She also believes that she doesn't *have* to get married. And there's one part of the movie where she actually says the "dread" line, "I don't want babies." I look for the smelling salts as I write this! All kidding aside- good luck finding a female character this independent nowadays. I have to be honest- if more people thought like her, there would be less divorce. Her point is well taken- you should only really enter into marriage if you really want to. People marry for all kinds of reasons that have nothing to do with it. Helen's character even holds to her beliefs in the face of a very disapproving father. Even in the confrontation scene, she maintains her dignity and her beliefs without criticizing her parents' beliefs. There's another bit of dialog that shows how she thinks:

Gene: "You're a successful woman; I ought not to like it." Bette: "You're a pretty successful man; I ought not to like it." Gene & Bette in unison: "I'm a man!"

--- and Bette's body language says it all- she conveys the strength of will without robbing the man of his- something she has always been able to do so well and enigmatically. This also shows she's realistic- she's knows the times she lives in. And people that think that way will always be modern and contemporary. It definitely gives viewers a reason to watch something this amazing- especially considering it was made in 1933!

The rest of the cast if good and her partner in the movie played by Gene Raymond does a very nice job. They have a good chemistry on screen. As this is a pre-code movie and early Bette, I suppose those 2 reasons alone would make it worth watching- but the script and acting are also really good.

• update: I was looking at this movie today on IMDb and saw that 5 out of 10 people found my review helpful....what? did I hit a nerve with baby comment? or was it the one about only entering into marriage for love? I dunno but I thought I reviewed the movie and gave info that would help someone decide if it's the kind of movie they want to watch. Isn't that what the reviews are here for? to help?

Then I noticed ALL the reviews are like that (12 out of 24, 5 out of 10) so I guess somebody out there just doesn't like this movie. Maybe a post-code mentality?? ;)

Well, well, imagine my surprise when I saw two people in a double bed. That's right - precode, no whitewash.

Bette Davis and Gene Raymond star in "Ex-Lady," about talented illustrator Helen Bauer, a career girl with very definite ideas about marriage - she's against it. Don (Raymond) has a key to her apartment, but he finally talks her into marriage.

After a wonderful Havana honeymoon, the two return to find his ad agency, at which she now works, is in shambles. The two seem to grow unhappier until they decide it's just not working.

But while separated, he and Helen find that the emotions they thought they left behind in marriage are still very much present.

I wasn't as enthusiastic about "Ex-Lady" as some of the other posters. It's slow-moving and stagy. It's based on an unproduced play, and it's not hard to see why it wasn't produced.

Still, it's fascinating - Davis is all of about 28, tiny and pretty, and her screen persona is as yet unset. The feminist premise is very interesting, as are all of the precode elements.

Davis and Raymond display quite a bit of chemistry, and talk about not having your screen persona - Frank McHugh wanders around as if he's on another planet! There's also a rendition of a cut version of Wagner's "Dich, teure Halle" at a party.

Davis does fine in her role, but of course, this isn't the type of thing she would shine in once Warners caught on. Raymond has never impressed me much, but if Jeannette MacDonald was forced to marry him, apparently he impressed Louis B. Mayer.

All in all, "Ex-Lady" is worth seeing for early Davis and as a pre-code film, which makes some of the movie seem quite modern.

Bette Davis plays Helen Bauer, a woman who does not want to get married and be tied down to one man. However she does have a lover named Don Peterson(Gene Raymond). He persuades her to marry him. They do and things rapidly fall apart.

Once considered pretty shocking this is tame by todays standards. The discussions about love and sex are actually quite funny in this day and age. But the movie moves quickly (it's only a little over an hour) and Davis and Raymond play off each other very well. Davis in later years bad-mouthed this film but it's actually pretty good. Worth catching.