Duck Soup

There are a lot of reasons why so many different reviewers suggest that "Duck Soup" is a genuine candidate for the funniest movie ever made. It has the Marx brothers at their very best, with rapid-fire laughs combining with a satirical "plot" that is very funny in itself, without getting in the way of the individual comedy sequences that are the real highlight of the film. Their timing and material are as good here as they ever have been.

The Marx brothers are still beloved today because when at their best, they treated their audience to a lot of riotous slapstick that cannot be watched without laughing, while at the same time rewarding their viewers for paying attention with a steady stream of puns, deadpan one-liners, brief sight gags, and other subtler humor. The more you watch, the more you notice.

"Duck Soup" has a lot of their very best material, and everyone has their own favorite scenes, whether it is the mirror sequence, or Chico and Harpo giving their report to Louis Calhern, or the street vendor scenes, or ... . The variety of comic settings and comic material is amazing, and when you add in the entertaining musical sequences (which again are particularly good in this one), it is a feast that never stops.

Any Marx brothers fan has seen this one several times, and does not need to be reminded what great fun it is. If you have never watched one of their films, give this one a try.

Duck Soup(1933) is the funniest and most entertaining comedy that I've seen in my life. It was the last film the Marx Brothers would do for Paramount before going over to MGM. Duck Soup is an anarchic comedy where the main characters never live by the rules and rebel as a result. The Marx Brothers put out some of the greatest comedies that rarely has been matched. It is a satire about the nature of war, politics, and affairs of the state. Duck Soup(1933) is a great example of a film that can easily induce a person into bursts of laughter.

It narrowly beats A Night at the Opera as the best all-round Marx Bros film, though I find the humour more bizarre in Monkey Business. At least the musical numbers in DS are actually worth sitting through.

The reasons it scores so highly are:

1) The mirror sequence. The finest comic sequence ever committed to film. Sure, it's old-hat vaudeville, but it's professional, beautifully timed and spirals into wonderful absurdity.

2) The one-liners, puns and other jokes. Pick of the crop are the peanut stall interchange, the telephone sequence, the riddles ('what has four pairs of pants, lives in Philadelphia, and it never rains but it pours?') and the final battle (especially the stock footage of monkeys and elephants running to save the army under siege - the kind of thing the Zucker Bros pinched for their comedies). Oh, yes, and the motorcycle routines.

3) The satire on politics and warmongering. The Brothers simply deflate the pomposity of the whole deal.

4) The fact that Zeppo is actually given something to do.

Anybody who thinks the Farrelly brothers are the last word in comedy should be strapped to a chair and shown Marx Bros films over and over again, until they concede.

Very likely their best film. This is pure surrealism from start to finish, with some of their best-executed routines, and a welcome absence of (serious) musical numbers. Whether it has Harpo answering the phone, Groucho explaining his tax policy or Chico giving a detailed report of his weekly surveillance tactics ("On Wednesday we fool him: We no show up"), this is the epitome of the Marx Brothers movies. And here's one of the funniest lines that nobody else has mentioned: "Ok, I give up. How about your glass of water?" (well, it's only funny in context). (***)

All the comedies in which the Marx Brothers appeared were extensions of their vaudeville days. In "Duck Soup", the visual gags that worked so well on the stage are incorporated into the film. Director Leo McCarey directed this zany movie in which the Marx Brothers do their best to entertain their public.

There are many interesting moments in the film, but the best sequence has to be the mirror scene in which Groucho, Harpo and Chico, dressed in the same costume are seen on either side of the looking glass following the other person's movements. The other asset in the film is the final conflict with Sylvania in which Groucho is seen dressed in many uniforms while leading the war against the enemy.

We had seen this film before, but took another look when it was shown on cable recently. The great Margaret Dumont is simply one of the best actresses that ever worked with the Marx Brothers in their comedies. She is amazing in playing the straight part against Groucho's antics. A young Louis Calhern cuts quite a figure as the Trentino, the Sylvanian ambassador to Freedonia. Raquel Torres is a nice addition to the film playing the exotic Vera Marcal.

The Marx Brothers do what they do best in "Duck Soup" guided by a director who knew what to do with them, Leo McCarey.