The Barbarian

I am a big fan of classic films, so I was looking forward to seeing what I thought would be a good screwball comedy. Myrna Loy is a frequent performer in that kind of film. However I didn't find this to be very enjoyable at all. In fact I found it to be insulting. All throughout the film I was hoping it would get better but it gets worse. The biggest insult is how it ends.

I will not spoil the film but I will say that the way the Prince treated Myrna Loy's character is offensive. If you would like details, please read other reviews that contain spoilers.

I give it 3 stars only because the production quality of the film is excellent. It looks like it could have been made in the early 1950s.

In Cairo, Jamil El Shehab (Ramon Novarro) is a gigolo-conman working out of the train station. He spots his next target, Diana Standing (Myrna Loy), stepping off the train. Her mother is Egyptian. She is met by her wealthy British fiancé Gerald Hume.

This is pre-Code with Myrna Loy in a skimpy nightgown. One's opinion on this depends on how one takes Jamil. He's a cad and a scoundrel. That could be a romantic lead but Diana needs to be up to the challenge. Myrna Loy has that well within her acting range but the character is written a little soft with a healthy dose of western superiority complex. The portrayal of Arab culture is a bit superficial but I expected much less from that era in Hollywood. The chauvinism is interesting. The oasis drinking scene is both brutal and enlightening. This is taming of the shrew on steroids.

Pesky Arab conman Jamil (Ramon Navarro) relentlessly pursues Englishwoman Diana (Myrna Loy), who is due to be married.

The Barbarian is bad. How exactly this one got past the drawing board at MGM is beyond me. Novarro is good enough as the titular character, and Loy is her usual dependable self. Good old C. Aubrey Smith is around as well.

The script (co-written by Anita Loos!) is chock-full of bad romantic dialogue. Being an MGM film, the set design and costumes are excellent, but even the MGM glitter can't save it.

About the only reason I recommend watching The Barbarian is that you get to see Myrna Loy taking a bath. First time viewing. 2/5

The team of Ramon Novarro and Myrna Loy did not strike any sparks at the box office with this throwback film The Barbarian. The property had two silent versions and it was originally entitled The Arab. Novarro and Loy were ships passing in the night on the MGM lot, her on the way up and him on the way down;.

Loy is in Egypt with her stuffy British engineer fiance Reginald Denny. But when Novarro as an ever eager Arab guide insinuates himself in their company. she's gradually drawn to him.

After that it's a throwback to the silent screen when Rudolph Valentino was stealing the hearts of women everywhere. During the Depression era 30s this sort of stuff wasn't going over.

Novarro who had a pleasant singing voice gets to sing the Love Song Of The Nile. And since interracial romance was a big old no-no back in those days a most convenient excuse is provided for the happy couple.

Some similarities for Loy to the role she later played in The Rains Came, a much better film.

Let's start with the positives – you have the very beautiful Myrna Loy appearing in a bathtub for goodness sake, a suave Ramon Novarro wooing her with beautiful songs, and an exotic pre-code tale set in Egypt. Where modern viewers will struggle is with the scenes in the desert, where Novarro mistreats and later rapes Loy. What started out as a forbidden romance, albeit with borderline creepiness in Novarro's persistence, becomes cringe-inducing, and I have to say, I also hated the ending. Men forcing themselves on women until they gave in was de rigueur for the time, and the fantasy about Arabs post-Valentino was still strong in America, but the film would have been stronger had it either had Novarro's character been truly honorable ('Barbarian' indeed), or Loy's ultimately capable of resisting him if he wasn't. As it is, one feels conflicted and kind of icky with the message it conveys about both Arabs and women. And yet, Loy and Novarro are both pretty compelling, and make it worth watching. Did I mention Loy appears in a bathtub?