The Wet Parade

Upton Sinclair for once wrote a novel with a balanced look at the social problem of chronic alcoholism and the discredited law meant to address it - Prohibition.

It deals with two families - a rural southern family, the Chilcotes, who live on a large plantation with the patriarch being a hopeless lifelong alcoholic (Lewis Stone). here not exactly Judge Hardy. In the north there is the Tarleton family, who run a New York City boarding house while dad is always tipsy.

The two families come together when Roger Chilcote Jr (Neil Hamilton) travels to New York to finish his book and takes a room in the Tarleton boarding house. But he gets involved in heavy drinking and he, too, becomes a hopeless drunk. His sister goes to New York to try and sober up her brother where country mouse (Persimmon Chilcote) meets city mouse (Kip Tarleton). They both think Prohibition will solve all of their familial problems, but in fact it just makes matters worse to the point of tragedy. And there have never been more speak easys in New York until the sale of alcohol was against the law.

So Kip marries Persimmon and joins up with the government forces meant to bring down all of speak easys. But the government is only half heartedly fighting, and Kip and his colleagues are underfunded. This is probably one of John Miljan's best roles as Kip's boss who does his job because it is the law, but he is extremely verbally cynical about how useless he thinks it all is. It was good to see Miljan, who had a problem with the bottle himself, playing a normal person rather than some kind of uber villain for a change.

The worst part of the film? L.B. Mayer really liked Jimmy Durante so he basically manufactures a role that is completely unsuited for him as Kip's partner in busting up saloons. Durante even gets an introduction and an "entrance" in the grand comedic style of vaudeville. I just don't think Durante's schtick worked in this picture. He was put to much better use in "Hollywood Party", one of the last precodes.

With Myrna Loy as a saloon keeper who doesn't exactly stand by her man in times of trouble, and with Wallace Ford in a supporting role as a rambling reporter, this one does a good job explaining the attitudes surrounding the lead up to prohibition and the complete failure that the law was after it was enacted with tons of unintended consequences.

Author and environmentalist Edward Abbey once said "Democracy - rule by the people - sounds like a fine thing; we should try it sometime in America." At least the internet says he did. The makers of this film felt the same way about Prohibition. They must have felt pretty strongly since the film ran for two hours back when the average was about 1h 10m.

Did you that know that during Prohibition the US government put poison in industrial alcohol so it couldn't be converted to drinking alcohol? The result of this policy was that criminals converted it anyway and thousands of people were poisoned to death. Yes, it's in the movie and can be verified on reputable websites. Just one of the historical facts you can pick up from this film, not to mention a sampling of the spectrum of public opinion at the time.

For instance, imagine you were an ordinary social drinker at the time. The film captures such people's incredulity as they watched the laborious process involved in passing a Constitutional amendment, one they never dreamed possible, that would make their recreational drug of choice illegal.

Despite such nuances the film makes no bones about its anti-alcohol feelings. It differs from laughable anti-drug films like "Reefer Madness" in that its makers actually knew about the real effects of the drug in question. Its point is that Prohibition as it existed was not working and was only funneling money into organized crime while increasing disrespect for law and order. It was made during the tail end of Prohibition, when it must have been clear that its repeal was imminent. Its message is a pious hope that somehow Prohibition can be made to work, but it doesn't quite specify how.

By the way, there is a plot with stars like Robert Young and Myrna Loy buried in all of this, which generally moves at the snappy pace of other pre-code films. Its excessive length is due to its repetitious hammering home of the evils of alcoholism. They did try to liven it up a little by having comedian Jimmy Durante playing an unlikely Prohibition agent who performs bits of Durante's nightclub act. Still it may impress you as overlong, melodramatic and even depressing at points, but those interested in American history and culture in the 1920s and 30s will find it fascinating.

Produced at a time when America was having second thoughts about the 18th Amednment, this is an interesting period piece that shows the effects of alcohol on two families as well as the unintended consequences of Prohibition. Unfortunately, the movie runs too long as the plot tries to develop the eventual interconnection of the two families. However, it does treat the effects of Prohibition in an evenhanded manner. Neil Hamilton has the best roll as the upright son of the Southern family who descends into alcoholism, despite having seen the effects of booze on his father. Robert Young, who has the corresponding position in the city family, remains "dry", but comes across as somewhat of a prude. Jimmy Durante is totally miscast as a Treasury Agent.

If I had one piece of advice for people wanting to try out films of the 1930s, it would be to check out any movie with Walter Huston in it. From Gabriel Over the White House to Kongo to The Beast of the City and more, the man was in some of the weirdest and most interesting films of the period. Here we have a film about the dangers of alcohol, made a year before prohibition ended. The film seems to be both anti-alcohol and anti-prohibition, which makes for some fascinating think-work about what the movie is really trying to advocate.

The film starts with Lewis Stone's Colonel Sanders-looking Southern patriarch, whose daughter (Dorothy Jordan) is trying to get him to quit drinking. After a short while we move North to a fresh-faced Robert Young and his lush of a father Walter Huston. The two stories eventually intersect as Young falls in love with the daughter. Prohibition passes which leads to a tragedy for Young, who decides to become a treasury agent and is partnered with Jimmy Durante (!). From here the movie hits a bit of a lull as we get a fairly typical T-man story until the final minutes, which are exciting.

The film offers some great moments such as the haunting image of Lewis Stone's final fate or the powerful scene where Walter Huston's wife confronts him about his bootleg liquor. The cast is excellent. The performances are melodramatic but in the best way. In addition to the stars already mentioned, we also have Neil Hamilton, Myrna Loy, and Wallace Ford. Not a bad lineup.

As an entertainment piece, I think it's solid. But it has added value as a historical curio, allowing modern audiences to get perspective on the thoughts and feelings at the time regarding an important period in our history.

Probably Upton Sinclair's novel was ambiguous so the MGM film version had to be equally so. But The Wet Parade was made and released before the public's verdict on Prohibition was in. At the end of 1933 the 21st amendment to our Constitution was passed repealing the 18th amendment banning liquor. The cure was worse than the disease.

The Wet Parade deals with two families headed by Lewis Stone and Walter Huston. Stone is a southern colonel who likes his branchwater and bourbon and Huston a New York hotelier who also is a drinker. The culture of drink is inculcated in both families.

Two who missed it are Stone's daughter Dorothy Jordan and Huston's son Robert Young. Alcohol claims family and friend all around them. And Prohibition just seemed to make it worse.

Among the rest of the cast look for outstanding performances from Neil Hamilton as Jordan's brother, Jimmy Durante as a Prohibition agent , and Myrna Loy as a flapper who abandons Hamilton in a crisis. In the case of Hamilton he did in real life develop a serious drinking problem.

A good film that was made before it's time.