Silver Dollar

Rousing story of rags to riches based on fact. Robinson pulls out all the stops as a lowly Colorado merchant who maneuvers his way into fame and fortune. He may not be physically big, but there's enough personality there to light up a stadium. Between ace production values, rapid-fire pacing, and Robinson pizazz, it's like being carried along by a roaring steam engine. It's entertaining to accompany Yates (Robinson) on his rise to wealth and national prominence, especially since he never loses his down-home ways. Interestingly, the movie's based on real life story of silver king HAW Tabor, who remains a Colorado legend to this day (I'm from there). Oddly, there're no scenes of mountains or Colorado, but credit the production for more than compensating.

Good to see Aline MacMahon get a sympathetic role as Yates' first wife and helpmate. Usually consigned to spinsterish or sinister roles, she's young here and almost pretty. Bebe Daniels, however, gets the glamor part as Yates' mistress then second wife. The movie amounts to something of a morality tale. Of course, the higher Yates climbs on the economic-social ladder the farther he has to fall. Trouble is he thinks millions from silver mining will overcome any obstacle. In short, money takes care of everything. But then, he's forgotten about the vagaries of the market, which can be an undoing. My one complaint is a rather spotty screenplay. Beneath the rapid pacing, important transitions are generally skipped over (e.g. the divorce), while there's little tracking of characters aside of Yates. Nonetheless, the results are generally impressive and definitely deserve a look-see, especially for Robinson's bravura performance.

From 1932, Silver Dollar stars Edward G. Robinson, Aline McMahon, and Bebe Daniels.

This film is based on the life of silver magnate Horace Tabor, whose life is the subject of an opera, The Ballad of Baby Doe. Baby Doe was a signature role for Beverly Sills.

It's a rag to riches to rags story, of a man named Yates Martin and his wife Sarah, who left their farm to come to Colorado to search for gold. Sarah encourages Yates to open a store rather than continue what she thinks is a fruitless hunt, so he does. To her disgust, he makes deals with the miners that he will give them free goods if they will sign over one-third of whatever they find. Of course, Sarah expects them to find nothing. She's wrong.

Yates over time becomes terribly rich, successful politically, and too big for his britches. He falls in love with the beautiful Lily Owens and leaves Sarah, settling the house and $250,000 on her. Then the Panic of 1893 occurred, and silver was devalued to almost nothing.

This was a wonderful role for Edward G. Robinson, a little man with a huge talent. He does a fantastic job. Aline McMahon is fantastic as Sarah, and she is indeed like the real Augusta Tabor, at least as I've seen her portrayed. In the film, Sarah wants to help Yates, but he refuses.

Augusta Tabor in real life invested her money and died one of the wealthiest people in Denver. In the opera anyway she is bitter and angry, and even when she wants to go to her ex-husband, she can't.

Bebe Daniels glitters as Yates' mistress and second wife, Lily. Like the Tabor situation, this was a true love match, and she stayed by her husband.

The real Horace did hold the postmaster position for a year before he died, unlike in the film. Horace's final wish was that Baby Doe never give up the Matchless Mine. She never did; in fact, that's where she died, in a nearby shack.

The script is somewhat spotty -- this strong story could have used better writing. It's a real piece of Americana.

Silver Dollar (1932)

** 1/2 (out of 4)

Based on the life of Horace 'Silver King' Tabor with only the names changed. Edward G. Robinson plays Yates Martin, a poor man from Kansas who moves to Colorado with his wife (Aline MacMahon) and soon finds himself a millionaire when silver is found in his mine. He soon enters politics and starts to rake in all sorts of cash and this is when he meets a showgirl (Bebe Daniels) and soon everything changes. I'm guessing Warner didn't want to pay any fees so they decided to change up all the names but no matter what they changed or kept the same, to call this film a disappointment wouldn't be an understatement. The movie starts off pretty good but around the twenty-minute mark you already know where the story is headed and there's really no connection to any of the characters. This almost seems like a greatest hits package instead of one complete story. We see the poor Martin, then the popular Martin, the rich Martin, the powerful Martin, the broke Martin and the pitiful Martin. There's never any real connection that you get because it just seems like he's a one dimensional character without any meat on his bones. Throughout the film I kept waiting to get to know the character and that simply never happens. We never get to know the wife, the mistress, the kid or anyone else and in fact there's a daughter who makes an important part of the film only to disappear without a word after that. The film takes a pretty big story and one that could have turned into an epic and does very little with it. The one saving grace are the performances with Robinson turning in another great job. I'm always surprised to see how terrific an actor Robinson was and it's a shame he's never really gotten the credit he deserves. Daniels is also very seductive in her part and MacMahon nearly steals the film as the caring, first wife. SILVER DOLLAR is worth watching for fans of the cast but there's no denying that a new script was needed.

The plot here, while basic in it's elements is generally weak. It mulls over important details, most characters are little more than furniture, and by all rights, it should be a lousy B move.

But Edward G. Robinson and his near unmatched talent as an actor, and his relentless effort to turn in amazing performances no matter the movie, holds this film together, making it watchable, and acceptable.

Edward G. Robinson truly holds the ability to turn Chicken Crap into Silver and Gold

One of the few westerns that is in the catalog of Edward G. Robinson films is this one Silver Dollar. In it Robinson plays the legendary Horace A.W. Tabor of the Colorado Tabors who if you believed this version lucked into a vast fortune. I can't believe the real Tabor didn't have some kind of shrewdness in his makeup.

In the film Robinson's character is named Yates Martin and he's a big hearted big spender type who drives his wife Aline McMahon to distraction with his generous ways. She convinces him that he ought to open a general store, but he grubstakes miners for a return of a share. It pays off beyond anyone's wildest dreams when in played out gold fields rich deposits of silver are found rivaling those of Nevada's Virginia City. In no time he's Lieutenant Governor of Colorado and briefly a U.S. Senator.

He also gets himself a trophy wife in Bebe Daniels after Robinson tires of McMahon's hectoring ways. It's quite true that Robinson owed his fortune to pure luck. But prospecting and grubstaking prospectors is a matter of a lot of luck.

Here and in real life the story was a scandal of the Victorian Age as divorce was something not done in polite society. Today these people would make great fodder for the scandal sheets and Daniels would be the Victorian Age's Anna Nicole Smith.

Robinson is as expansive as he ever has been playing a modern crime boss either seriously or for laughs. He always had a knack for playing characters who liked to live it up when they were in the chips starting with his career role of Little Caesar.

As for McMahon she treads a thin line in her performance. You feel sorry for her when she gets flung out. But at the same time you can understand in more ways than carnal why Robinson did it.

Silver Dollar is a film I wish was shown more. It's Edward G. Robinson in an unusual, but at the same time familiar part.