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Red-Headed Woman

  • 1932
  • Passed
  • 1 घं 19 मि
IMDb रेटिंग
7.0/10
3.8 हज़ार
आपकी रेटिंग
Jean Harlow in Red-Headed Woman (1932)
Steamy RomanceComedyDramaRomance

अपनी भाषा में प्लॉट जोड़ेंA gold-digging secretary will do whatever it takes to get ahead in society-including luring her morally minded boss away from his happy marriage.A gold-digging secretary will do whatever it takes to get ahead in society-including luring her morally minded boss away from his happy marriage.A gold-digging secretary will do whatever it takes to get ahead in society-including luring her morally minded boss away from his happy marriage.

  • निर्देशक
    • Jack Conway
  • लेखक
    • Katharine Brush
    • Anita Loos
    • Felix E. Feist
  • स्टार
    • Jean Harlow
    • Chester Morris
    • Lewis Stone
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.0/10
    3.8 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Jack Conway
    • लेखक
      • Katharine Brush
      • Anita Loos
      • Felix E. Feist
    • स्टार
      • Jean Harlow
      • Chester Morris
      • Lewis Stone
    • 71यूज़र समीक्षाएं
    • 30आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • कुल 3 जीत

    फ़ोटो76

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    टॉप कलाकार27

    बदलाव करें
    Jean Harlow
    Jean Harlow
    • Lil Andrews
    Chester Morris
    Chester Morris
    • Bill Legendre Jr.
    Lewis Stone
    Lewis Stone
    • William Legendre Sr.
    Leila Hyams
    Leila Hyams
    • Irene Legendre
    Una Merkel
    Una Merkel
    • Sally
    Henry Stephenson
    Henry Stephenson
    • Charles B. Gaerste
    May Robson
    May Robson
    • Aunt Jane
    Charles Boyer
    Charles Boyer
    • Albert
    Harvey Clark
    Harvey Clark
    • Uncle Fred
    Henry Armetta
    Henry Armetta
    • Waiter Warning Bill of Lipstick
    • (बिना क्रेडिट के)
    Sidney Bracey
    Sidney Bracey
    • Man Wanting to Use Phone Booth
    • (बिना क्रेडिट के)
    Ed Brady
    Ed Brady
    • Man Outside Pool Hall
    • (बिना क्रेडिट के)
    Ralph Byrd
    Ralph Byrd
    • Driver with Mustache
    • (बिना क्रेडिट के)
    Albert Conti
    Albert Conti
    • Frenchman in Paris
    • (बिना क्रेडिट के)
    Adolph Faylauer
    Adolph Faylauer
    • Man at Race Track
    • (बिना क्रेडिट के)
    Leyland Hodgson
    Leyland Hodgson
    • Surprised Party Guest
    • (बिना क्रेडिट के)
    James T. Mack
    • Thomas - Legendre Butler
    • (बिना क्रेडिट के)
    Edmund Mortimer
    Edmund Mortimer
    • Gaerste's Dinner Guest
    • (बिना क्रेडिट के)
    • निर्देशक
      • Jack Conway
    • लेखक
      • Katharine Brush
      • Anita Loos
      • Felix E. Feist
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं71

    7.03.8K
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    फ़ीचर्ड समीक्षाएं

    tedg

    Reds

    Watching this today will give you a quite different impression than it gave its original audience.

    Today we will see a film with strong sexual notions that we will note because such things all went away with the censors a year later.

    We'll see — and you can check it by the comments here — a story about a golddigger who uses sex to exploit one poor guy after another. The sexy bitch here is Jean Harlowe in one of the roles that made her the template for Monroe, who is the one we remember. Today, we might even note that she isn't punished for her sins.

    But the audience it was made for was deep in a depression. They would have noted that the rich men in this story got their money through coal. They created nothing; they invented nothing. All they had was a government-backed deed that said they could pull stuff out of the ground with virtual slaves and sell it. They are the victims as seen today where monopolists are celebrated. But in its time, these guys were fair targets. The "society" folks would have all been repulsive, and much of that carries over today.

    Even though the first guy seems likable enough, its the violent sex that wins him over every time. Its only when he discovers she has moved on that he is able to break the spell. The fact that the story is different in a different context is incidental to my main point, which is about redheads.

    Now Jean and Marilyn were blonds, both artificially. But THIS movie starts with the character's new campaign to catch a rich husband. And to start, she dyes her blond hair red. This interests me because I have a small study of redheaded women in film, how they are used and how we reason about them.

    Its a relatively simple thing to trace. My interest began when stumbling upon someone in a Disney character research lab who was tied to some spooky government research I was sponsoring. Look at the recent Disney animated women heroines. All but the Arabian princess are red. Now why is that? I am preparing a web site on this topic alone.

    Anyway, if you are interested in this, Clara Bow was our first fully sexual movie woman and every moviegoer would have known she was red. Even though the films were black and white, the movie magazines tinted hair color. Red is easier to make look good with those dyes. And later you will see the same effect with hair color and Technicolor. Judy was dyed red for Oz and St. Louis, for instance.

    For some reason. Redheads were tied to overt sexuality and explosive tempers. Whether you think film makes or reflects society, you might find a visit to this movie interesting. And yes, the redhead wins against the monied doofuses.

    Incidentally, if you follow how memes jump from movie to movie, watch this, then "The Unsinkable Molly Brown," for a redhead newly in monied society in a small town, who wants a party and is snubbed.

    Ted's Evaluation -- 3 of 3: Worth watching.
    August1991

    Never trust a red-head

    Harlow was about 21 years old when she made this film but she certainly seems older. In real life, she eloped at 16 and didn't have much of an education. Her accent here is flimsy. But her white skin was perfect for the period's bright lights and slow film. We see and understand well her expressions.

    This film shows garters and a surprising morality. The gold-digger gets her gold, conniving and finagling all the way. It seems that a beautiful young woman, who confidently knows what she is, can get anything she wants from a man. Classic Jean Harlow (and I guess Anita Loos). Harlow's act is not ditzy coquette - she knows exactly what she's doing and so do we. It's fun to watch the story unfold.

    The men are props but acquit themselves well. Charles Boyer, accent and all, plays the apparently genuine love interest. Watch for the scene where his character is accused of having an affair with a woman already having an affair. Only Boyer could get the right pause before answering matter-of-factly. This was one of his first American films.
    8AlsExGal

    A precode in reverse?

    Most films made for prohibition era audiences painted the poor as virtuous and the rich as those who were keeping them down. This one turns that mainly Warner Brothers model on its head. Here it is the poor but beautiful office worker, Lillian (Jean Harlow), who sets her cap for her rich married boss, Bill Legendre (Chester Morris). She is persistent, because Bill is hard to break down. He has known his wife, Irene (Leila Hyams), since they were kids, and is really in love with his wife.

    Bill caves a few time to Lillian's sexual heat, but he would never have left his wife for her. Lillian gets that, and is counting on the wife's pride to do the rest. It works, Irene leaves Bill and leaves the field to Lillian. But Lillian's undoing is that she cannot leave well enough alone, even after she is the second Mrs. Bill Legendre.

    Harlow just fills this screen with her presence. She had been in other MGM productions for the last year or so, but this was her star making role. It's more than her beauty. This girl has "It" as much as real red head Clara Bow had it in the silent era. Una Murkel plays Jean's pal who seems content to sit on the sidelines and watch, but you get the feeling if she could pull something like this off she would. Henry Stephenson has a great comical role in this film. And look for Charles Boyer in a very small but important role as Stephenson's chauffeur.

    I can't help but notice how similar this plot is to the production code film "The Women" - rich man loves his wife but likes sex with poor social climbing homewrecker with a plot that turns on the pride of the wife. I wonder if there is any connection?

    At any rate, highly recommended plus it has a great hummable theme song that is even performed by a crooner at its midpoint - "Red Headed Woman".
    10Ron Oliver

    Jean Harlow Triumphs In Salacious Tale

    Lillian, a girl from the wrong side of the tracks, knows exactly what she wants & how to get it. Right now, she wants her young, handsome, rich & very married boss. Using her considerable - one might almost say ostentatious - physical charms, Lillian lets few obstacles stand in her way for long. After all, she's THE RED-HEADED WOMAN, and she always gets her man...

    Jean Harlow was a sensation in this immoral tale, which practically shouts its pre-Production Code status. This film solidified her stardom and helped define her screen persona for generations of viewers to come. She not only had the looks, but she proved herself to be a fine actress, as well.

    While the plot revolves around Harlow, the rest of the cast acquit themselves very well: Chester Morris, stern-jawed but very vulnerable as Jean's conquest; Leila Hyams, quietly sympathetic as Morris' wife; canny old Lewis Stone as Morris' father - one of the few men able to see through Harlow's tricks; Henry Stephenson as a millionaire who falls easy prey to Harlow's wiles. The story is helped considerably by the addition of two tart-tongued character actresses, Una Merkel & May Robson, whose lively lines help spark the fun. That's Charles Boyer, not quite yet a star, as Jean's chauffeur/boyfriend at the end of the story.

    Movie mavens will recognize Henry Armetta in an uncredited bit as a comic waiter.

    Notice that for all her outrageous behavior, Harlow's character remains unpunished & unrepentant - a situation not allowed a couple of years later with the adoption of the Code.
    6nnnn45089191

    Has to be seen to be believed

    Jean Harlow as a home-wrecker of the worst kind delivers her first great performance in Red-Headed Woman.All the men in her lives are pushovers easily manipulated by the films central character. Made before censorship came into effect in Hollywood, this movie is able to shock viewers even today.The greatest entertainment value of this movie is how naughty all the principal characters are.Sex is out in the open and immorality is the name of the game. Harlow seduces and wins Chester Morris.The sucker has not a chance and which man has when a beautiful woman pursues you.Henry Stephenson is quite good as the moral hypocritical businessman. Nice to see him play such a part. Even a young Charles Boyer has a small important part in his Hollywood bow.The ending is really the biggest surprise.

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    7.0
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    7.0
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    7.4
    Waterloo Bridge

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Joan Crawford and Clara Bow were the most prominent actresses considered for the title role before the younger, less experienced Jean Harlow was cast. There had, in fact, been so many candidates for the role that MGM's Marie Dressler donned a red wig and posed for some gag publicity stills.
    • गूफ़
      (at around 17 mins) When Sally is removing her pajamas to give back to Lillian, the camera constantly is moving to keep the nudity out of the frame. However, when Sally removes her top and hands it to Lillian, it can be seen for a half second that Jean Harlow's right breast is covered by a flesh-covered, strapless half-bra that conceals only the lower breast.
    • भाव

      Lil Andrews: [trying on a dress in a store, Lil positions herself in front of a sunny window] Can you see through this?

      Store Clerk: I'm afraid you can, Miss.

      Lil Andrews: I'll wear it.

      Store Clerk: Oh!

    • कनेक्शन
      Edited from Flying High (1931)
    • साउंडट्रैक
      Red-Headed Woman
      (uncredited)

      Music by Richard A. Whiting

      Lyrics by Ray Egan

      Played and sung by an unidentified man during the opening credits

      Reprised by an unidentifed male singer in a nightclub

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल17

    • How long is Red-Headed Woman?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 25 जून 1932 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषाएं
      • अंग्रेज़ी
      • फ्रेंच
    • इस रूप में भी जाना जाता है
      • Red Headed Woman
    • फ़िल्माने की जगहें
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., कल्वर सिटी, कैलिफोर्निया, यूएसए(Studio)
    • उत्पादन कंपनी
      • Metro-Goldwyn-Mayer (MGM)
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    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $4,01,000(अनुमानित)
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 19 मिनट
    • रंग
      • Black and White
    • पक्ष अनुपात
      • 1.37 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Jean Harlow in Red-Headed Woman (1932)
    टॉप गैप
    By what name was Red-Headed Woman (1932) officially released in India in English?
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