No More Orchids

No More Orchids (1932)

*** (out of 4)

Interesting, if a tad bit strange, drama about a rich brat (Carole Lombard) who falls in love with an average guy (Lyle Talbot) but her greedy grandfather (C. Aubrey Smith) forces her to marry a rich Prince so that her father will be saved from his debt. NO MORE ORCHIDS isn't a very well known film and even fans of Lombard seems to have never seen it. That's a shame because it turned out to be a pretty good gem even if the final ten-minutes are extremely bizarre and in the end they really don't work. The film benefits from a very strong screenplay as well as some strong performances. The actual story of this thing is the type of melodrama that had been going on throughout the silent era and would continue throughout the 30s as we have the bad girl falling for a good guy only to be forced into the arms of someone else. What makes it seem so fresh and original here is that the screenplay is smart enough to actually make for some nice dialogue scenes where everything plays out in a believable fashion. This includes several scenes of Lombard having to really think through her decision and this makes for some very good drama. The screenplay is smart enough to make her character more than just a single note and the viewer certainly benefits from this. Lombard does a very good job as she was perfectly capable of playing the brat side of this woman but we also believe her when the character slowly starts to change due to her feelings for Talbot. As for Talbot, he too turns in another winning performance as does Walter Connolly as the father and Louise Closser Hale nearly steals the film as the fast-talking grandma. Smith turns in his typical fine performance as well. Fans of pre-code will be happy to see some rather risky dialogue about Lombard not being a virgin and we even get a sequence where she takes her rob off and is standing around in her bra and panties. Not too shocking in today's age but this was 1932 after all. The film takes a rather obvious twist towards the end and I think what the father does, which I won't ruin, doesn't work at all. The screenplay tries to milk this sequence for everything it's worth but I felt it fell flat on its face and didn't pack the punch it was going for. Even so, NO MORE ORCHIDS is still a fine little film that deserves to be seen by more.

Carole Lombard is spoiled heiress Annie Holt - in the '30s, it seems like everyone was writing about spoiled heiresses. Anyway, she's engaged to a prince, but while on a cruise, she falls for Tony Gage (Lyle Talbot). He has no money, isn't impressed by hers, and pays no attention to her. He ultimately tells her that her values are shallow and he doesn't respect her. Lombard cleans up her act and the two fall in love.

This is a bit of a sticky wicket - Annie's father (Walter Connolly) is in financial trouble and is planning on this marriage to help him out. And Annie's grandfather (C. Aubrey Smith), who set up this royal marriage, is looking forward to it as well. Put it this way - if she doesn't marry this guy, daddy's going to jail.

Good movie because of the wonderful cast, though the ending is a little bit of a downer. Lombard is gorgeous. She was a gal who could really turn a phrase. I wish that I could have met Lyle Talbot when he was alive - in a 56 year film career, he worked with everyone. The stories he could have told of his experiences in film, on stage, and on TV, where he did two series at one time.

Walter Connolly was a wonderful and sympathetic actor who died way too young, but he certainly made his mark. C. Aubrey Smith did an excellent job being mean as dirt, and Louise Closser Hale did a good job as the no-holds-barred grandmother.

A good film to watch but sad, too, to think that Lombard died so young. She was a true star, beautiful, radiant, funny, warm, and above all, an excellent actress. Always worth watching.

Carole Lombard was loaned from Paramount to Columbia to star in No More Orchids in which she plays a spoiled heiress, not unlike the one she played in her later classic My Man Godfrey.

She lives pretty high on the hog, but the pig is about to be slain as this is the Great Depression and the bank that her father Walter Connolly heads is about to go belly up. Her grandfather C. Aubrey Smith does not like his son-in-law.

But he does like his granddaughter and he wants Lombard to marry some empty suit with a title. He fancies being in-laws to nobility. He's got the empty suit picked out. but Lombard wants to marry lawyer Lyle Talbot.

In the end it's Connolly who makes the sacrifice so that Lombard can live her life with whom she loves. Won't say how.

Good performances all around. The revelation here is C. Aubrey Smith who usually plays stern but upstanding upper crust types is a real no good in this one. Good but way off type for him.

This is one of Carole Lombard's best early films. It goes a long way to sort of proving that it was Harry Cohn and Columbia Pictures, not the actress's home studio Paramount, that gave her the chance to shine most. The casting in this picture is flawless-- Lyle Talbot turns in a surprisingly good performance as the romantic interest and generates a lot of chemistry with Lombard; C. Aubrey Smith is letter-perfect in his villainous role as the tyrannical grandfather; and both Louise Closser Hale as the charming grandmother and Walter Connolly as the financially- troubled father give the story its heart and soul. Even the smaller roles (the catty rival, and the European prince) are filled by capable performers. But it's the story that captivates the viewer. An opposites-attract romance, it combines elements of comedy and melodrama, moves briskly and is very entertaining. For a product from a then-poverty row studio, this Columbia Pictures release is as sharp and polished as anything that came out of MGM or Paramount at this time. Highly recommended and worth seeing!

Rather schizophrenic comedy-drama from post-Prohibition but pre-Hays Code, meaning Carole Lombard gets to strut around in her flimsies, make prurient wisecracks, and be not the least timid about getting what she wants. She's a rich girl with a bumbling banker dad (Walter Connolly, playing virtually the same role as a year later in "It Happened One Night") and an aren't-I-adorable grandma (Louise Closser Hale, trying to be May Robson) who falls for unrich Lyle Talbot (a perfectly OK leading man, who looks a bit like the pre-mustachioed Gable, and has some of the Gable swagger). Why her awful grandpa would insist on her marrying somebody else isn't clear, nor is it clear why the sacrifice at the end makes everything all right. But ignore the plot and enjoy the ribald ripostes, and, especially, Carole looking gorgeous and wriggling around with great vivacity. She has star quality, but beyond that, she's a real actress, and you'll notice how carefully she's building and sustaining a not-always-likable character. Fine work.