Night Court

Night Court was a slight, but interesting, entry in the pre-code genre of social commentary or expose´ films of the early 1930s…I would say the same group that included the seminal `Public Enemy'. What made this film a joy to watch was not the revelatory peek of criminal machinations pervading the lower levels of the NYC justice system, but the relationship between the cabbie and his wife, unfettered by Production Code standards in effect just a few years later. The scenes of Mike and Mary and their baby in the one bedroom flat they shared were charming, and Anita Page evoked a warmth and naturalism uncommon in those days when the talkie was only 3 years old. No wonder she's still working 70 years later! Walter Huston was downright despicable, and his speeches to his night court denizens about maintaining law and order were rather chilling considering the depth of his criminal manipulations of the justice system. And the setting up of Mary Thomas as a prostitute to discredit her was an eye-opener and quite frank. The film moved along at a good clip, facilitated in no small measure I'm sure by the breezy direction of `One-Take' Woody Van Dyke who had a reputation for bringing a film ahead of schedule and under budget. Perhaps it is for this reason that scenes play out naturalistically, with the actors given what appears to be some latitude with the dialogue and action in order to move things along. Some occasional hammy acting doesn't really detract from the pre-code forthrightness of the picture.

"Night Court" is a delightful programmer released by MGM and featuring Phillips Holmes, who apparently was somewhat popular during the early talkies Era, mainly as a Paramount contract player. This was the first time I saw him on screen in a full-fledged-starring role (not counting his brief appearance in the all-star "Dinner at Eight", which I almost did not notice) and I must say I was favorably impressed by his performance and screen personae. I had read tidbits about his personal life and his films, and had another idea about him; he's nothing of what I expected. In my opinion, at least in this film, he has a strong screen presence, good acting ability, even when performing in scenes with seasoned pros such as Walter Huston (one of the finest actors of the American Cinema). He really makes his character likable and believable.

Holmes impersonates a cab driver who is extremely happily married to Anita Page's character, who plays very well a naive housewife, completely in love with her husband and utterly devoted to their only child (a cute little baby), who's unaware of her unexpected & tangent involvement with a corrupt judge's (played perfectly by the great Walter Huston) shenanigans & shady doings, who uses his unscrupulous lover (Noel Francis) for his evil purposes.

I wonder why Mary Carlisle (playing Lewis Stone's (a good Judge who's investigating Huston's corrupt Court) daughter) was billed fourth or fifth in the cast and Noel Francis the last, if the latter has much more time on screen and a meatier role.

John Miljan plays a villainous lawyer, skillfully as usual.

An interesting, seldom seen and highly entertaining Pre-Code (Check the Huston's Court hearings).

I quite don't understand why Maltin gives this film only two stars in his Guide; it at least deserves three and a half!

A great little Pre-Coder with Walter Huston playing a slimeball crooked judge being investigated by a committee headed by honorable judge Lewis Stone. Huston is such a creep in this. He sends an innocent woman to jail on a trumped-up charge, has her husband beaten up, AND has their kid taken away from them. All because he wrongly believed the woman knew something about his crooked activities. What a bastard!

Walter Huston made a lot of interesting movies in the '30s and this is certainly one of them. He does a good job with an evil unconscionable character. Anita Page and Phillips Holmes are great as the young couple Huston sets out to destroy. Jean Hersholt has a small part as a friend of Holmes. This is a really good one for fans of the kind of gritty urban crime dramas that were made in the early '30s. Pretty compelling stuff.

After concealing his mistress in the office closet, corrupt New York "Night Court" Judge Walter Huston (as Andrew J. Moffett) answers a reporter's questions regarding an investigation led by fellow jurist Lewis Stone (as William "Will" Osgood). Denying all irregularities, Mr. Huston carries on his tough sentencing of prostitutes and petty thieves while letting hardened criminals off the hook. Later, Mr. Huston orders mistress Noel Francis (as Lillian "Lil" Baker) to lay low in a poor section of town, to avoid being questioned. She has some incriminating evidence in her purse, which is seen by pretty apartment neighbor Anita Page (as Mary)...

The young wife and mother decides to say noting about "Mrs. Moffett's" bank book, but Huston is taking no chances. He has Ms. Page railroaded. When her husband, handsome cab-driver Phillips Holmes (as Mike Thomas), shows up in court wondering what happened to his wife, the dirty judge takes the couple's baby away. The plot thickens with murder as Mr. Holmes endeavors to untangle the mess. This early "talkie" is nicely handled by all. An unusual pacing works to the film's advantage, making a series of shocking events engrossing. Holmes is an appealing "working class hero" and receives an outstanding cast of co-stars.

******* Night Court (4/23/32) W.S. Van Dyke ~ Phillips Holmes, Walter Huston, Anita Page, Noel Francis

Walter Huston is as always excellent, here as a bad guy. He's a corrupt judge. He moves his girlfriend out of her tony digs and into a working class building. There, she lives next-door to a young cab driver, his wife, and infant. The wife happens to glance at a bankbook of the judge's that the baby took and next thing we know, the adoring young mother is set up on a charge of prostitution.

Phillips Holmes, the cabdriver, at first is devastated hat the young girl he married has turned to the streets. Then he starts to realize that she was framed.

He is tortured by hoods of the judge and other bad guys and then he gets the judge and tortures him till he tells the truth.

This was very shocking for its time. So was "Scarface," made at around the same time. Everyone knows about "Scarface" but "Night Court" is undeservedly unknown. Both are precursors t the very best of film noir.

(The only wrong note -- irrelevant to the plot but somewhat amusing -- is when the always fragile looking Holmes is given line describing himself as a big Palooka.)