Love Affair

The low IMDb rating this picture has is simply because Bogart fans expect to see a 1940s Bogart. Fans of pre-code movies however will love this - it gives you everything you'd expect.

With ladies in lingerie, an impoverished heiress, an impossible romance and a gloriously corny ending, you just know this was made in the early thirties. It has that lovely warm and familiar feeling you get from films of this era and really immerses you into the streets of New York of 1932. It's an Ursula Parrot story and since she wrote some classic pre-code films, you know this is going to be pretty special - if a little corny.

OK, Mr Bogart isn't the cynical, hard-boiled tough guy here but he is honestly is totally believable as a young ambitious engineer. OK, this was his first leading role but he had been a respected stage actor for ten years so is actually pretty good at that acting malarkey. Yorkshire lass, Dorothy MacKaill, had also been acting for a decade and again puts in a faultless and credible performance. She's very believable. Like in all the best pre-code movies, the story gets wonderfully convoluted and then in the very last minute of the film, everything is resolved, all loose ends are tied up and everyone is happy.

Something this has which others don't is Humphrey Bogart doing a Tom Cruise, jumping in to a moving plane to rescue the his true love. Wonderfully silly but you'll still feel like applauding!

"You were on your way up and you tripped on a skirt !" Gilligan says to Jim Leonard. That sums up the plot of this story of up and coming Leonard (a YOUNG Humphrey Bogart) when his dream gets sidetracked by the bombshell heiress Carol, played by Dorothy Mackaill. Leonard has been working on a new and improved motor, but now his love life and motor company both have their ups and downs in this 68 minute shortie. Bogart hadn't developed the quiet, brooding style yet. Good performances by most of the supporting characters - her butler, his co-workers, a sister, interlopers along the way. Some adult themes, since it was done just before they really enforced the film code, but it's still tame compared to what is on TV today. Directed by Thornton Freeland, a year before Freeland directed the incredible "Flying Down to Rio".

Socialite (Dorothy Mackaill) takes flying lessons from a pilot (Humphrey Bogart) who has invented a new kind of plane motor. The two begin a romance but, despite caring for him, she proves to be a bad influence and his career suffers. When she suddenly finds herself broke, she decides to marry a man with more money so she can help Bogie with his dreams.

Lackluster pre-Code drama of interest only for an early starring role for a fresh-faced Bogart. He does a decent job here but doesn't give any indication of his future superstardom. There are some scenes where he plays awkward and a little shy. That's not something you saw much of later in his career. Dorothy Mackaill is lively and less stagy than the normal style of the time. The supporting cast is adequate with no standouts. Best parts of the movie are the flying scenes and one scene where Mackaill is speeding in a car. Also some pre-Code elements some viewers might get a kick out of, such as suggested premarital sex. The story and romance are flat, even by 1932 standards. For Bogie completists and airplane enthusiasts only.

On Humphrey Bogart's first trip to Hollywood, he got his first leading man role in this B picture Love Affair. The first thing you ought to realize is that this film has absolutely nothing to do with the classic Love Affair later in the decade with Charles Boyer and Irene Dunne or the two remakes that followed. It's not half as good any of those films.

In fact Bogey is second billed to Dorothy Mackaill as a spoiled heiress who finds out she's been living her extravagant lifestyle courtesy of her late father's best friend and financial adviser Hale Hamilton. It comes as quite a shock to Mackaill. She considers a show business career as a way for an income.

Bogart is a test pilot who is also an aeronautical engineer and he's designing an ultimate airplane motor and is looking for investors. Mackaill is willing to do it, besides she likes what she sees in Bogey.

Considering the cynical roles that Bogart later made a specialty, it's a bit disconcerting to see him as this highly moral and self righteous character in Love Affair. The part doesn't wear well on him.

Love Affair is your average B program second feature, nothing terribly special about it.

LOVE AFFAIR (Columbia, 1932), directed by Thornton Freeland, is a minor second feature drama starring former Warner Brothers star, Dorothy MacKaill, opposite future Warner Brother star, Humphrey Bogart. Though the title bears no relation to the LOVE AFFAIR (RKO, 1939) starring Irene Dunne and Charles Boyer (remade most famously as AN AFFAIR TO REMEMBER (1957) starring Cary Grant and Deborah Kerr), this 68 minute production, taken from a story by Ursula Parrott, offers little interest except for the presence of young Humphrey Bogart in one of his earliest screen appearances.

Plot summary: Carol Owen (Dorothy MacKaill), a carefree heiress, is first seen at Antone's (Harold Minjir) salon getting all dolled up for an event that's to take place that day. After taking flying lessons at Gilligan's (Jack Kennedy) flying school, she's to now take her first flight in the air. Refusing the guidance of Eddie (Frank Rice), she chooses a much younger instructor, Jim Leonard (Humphrey Bogart). Following her flight in the air, she takes Jim on a wild car wide in her roadster back to town. She stops at her home where Jim is introduced to her society friends. Bored and feeling out of place, Jim, totally ignored, leaves without notice. Carol comes to Jim's apartment where she learns his plans on leaving aviation school to dedicate his time working on and trying to promote his new airplane motor. Because of her interest in Jim, Carol arranges for Bruce Hardy (Hale Hamilton), a Wall Street tycoon and her financial adviser, to finance Jim $5,000 for his motor for him to form his Leonard Motor Company. In the meantime, Jim has a younger sister, Linda (Astrid Allwyn), an aspiring young actress working under the name of Linda Lee, who isn't what she appears to be. She not only supported and living in the luxurious apartment of Bruce Hardy, who loves Carol, but she's been using his financial means for Georgie Keeler (Bradley Page), a suave Broadway producer, to use for his show where Linda is to appear. Problems arise when Carol, learning that she is broke, to become engaged to Bruce and marry him for his money after promising Jim she loves nobody else but him. Also in the supporting cast are: Halliwell Hobbes (Kibbee, Dorothy's butler); and Barbara Leonard (Felice, the French hair stylist).

As much as there is no real love affair to mention, LOVE AFFAIR is actually two separate stories for the price of one, each involving either Jim and his sister. Dorothy MacKaill's character is very much the aggressor going after and getting what she wants, Dressed mostly in fur coat and high-fashion clothes, MacKaill may be best known for her pre-code melodrama, SAFE IN HELL (Warner Brothers, 1931), which is often claimed to be her finest work in the early sound era. Humphrey Bogart, in a role that might have gone to the likes of a Ralph Bellamy, Pat O'Brien or a Ben Lyon, might seem to be an odd choice as her male co-star. Though type-cast later in gangster roles or bad-guys, Bogart would prove his worth as a romantic-type in the 1940s, especially in the Academy Award winning drama, CASABLANCA (1943). Yet, LOVE AFFAIR would prove more interesting viewing today mainly due to Bogart's presence than the rediscovery of Dorothy MacKaill. Astrid Allwyn as Bogart's sister, interestingly, appeared also in the better known 1939 edition of LOVE AFFAIR as well.

Never distributed to home video, LOVE AFFAIR did become available on DVD . It's cable television broadcasts were mainly on Turner Classic Movies in 1994, with brief revivals later in 2009 and 2011, around the same time TCM unearthed many other obscure films of the Columbia Pictures library from the 1930s and 1940s. (**)