Buzzin' Around

Roscoe Arbuckle has invented a liquid that, when painted on pottery, makes it bounce instead of breaking. He's on his way into town to show it off to manufacturers. However, Al St. John has accidentally switched a jar of hard cider for the invention, and a nest of angry wasps has fallen into Roscoe's car on the way in.

It's a funny and old-fashioned comedy, full of slapstick and sight gags, and sound gags too. More than that, it was a way back for Arbuckle, who had been banned from appearing in the movies after he had been acquitted of murdering Virginia Rappe. Yes, that's right, acquitted, with an apology from the jury. For more than ten years he had worked as a comedy director under a false name. Now Warner Brothers was giving him a chance to appear in front of the camera again in six shorts.

Thankfully Hollywood forgave Arbuckle in time that he was able to make 6 talking shorts before passing away. I gave this short a 9. It is not hilariously funny for a modern audience but probably as good or better than any other shorts of it's day and does have it's moments. You can tell his ordeals have taken their toll on him as a man, but Arbuckle still had the knack of being funny. The scene where the doctor examines him after swallowing a bee is very funny indeed. One reviewer here mentioned that Arbuckle was a long time heroin addict by the time this film was released. I have read about everything there is on Arbuckle and have never heard that from any other source and do not believe it for a second. Arbuckles alcoholism was well known but that hardly made him a heroin addict. I would like to know where the reviewer got that info.

Farm boy Cornelius (Roscoe 'Fatty' Arbuckle) invents a liquid coating which makes anything unbreakable and bounce. He gets a request for a demonstration. His brother Al accidentally switch the jars. A bee hive falls into his vehicle. He swallows a bee. Things keep happening causing non-stop chaos.

First, that's the Target dog. I wonder if there is a copyright situation. I've only seen a couple of Fatty Arbuckle movie and this is probably the best so far. It's one of his comebacks and as a talkie, it has his voice. With nephew Al, they look like Laurel and Hardy. It's a lot of slapstick and mindless destruction. I don't mind it. It's lesser Laurel and Hardy with the Target dog.

This is one of a handful of Fatty Arbuckle movies made as his return to starring in two reelers, now in sound.

The movie has ots of pantomie with sound effects, but it also has speaking roles, including Fatty.

It's directed by a seasoned director who specialized in two reel comedies but also directed Laurel & Hardy in a couple of their best films (and one of their worst).

Pete the Dog from the Little Rascals is also in this.

The movie has a lot of decent gags and although Fatty is a bit aged and a bit slower, he's still pretty funny. I enjoyed it as a curio piece.

Filmed around the Vitagraph/Warner Studios in Brooklyn, NY.

This is a very mediocre film at best. And, considering this is one of the last films by the legendary Fatty Arbuckle, that's pretty sad. In his heyday (before the scandal that torpedoed his career), Arbuckle's comedies were among the best of the silent era--showing great imagination and finesse. However, all the originality and charm of his old films is barely noticeable here--even if he is teamed up with his old supporting comedian, Al St. John (Arbuckle's real-life nephew). This is because some gags are just not funny (the way too long and poorly done bee bit) and others are just recycled from other films (such as Arbuckle's following a policeman in order to keep the tough guy from slugging him). The end result just looks very tired and a mere shadow of his former glory. Like the old saying goes, "you can never go back". Too bad--as I really wanted to like this comeback film.