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IMDbPro

Blessed Event

  • 1932
  • Passed
  • 1 घं 20 मि
IMDb रेटिंग
6.9/10
811
आपकी रेटिंग
Mary Brian, Ruth Donnelly, Dick Powell, and Lee Tracy in Blessed Event (1932)
Al Roberts writes a gossip column for the Daily Express. He will write about anyone and everyone as long as he gets the credit. He gets into a little difficulty with a hood named Goebel who sends Frankie to talk to Alvin. But Al has the confession of Frankie on cylinders so Frankie becomes his own bodyguard and information line. One person Al is always taking digs at is crooner Bunny Harmon, because he hates crooners. When he writes a story about Dorothy's blessed event, he comes to regret destroying her life. But more importantly to Al and Frankie, her man may end 'Spilling the Dirt' permanently.
trailer प्ले करें2:32
1 वीडियो
11 फ़ोटो
कॉमेडीड्रामारोमांसवर्कप्लेस ड्रामा

अपनी भाषा में प्लॉट जोड़ेंAl Roberts writes a gossip column for the Daily Express. He will write about anyone and everyone as long as he gets the credit. He gets into a little difficulty with a hood named Goebel who ... सभी पढ़ेंAl Roberts writes a gossip column for the Daily Express. He will write about anyone and everyone as long as he gets the credit. He gets into a little difficulty with a hood named Goebel who sends Frankie to talk to Alvin. But Al has the confession of Frankie on cylinders so Frank... सभी पढ़ेंAl Roberts writes a gossip column for the Daily Express. He will write about anyone and everyone as long as he gets the credit. He gets into a little difficulty with a hood named Goebel who sends Frankie to talk to Alvin. But Al has the confession of Frankie on cylinders so Frankie becomes his own bodyguard and information line. One person Al is always taking digs at ... सभी पढ़ें

  • निर्देशक
    • Roy Del Ruth
  • लेखक
    • Howard J. Green
    • Forrest Wilson
    • Manuel Seff
  • स्टार
    • Lee Tracy
    • Mary Brian
    • Dick Powell
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.9/10
    811
    आपकी रेटिंग
    • निर्देशक
      • Roy Del Ruth
    • लेखक
      • Howard J. Green
      • Forrest Wilson
      • Manuel Seff
    • स्टार
      • Lee Tracy
      • Mary Brian
      • Dick Powell
    • 21यूज़र समीक्षाएं
    • 13आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • कुल 2 जीत

    वीडियो1

    Original Theatrical Trailer
    Trailer 2:32
    Original Theatrical Trailer

    फ़ोटो11

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 4
    पोस्टर देखें

    टॉप कलाकार27

    बदलाव करें
    Lee Tracy
    Lee Tracy
    • Alvin Roberts
    Mary Brian
    Mary Brian
    • Gladys Price
    Dick Powell
    Dick Powell
    • Bunny Harmon
    Allen Jenkins
    Allen Jenkins
    • Frankie Wells
    Ruth Donnelly
    Ruth Donnelly
    • Miss Stevens
    Emma Dunn
    Emma Dunn
    • Mrs. Roberts
    Edwin Maxwell
    Edwin Maxwell
    • Sam Gobel
    Ned Sparks
    Ned Sparks
    • George Moxley
    Walter Walker
    • Mr. Miller
    Frank McHugh
    Frank McHugh
    • Reilly
    Herman Bing
    Herman Bing
    • Emil - the Head Chef
    • (बिना क्रेडिट के)
    George Chandler
    George Chandler
    • Hanson
    • (बिना क्रेडिट के)
    Jesse De Vorska
    Jesse De Vorska
    • Morris Shapiro
    • (बिना क्रेडिट के)
    Tom Dugan
    Tom Dugan
    • Dick Cooper
    • (बिना क्रेडिट के)
    Robert Gordon
    • Eddie - the Office Boy
    • (बिना क्रेडिट के)
    Ruth Hall
    Ruth Hall
    • Miss Bauman
    • (बिना क्रेडिट के)
    William Halligan
    William Halligan
    • Herbert Flint
    • (बिना क्रेडिट के)
    Lew Harvey
    Lew Harvey
    • Joe - Gobel's Henchman
    • (बिना क्रेडिट के)
    • निर्देशक
      • Roy Del Ruth
    • लेखक
      • Howard J. Green
      • Forrest Wilson
      • Manuel Seff
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं21

    6.9811
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    9
    10

    फ़ीचर्ड समीक्षाएं

    jaykay-10

    Tell your friends about this one

    Obscure and almost forgotten, this is a gem of the type of picture Warner Brothers did best in the 30s. Earthy, moving at a breakneck pace, packed with dialogue that snaps, crackles and pops, it is super entertainment. The Warners look and feel are everywhere, along with several key members of the studio's stock company. The humor (and there is lots of it) has a sardonic edge, much in keeping with the overall tone of the story. Lee Tracy's vivid description of life and death in the electric chair is a grisly, repulsive comedy turn. In an excellent cast, special attention to poor uncredited Isabel Jewell - perhaps just a bit more strident than the role required, but delivering an on-edge performance you will not soon forget.
    fowler1

    Just About Perfect

    This isn't the first time I've raved about Roy del Ruth's Warners work prior to the emergence of the Hays Office, but it needs to be restated: few directors had as sure a hand with fast-paced, cynical comedy as Del Ruth. And, when teamed with the equally forgotten (and equally inspired) comedian Lee Tracy, what results is one of the best comedies of the 30s, as funny and audacious today as then. Tracy (who came West to Hollywood after originating the Hildy Johnson role in THE FRONT PAGE on Broadway) was the wisecrack-slinger all others are measured against; here he's so good, so inspired at mixing verbal and physical comedy, you'll be wondering how it's possible his career didn't soar for 25 years. (Besides his heavy drinking, which couldn't have helped him, he earned the wrath of Louis B Mayer during the shooting of VIVA VILLA by urinating on the Mexican army from his hotel balcony, effectively ending his career as a leading man. Or so the legend has it.) This is probably his best film, playing a Winchell-like columnist named Alvin Roberts, and Tracy plays him with such cheerful unscrupulousness you might almost forgot what a rat the real Winchell was. But this is pre-Code Warners, where even an unprincipled cur could be a hero so long as he scraped bottom with zest and pluck; don't be surprised at the many one-liners and situations that would become taboo in three years time: abortions, adultery, homosexuality and ethnicity are all fair game for BLESSED EVENT's satirical arrows, and only an insufferable prude would stifle his laughter. Not until Preston Sturges played chicken with the Hays Office in the early 40s would such darkly funny farce be allowed on the screen again. Keep an eye out for this one and prepare to become a Lee Tracy fan for life. As usual, Del Ruth's direction is dead on the money, while never calling attention to itself.
    10Ron Oliver

    Not The Nadir

    A brash tabloid columnist turns his BLESSED EVENT style of gossip mongering into a sensation, but creates many enemies along the way.

    This is the film that made Lee Tracy an authentic movie star - the role and the actor were perfect for each other. For the next couple of years Tracy would specialize in fast talking shyster lawyers, agents, reporters & flimflam men. In the process, he became one of the most enjoyable performers of the era, always fresh & entertaining. However, after misbehaving in Mexico while under contract to MGM, he would be banished to the Poverty Row studios to continue acting in minor films. Today, regrettably, he is almost forgotten.

    But in pre-Code BLESSED EVENT Tracy is at the top of his form: exasperating, maddeningly irritating & wonderfully funny. Warner Brothers gives him an excellent supporting cast to bounce off of - acerbic Ned Sparks as a disgruntled tabloid reporter; peppy Frank McHugh as an overeager publicity agent; porcine Edwin Maxwell as a nasty gangster; and Allen Jenkins as a softhearted criminal (his ‘electric chair' scene with Tracy is a classic).

    Boyish Dick Powell, in his film debut, seems an odd choice to play Tracy's nemesis, but there's no doubt about his charm & fine singing style, both of which would soon make him a major movie star.

    Mary Brian is lovely as Tracy's girlfriend & Emma Dunn is sweet as his mother, but each tends to be a bit smothered by Tracy's oversized personality. His true co-star is tart-tongued Ruth Donnelly as his secretary. No slacker in slinging the dialogue around, she's able to match Tracy line for line.

    Movie mavens will recognize Charles Lane as a reporter; Isabel Jewell, terrific as a much-abused showgirl; and hilarious Herman Bing as a chef - all of them uncredited.
    7SimonJack

    A parody of personalities and the times

    "Blessed Event" is a parody of its time and of the media and entertainment of its day including newspapers and radio. But one wonders how exaggerated it really is. The sensationalism of the press and rise of yellow journalism was a frequent part of movie plots in the 1930s. But this one treats of another aspect as well - gossip.

    Lee Tracy plays Alvin Roberts, who quickly becomes a famous New York gossip columnist. The movie is billed as a drama and comedy. While there is comedy in Robets' character and some of the funny things he says, the drama of the film isn't lost on the audience. We soon feel the distastefulness of Roberts' gossip column. We soon see the inconsiderate character that he becomes. We soon see his ego and pride and relish for the power he has assumed. These are sad situations, and the film shows the tragic results of such power and behavior. Of course, amidst all of this we have occasional funny lines or clever comments.

    This film could be a biopic of a real person. Other reviewers have pointed this out. Roberts is as an obvious copy of Walter Winchell who was then on the rise as the king of gossip. Winchell was the original gossip columnist of Broadway and New York. He rose to such power through the press that politicians, the rich and famous, sports celebrities, gangsters, and actors feared him or tried to get close to him. Hedda Hopper and Louella Parsons would become the Walter Winchells of Hollywood.

    Lee Tracy's high-pitched voice and rapid-fire delivery closely emulate Winchell's persona. Although carried to the extreme for this film, those also were natural characteristics of Tracy. For a time, he was a leading actor in great demand. Some of his real lifestyle was similar to Winchell's. He was arrogant and seemed to bathe in the power of his position. Tracy also lived a racy, reckless, self-centered life. His temper, rowdiness and bad manners earned him a "bad-boy" reputation. He was given the boot from MGM after a public incidence in Mexico during filming of a movie there. Tracy urinated in public off a balcony and got in fisticuffs with the police.

    His later roles about hard-bitten, muck-racking, sensationalist reporters soon wore thin with the public. Tracy returned to the stage and later ended up on television in supporting roles. He had a successful marriage and apparently tamed down before his 1968 death from cancer at age 70.

    Winchell's fortunes were quite different. From the mid-1930s on, his star continued to rise through the 1950s. He had his own radio show and his newspaper column was syndicated in more than 2,000 papers worldwide. Winchell was very controversial. He had powerful friends and enemies. He was the first media personality to attack Adolf Hitler and the rise of Nazism. He also hated Communism and attacked the National Maritime Union during World War II as being a communist front. He admired Franklin D. Roosevelt and was invited to the White House. He also liked J. Edgar Hoover. Winchell was one of the earliest and most outspoken supporters of civil rights for African Americans. He attacked the Ku Klux Klan and other racist groups. He also supported Sen. Joseph McCarthy's efforts to ferret out communists in Hollywood.

    Winchell held court at the Stork Club in New York for years. But by the late 1950s, his appeal began to wane. And, his power dropped quickly. His family life was unstable and unconventional and experienced sad deaths. He lived alone his last two years in the Ambassador Hotel in Los Angeles. He died of cancer at age 74 in 1968.

    In this movie, Tracy's Roberts says repeatedly, "Pride ain't power." He has a few funny lines. "I almost starved to death for two weeks," was one. The story is all about so-called "entertainment journalism." The supporting cast are fine, with Mary Brian doing an excellent job as Gladys Price, Roberts' secretary and right-hand man.

    This movie is interesting in its snapshot of the time and its parodies. It has some historical value for that reason. The cast and production values are all good. And, it's somewhat entertaining.
    houndspirit

    Typical Lee Tracy so typically terrific.

    Fast paced and very clever Lee Tracy vehicle playing a Walter W. type gossip columnist with a grudge against "crooners"generally and one in particular played by Dick Powell. Definitely precode with dialogue and subject matter that would have been totally rejected just a few years later. One scene culminates in a phrase spoken by Tracy's"mother" containg a word that rocked the film world at the end of Gone With the Wind. Among other wonderful sequences watch for Tracy's evocation of a trip to the "hot seat", and Dick Powell's rendition of a singing commercial extolling the qualities of"Shapiro's Shoes". With Shapiro himeself beaming at his side. Do catch this film also a similar effort also with Tracey "The Half Naked Truth".

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    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The film marked Dick Powell's film debut, although some sources credit him with an appearance in the film Street Scene (1931). He was a band singer and recording artist on the Vocalion label, which was owned by Bruswick. In 1930, Warner Bros. bought Brunswick and thus became aware of Powell. This acquisition is also why one sees "Brunswick radios used exclusively" in the opening credits of many Warner Bros. films from that time.
    • भाव

      Mrs. Roberts: Well, I'll be damned!

    • कनेक्शन
      Featured in Maltin on Movies: Battleship (2012)
    • साउंडट्रैक
      How Can You Say No (When All the World Is Saying Yes)?
      (1932) (uncredited)

      Music by Joseph A. Burke

      Lyrics by Al Dubin and Irving Kahal

      Copyright 1932 by M. Witmark & Sons

      Sung by Dick Powell

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 10 सितंबर 1932 (यूनाइटेड स्टेट्स)
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      • Warner Brothers Burbank Studios - 4000 Warner Boulevard, बर्बैंक, कैलिफोर्निया, संयुक्त राज्य अमेरिका(Studio)
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