This Modern Age

I hated this movie. A blonde Joan Crawford plays a girl whose father died so she wants to meet her estranged mother. Well, Moms is a trashy old broad living it up in Paris on some French guy's dime. So Joan comes to Paris and very quickly finds she likes her mother's lifestyle and friends. She gets into a drunk driving accident thanks to the douchebag her classy mom set her up with. Then stuffy Neil Hamilton shows up and helps pull the two of them from the wreck. This is all treated very lightly. Anyway, Joan and Neil start to date but Neil's parents don't approve of her friends. I could go on but it's all very tedious and who cares. This is a stinker. What an unlikable group of characters. Everybody dresses nicely and enunciates all their words ever so properly yet I couldn't help but need a bath after watching them! At least Joan looks nice. Avoid this unless you're an avid Crawford fan.

I wonder if Joan Crawford disliked Jean Harlow's career boom. In This Modern Age, Joan wears a platinum wig and prances around like a party girl, but she's really innocent and only interested in a wedding ring, much like Jean's character in The Girl from Missouri.

Joan's mother is Pauline Frederick, and since she's a divorcee and has a well-known relationship with Albert Conti, she has a bit of a bad reputation. She wants Joan to have a fair shot in life, but this film is a far cry from Stella Dallas. Joan attracts the high-class Neil Hamilton and worries that his parents won't approve of her. This isn't the best mother-daughter drama to come out of the 1930s, and while Joan looks very pretty, I won't choose to watch it again. I'll stick with Stella Dallas when I want a good cry.

Diane Winters (Pauline Frederick) opens a letter to learn that her nineteen year old daughter is coming to live with her. Valentine (Joan Crawford) arrives timidly but quickly learns to love her mother. She does not know, however, that her mother is a kept woman living a lavish lifestyle thanks to a wealthy benefactor. Rich people flock to the home including Tony Girard (Monroe Owsley), a lovesick drunk who befriend Valentine. She also meets the respectable Bob Blake Jr. (Neil Hamilton) who she hopes to wed, until she realizes that their families clash.

This is a good early talkie because it doesn't suffer from being a film for the sake of being a film. It has an actual story which is performed well by the cast. It is a bit short and not emotional enough to be considered a great film, but if you're a fan of early Crawford films like I am, you'll enjoy yourself.

Speaking of Crawford, it is a bit ironic that her character is so moral here. The drunk driving accident brings up the hit-and-run trouble she had in her own life and her stance against her mother's lifestyle is in stark contrast to her true beliefs.

There is considerable energy in this Joan Crawford vehicle, and it compares favorably with some of her other films of the period - it is much more engaging than Laughing Sinners, for example. A number of scenes are very short, and the story moves along briskly. Perhaps the biggest surprise is the performance of Pauline Frederick as Crawford's mother - she is believable and touching, and evokes great sympathy as a woman in a difficult situation. The settings, of course, are sumptuous in that art deco MGM style that is so appealing from the distance of more than 70 years. Also noteworthy is that although this is a drama, there is a fair amount of humor throughout. It is not one of the depressing, heavy-going melodramas typical of the period.

Two stars of different generations combine their talents in This Modern Age which does not prove to be all that modern even for 1931. Pauline Frederick and Joan Crawford are mother and daughter in this MGM film and it's about a reunion that brings out a few issues and unpleasant truths. In later years it would be Joan cast as the mother with a past.

In her flapper years Crawford is looking forward to a trip to Paris where she will reunite with Frederick after many years separation. Along the way she meets All American Harvard football player Neil Hamilton and his straightlaced parents Hobart Bosworth and Emma Dunn.

But later on she meets two male acquaintances of Frederick, drunken playboy Monroe Owsley who might have been cast her instead of Crawford's good friend William Haines. It's very much a Haines type role. And there's this friend of Mom's the titled Albert Conti. They're very good friends indeed.

A great deal of Puritan moralizing is offered in This Modern Age. In the end it all works out for the lovebirds.

A really creaky old time vehicle, This Modern Age is palatable for today's audiences by the performances of Crawford and Frederick.