Possessed

Joan Crawford made two films, both with the title; "Possessed." This is the 1931 version (the other was made in 1947) and the two stories are nothing alike. Clark Gable is in this one, and it's a delight to see the two superstars together. (Supposedly, they were having a torrid affair at the time this was filmed).

Poor factory girl (Joan Crawford) goes to New York to find fame and fortune. She quickly becomes a "kept" woman for a rich lawyer (Clark Gable--without his moustache). But she can't keep her past away forever and things start to go terribly wrong.

Strong (for 1931), short (71 minutes) pre-Code drama. The script is sharp and believable, the direction good and there are some incredibly lavish settings. Also Crawford and Gable are just great in their roles and both of them look incredibly beautiful. There was a brief part at the end that I didn't buy, but that didn't destroy the picture at all. Well worth seeing for anybody, but a definite must for Crawford and Gable fans.

Excellent soaper with a Joan Crawford billed above the soon-to-be superstar Clark Gable. The possibility of upward mobility afforded to women, especially at this time during the Great Depression, remains a theme of interest today. Women can play on men and get upward mobility but there is often a price to be paid -- and Joan pays it in this movie.

Excellent photography makes the best of the stars and Adrian's dressing of Joan. Notable train sequence in beginning of film has the poor Joan facing the possibility of the good life if she is willing to defy convention and joint those "inside the car." Gable teaches her how to act and she becomes a refined, but kept, woman. He refuses to marry her for all the "right" reasons but in the end, Joan is affected by society's opinion of women in her station.

Grandstand speech sequence at the end of the film is a bit too unbelievable but my wife was moved to tears when she saw it. One of Joan's better films. Recommended.

I came by this movie when someone I know at work gave me a still-sealed copy from the Warner Archive Collection; they'd sent him two of the same title by mistake. Since it was Clark Gable and Joan Crawford I decided I'd give it a chance. Joan plays a factory worker who gets tired of the hum-drum life she leads and isn't interested in the man who's longed to marry her since they were kids (Wallace Ford) so she leaves it all and travels to New York City where she plays mistress to a wealthy lawyer (Gable) to get the kind of high living she wants. Three years later, Ford still wants to marry her, and Gable intends to run for Governor but his chances may be jeopardized by living with a woman. This pre-code film was nothing earth shattering, but had good performances from Crawford and Gable, and for me an added surprise bonus with a strong turn by Wallace Ford. I think through this movie it's easy to see Crawford's talents and how Gable was destined to become a big star. Director Clarence Brown has a nice touch, and some shots are very impressive. The one which stood out most for me is early on where Joan longingly observes well-to-do people interacting on a slow-moving train, as we see them through the windows of each passing car. When I see artistic flourishes like this in so many early '30s pictures (and many silents), my old defense of Tod Browning's Dracula for being dull due to it being an early talkie certainly falls flat. **1/2 out of ****

This movie goes to prove that pre-code Hollywood was much more mature and knew how to make movies of good taste on socially relevant issues. The theme of the woman who lives as a 'mistress' of the man she loves because he prefers not to get married was very daring in those days. The social background was also cleverly handled. One scene is particularly impressive and intelligent: when J. Crawford, just about to cross a railroad, stops to wait a train go slowly by and, through each window that passes, she has a glimpse of how the other half lives, just as though she were watching a movie. A visually very inspired moment.