Lonely Wives

Fantasizing he is an after hours womanizer, stuff-shirted lawyer Edward Everett Horton (as Richard "Dickie" Smith) flirts with new secretary Patsy Ruth Miller (as Kitty "Minty" Minter). Tipped off by boozing butler Spencer Charters (as Andrews), Ms. Miller sets Horton up on a date with film actress friend Laura La Plante (as Diane O'Dare). The women hope to Horton will provide Ms. La Plante with a cheap divorce from vaudeville husband "Felix, the Great Zero" (also played by Horton), for non-performance of duties. Lawyer Horton agrees to let "Felix" impersonate him at home, so he can keep dates with the women.

But, wife Esther Ralston (as Madeline) comes home predictably… er, unexpectedly…

Leading man Horton acts his two roles successfully, in and out of "split screen" effect. Interestingly, he gets three leading ladies who were bigger stars during the "silent" years. Miller is charming and too briefly on-screen. Ms. Ralston appears modern and sexy. La Plante has the meatier part. And, matronly mother-in-law Maude Eburne (as Mrs. Mantel) steals scenes from everyone. The old film is sprinkled with amusing sexual innuendos. The twin Hortons are neatly directed by Russell Mack, but someone needed give the viewer some more differentiation between the two, especially during the masquerade at the house.

****** Lonely Wives (2/15/31) Russell Mack ~ Edward Everett Horton, Laura La Plante, Esther Ralston, Patsy Ruth Miller

Mildly interesting comedy with Edward Everett Horton given an rare leading role. He even refers to a "bedroom farce" with one of the other women during the film.

This movie has been well reviewed by others. Only two other comments. Exactly how is it that Mr. Zero can not only can make himself up to be an exact physical double of Mr. Smith, but he can also imitate the same effete, nervous-Nellie personality of someone he has never before met? The film would have been more interesting, as in other films where someone is impersonating another, if he had a less exaggerated persona. Also, of note is the fact that the three main female leads, all more famous in the silent era than after-wards, all lived into their 90's.

For decades, a familiar and very stupid cliché has been used in movies and on TV--the identical stranger or identical cousin. While such things are 100% impossible and ridiculous, the idea has been used (and over-used) for years. I am usually annoyed by such productions, as these are not very similar folks but EXACTLY the same--which makes no sense at all. "Lonely Wives" is based on such a premise--and so it loses a few points for its dopiness.

Edward Everett Horton plays two people--Dickie Smith and a vaudeville performer, Mr. Zero. Zero is a professional impersonator and has managed to look, sound and behave exactly like Dickie. So, the two concoct a plan to have Zero pose as Smith but not surprisingly, lots of problems result--such as Dickie's wife apparently sleeping with Zero! While I admit that the film IS entertaining and a bit cheeky, the plot is silly fluff. But, in this case, it works a bit better than usual because I love Edward Everett Horton--he was a very funny character actor who had a chance to star in this farce. Not brilliant...but cute.

The strange connection between a passionate lawyer and a vaudeville impersonator leads to romantic complications for their LONELY WIVES.

Edward Everett Horton, that nervous fuss-budget who enlivened so many films as a top character actor during Hollywood's Golden Age, here gets a rare starring role and a chance to really flex his comedic muscles. Although it's a little difficult to think of Horton as a romantic idol--even a funny one--he certainly has the lovely ladies adoring him in this lively Pre-Code farce.

Providing double trouble, Horton plays the dual roles of a stern lawyer who ‘blooms' into a Don Juan every evening at 8 PM and the talented mimic who wishes to impersonate the lawyer on the stage. Add the lonely wives--Esther Ralston & Laura La Plante--and you're likely to get a merry marital mix-up.

Patsy Ruth Miller plays the lawyer's too flirtatious new secretary. Spencer Charters staggers through the role of the household's increasingly inebriated butler. Best of all is elderly Maude Eburne, an underappreciated actress with considerable comic skills, who tackles the role of Ms. Ralston's boisterous mother. Chubby Ms. Eburne easily holds her own with either Hortons and gets to utter the film's final, funniest line.

This film is based on the 1922 play, renamed "Who's Who" - a better title than "Lonely Wives" - that starred Charles Ruggles. While Ruggles would have been perfection as Smith/Zero, this film version is hilarious, due primarily to the inventive comedic performance of Horton. Also superb are the butler - a tippler who thinks he's going crazy - and Horton's guard dog mother-in-law. It's a pleasure to watch the adorable Ralston, La Plante, and Miller - 3 femme stars from the silent era who have featured roles - contribute so deftly to the merriment. As the plot thickens, the tempo speeds up so that the second half is a whirl of exits, entrances and misunderstandings. Surprisingly, but believably, all wrongs are righted in the end.

Even though this film from the Mill Creek comedy collection was a poor visual and audio transfer from a TV showing, it's amazing just how good this comedy is and how much I enjoyed it.