The Smiling Lieutenant

If you like cotton candy, or maybe a marshmallow sundae with sprinkles and a cherry on top, this picture will be among your favorites. What could be more appealing than a Lubitsch romantic comedy with its characteristic sly innuendos? Perhaps one that is set in a palace, with uniformed guards, ladies-in-waiting, and pageantry that no one takes seriously. More appealing than that? All of the above, with music. Want more? The casting is perfect: a flirtatious, mugging Chevalier; a young and nicely naughty Claudette Colbert; and most notably Miriam Hopkins effectively playing the extremes - a prim, virginal innocent who learns the ways of a vamp in order to hold her man. As her father, George Barbier contributes impressively, too. Great fun; one of Lubitsch's best.

Maurice Chevalier is way too hammy in this pleasant comedy. Claudette Colbert shines as the bad girl with a violin. Colbert displays her usual breezy charm AND a nice singing voice. But it's Miriam Hopkins who steals the film as the dowdy princess turned jazz baby. Colbert and Hopkins sing a delightful "Jazz Up Your Lingerie" number which Hopkins reprises on the piano, replete with frizzed hair and cigarette dangling from her lips as she pounds out a snazzy-jazzy version of the song. Hilarious! Hopkins rarely got to show her comic side. She was also funny in Wise Girl. Smiling Lieutenant also has Charlie Ruggles, Elizabeth Patterson, and the delightful George Barbier as Hopkins' papa. Good fun. Watch it for Hopkins and Colbert!!!

Lubitsch's third great musical is perhaps his most immoral, along with "One Hour With You". The screenplay by Ernest Vajda and Samson Raphaelson is replete with the occasional Lubitschian double entendres and naughtiness. The film often recalls the lilting grace of Lubitsch's "The Love Parade" but it also looks ahead to the ironic romantic triangle of Lubitsch's lauded masterpiece "Trouble in Paradise".

Here, Chavalier's Lieutenant Niki is torn between an aristocratic princess Anna (Miriam Hopkins) and a working class violinist Franzi (Claudette Colbert), the same way Herbert Marshall's Gaston in "Trouble in Paradise" must choose either Kay Francis's wealthy Madame Colete or his fellow thief, Miriam Hopkin's Lily. But there is a difference. In "Trouble in Paradise", Gaston abandons Mme. Colete for Lily, but in "Smiling Lieutenant", Chevalier unconditionally accepts his forced romance with Anna. At first, Niki is happily fond of Franzi who is introduced to him by his friend Max (Charlie Ruggles, who played one of rejected suitors in "Trouble in Paradise"). But ultimately he is forced to marry princess Anna of the neighboring kingdom of Flausenthurm. The love scenes between lieutenant Niki and Franzi are incredibly charming and flavorsome, while the marriage of Niki and Princess Anna seems unpleasant and uninspired. But the film's charm or brilliance lies in its joyous musical numbers and songs, and its ironic immoral look at its characters. Irony and cynicism are key to understanding Lubitsch's art, especially his works of the early 30s, and "Smiling Lieutenant" is no exception. There is, for instance, an irony and immorality in the lovely number "Jazz Up Your Lingerie", as Princess Anna tries to emulate Franzi in order to look sexy for Niki.

"The Smiling Lieutenant" remains Lubitsch's most underrated musical. Not many people have seen it. It deserves to be seen and compared with Lubitsch's later works, particularly "Trouble in Paradise."

This film is sheer perfection - the Lubitsch Touch is here in spades. This must be one of the most charming films ever made, and it is technically brilliant too for the early talkie era. A fabulous show-case for the talents of three new Paramount stars - Maurice Chevalier has never been better, Claudette Colbert is buoyant - and Miriam Hopkins is an absolute marvel as the innocent princess. When will she be given the adulation she deserves - certainly one of the best actresses of her generation. And George Barbier is also brilliant as her father.

This film could only have been made in the pre-code days - it is very very naughty. The mating pillows is only one example of many sexual innuendos and symbols. But it is all too charming to be offensive to even the most prudish person. One of the best films of the early Thirties.

Once more, thanks to TCM, we get the chance of watching this wonderful, charming, early talkie by the master of sophisticated comedy and innuendo, Ernst Lubitsch.

This is an absolutely entertaining and absorbing tale of a carefree, debonair Viennese Lieutenant, who falls for a violin player, thus finding his perfect sexual counterpart, but because of circumstances, becoming married to a prudish, mousey, princess.

Chevalier is the perfect "Smiling Lieutenant" of the title, singing in great from with his heavy trademark, french-accent. Colbert, in an early stage of her career, looks very different from her definitive trademark "Look", she acquired afterwards.....but is equally carefree, joyous and flirtatious. Miriam Hopkins is excellent as the princess, who falls madly in love with Chevalier, and who will do anything to have him!!

Just as it happened with "Trouble in Paradise", I really hope that this gem, as well as "Design for Living", "Monte Carlo", "The Love Parade", "Love Me Tonight", "One Hour With You", will become available on DVD, in decent form, as they deserve, as primary examples, of the long gone Pre-Code Era!!!