उपयोगकर्ता समीक्षाएं

LAUGHING GRAVY

Aspect ratio: 1.37:1

Sound format: Mono

(Black and white - Short film)

During a heavy blizzard, boarding-house tenants Stan 'n' Ollie hide their dog from an unsympathetic landlord (Charley Hall) who threatens to evict them if they don't follow the rules. Chaos ensues...

Archetypal L&H comedy, played and filmed to perfection, as the boys' efforts to protect 'Laughing Gravy' meet with disaster at every turn. Ollie's attempts to get back into the house without being noticed by the sleeping landlord is only one of the film's many highlights, leading to a precarious rooftop episode (!) and a series of blunders and disasters. Fine comic timing, excellent set-pieces, great fun. Directed with typical gusto by L&H regular James W. Horne.

The film exists in three separate versions: It played theatrically as a two-reeler, following the elimination of a third reel in which Stan comes into an unexpected inheritance. This material has since been restored to a second version which omits the original's ending. A third edition - which appears to exist only in colorized form - contains ALL extant material, including the inheritance AND the original ending.

This is probably one of the more well-known of Laurel & Hardy's shorts. I remember when I was a kid this one was shown all the time – although without that extra reel, which wasn't re-discovered until 1985. They don't seem to show Laurel & Hardy shorts on TV anymore which is a real shame; there's a whole generation growing up knowing little about the duo.

In this one they try to conceal their little dog Laughing Gravy (possibly the only dog in cinema history to have a film named after him rather than the other way around) from their pint-size landlord, the permanently grumpy Charlie Hall. Of course, they're unsuccessful and when the landlord pitches the dog out into the snow, Ollie braves the elements to smuggle it back in. As always, the boys complicate things by attempting to haul Ollie up the side of the building using a couple of sheets tied together – with inevitable results. Although the snow is obviously fake and the location is a set, the film really does succeed in making you feel the cold as the boys slide around on the roof in their nightshirts.

There isn't that much dialogue in this film – or at least in the first twenty minutes – nearly all the humour is physical, punctuated by a number of long despairing looks into the camera from Ollie. Stan stares at the camera too on occasion, but you can tell there isn't much going on inside his character's head. He looks at the camera and you can almost hear the cogs creaking as they turn.

The laughs are pretty solid and arrive at fairly regular intervals until that final reel when things change entirely. It's not difficult to see why it was cut from the original because it just bears no relation to the rest of the film other than the fact that it is a protracted build up to a decent punch-line involving the dog.

The boys rent an apartment from Charley Hall, who always seems to be angry. They take in a dog and call him Laughing Gravy. Of course, there is a "no dogs allowed" policy in the place and this puts the crabby landlord to the test. Stan and Ollie try so hard to keep the dog without disturbing the landlord (actually without letting on that the dog is there). This leads to incredible physical demands on the two guys, who even end up on the roof at one time. It's touching to see how much they care, but they are not very wise in their choices of action. This is another one of those episodes which are shown over and over. I guess there are lots of dog lovers.

Laurel and Hardy are still together despite having one empty pocket book between them. They have a reasonable room in a hostel but have to keep their dog, Laughing Gravy, hidden from the landlord else they'll be put out on the street. One winter's night, Gravy's constant barking threatens to expose them so they take action to keep him hidden – with limited success.

As always, the Laurel and Hardy shorts are perhaps less important for their plot than they are for the often wonderful sequences that the plot device allows for. Here the plot device is an `illegal' (in terms of contract) dog. The ways they try to hide the dog and the consequences of their actions are funny without being wonderful. As usual Hardy's (and a lesser extent, Laurel's) looks to camera make it all better than it actually is.

Unusually for their shorts, the conclusion of the story allows for a scene of touching honesty between the two, as Hardy becomes quite vulnerable with Laurel. This was a refreshing addition to the mix which, while not tear jerking, was unexpected. As always (for me anyway) Hardy steals the show with his looks to camera but Laurel is as subtle as ever. Charlie Hall is making a bit too much effort but is OK.

Overall this isn't the greatest of their work but it is a good example of everything I love about them as a duo. Their talents make this short better than it probably should be.

The humor of Laughing Gravy operates on the premises that 99% of the audience are pet lovers. Therefore anything that Stan and Ollie do to keep their little pooch Laughing Gravy from being tossed out to the elements of winter is absolutely justified. Even if landlord Charlie Hall has a no pet rule in his establishment.

And so most of the film is spent with them trying to get the little guy past the watchful eye of Hall. Remember this is the dead of winter with snow falling on the ground. Best moment in the film is poor Ollie in his nightshirt falling into a rain barrel partly frozen over. I get susceptible to pneumonia just looking at him.

The last part of the film also has Laurel getting $1000.00 inheritance from his uncle providing he severs all connection with Oliver Hardy who has held him back for years. Funny thing is that those are precisely the words Ollie said about Stan.

The World Court in The Hague would have a problem deciding on the merits of counter lawsuit has to who held back who. You be your own judge.

Stan and Ollie do prove that friendship can survive a lot.

Abbott and Costello, Bob Hope and Bing Crosby, Dean Martin and Jerry Lewis, Morecambe and Wise, The Two Ronnies, Pete and Dud a.k.a. Derek and Clive, The Blues Brothers, Matt Lucas and David Walliams etc, etc these are just a tiny percentage of comedy double act's, the comedy duo's, that throughout the age's have entertained us all. Each with their own twist and turn of a gimmick that set's them apart, but in the final solution following, at times, the tradition of smart-aleck and buffoon.

However, there is just one pair that set themselves very much apart from the herd, originators and comic geniuses that no one has surpassed, surpassed by either skill, wit and personality the late, great Laurel and Hardy, British born Stan Laurel (1890 - 1965) and his American counterpart Oliver Hardy (1892 - 1957).

Their first outings were of the short silent movie variety, consisting of at least two reels in length, a reel being often around ten minutes long, this first short together was to be Slipping Wives (1927). Their first talkie was Unaccustomed As We Are in 1929, the advantage that both Laurel and Hardy had over most of their silent movie companions were that they adapted very well to this new genre. The Music Box (1932) won them an Academy Award for best short film, their only such Award.

Yet again, the famous Hal Roach Studios had a part in the making of Laughing Gravy, along with the writing credits to H.M. Walker (1885 - 1937) who with a vast order of merit as writer of dialogue and title creator for works for many of the silent, and not so silent, era's shorts. A snippet of Laurel and Hardy titles that includes Night Owls, Another Fine Mess, Below Zero, Brats and Our Wife. Directed too by one James W. Horne (1880 - 1942) whose career started out as actor way back in 1913, then progressed to writer then director of many, many shorts and full-length movies.

Then what about poor Laughing Gravy? Well, he, or more be it to the point she, went on to work with Laurel and Hardy twice more in Pardon Us (1931) and The Bohemian Girl (1936) as well as working in other Hal Roach (1892 - 1992) productions.

Laughing Gravy was filmed between the 2nd and 18th of February 1931 and released April 4th of the same year, and it is here, in this studio setting, we find this enduring duo shacked up in lodgings, one dark cold winter, and of course with their tiny pet dog Laughing Gravy, who has been sneaked into said bed-sit. It's in this predicament that poor old Laughing Gravy is finally found out by the mean spirited Landlord, with the assistance of the bungling and inept pair in the room above, of course.

So begins the absurd battle to retrieve this poor unfortunate mutt from the grasps of the freezing, howling winds and heavily snow ridden night. This is typical Laurel and Hardy starting out with good behaviour that very quickly turns to fanciful farce, with the ever blundering pair digging that inevitable hole so far deep that only sheer stealth and luck could bring them back over the edge and back to normality. Laughing Gravy is a wonderful insight into the world of this dynamic comedy duet, their antics and slapstick timing, and our joyful laughter at their own hilarious and often painful expense.

It is the ever-comic mental and physical abuse, which Oliver has to suffer, and suffer in silence, by the hands of his slimmer partner Stan, that makes this pair an extremely unfortunate accident-prone comedy act. It is Oliver's camera baiting, his looking directly into the audience and pleading for sympathy and understanding, and in this technique, this interacting with the audience, that has been turned into a powerful tool that both enhances the comedy and draws us into the plight. This alone, has Laughing Gravy warming our hearts to the duo's plan of action and its dire and hysterical results.

Around a week after initial shooting, extra scenes were added, a third reel, an extra ten minutes that does deviate from the first two reels, but non the less is just as funny in conjoining all three reels nicely, albeit a story in itself. This third reel had been lost for some decades, until the 1980's, and is now available as a full package. If sought out in the right places, the three different versions of Laughing Gravy, the original English language release two reeler, the three reel foreign language version (in English too) and now, the whole three reel's in 30 minutes of glorious computer generated colour can now be squandered at our leisure, for always.

Another fine mess? On the contrary, a fine comedy feast with lavishing of laughter and gravy.

Laurel and Hardy sneak their dog, Laughing Gravy, into their room, despite the 'no pets' policy of landlord Charlie Hall.

The Boys seem to have been fond of the movie they could make about pets in boarding houses. They had already done ANGORA LOVE with a goat as their last silent movie, and would make THE CHIMP later, as well as dealing with gorillas, elephants, and Oxford undergraduates in their features. Here, they've got to deal not only with a desprately cold night, but Charlie Hall, like Stan, a graduate of the Fred Karno troupe.

"Mr. Laurel and Mr. Hardy stuck together through thick and thin; one pocketbook between them - always empty." - The opening title card of Laughing Gravy.

Laurel and Hardy's comedy short Laughing Gravy is probably the funniest thing in film that ever dealt with the ideas of hypothermia and suicide, let alone those two topics together. In a humorous and well-spent twenty minutes, we see Laurel and Hardy as roommates in a small apartment, housing their dog they nickname "Laughing Gravy" against the landlord's policies. After the dog's incessant barking wakes up the landlord, along with Laurel and Hardy breaking their bed and having the plaster on the wall crumble on top of him, the landlord (Charlie Hall) finds the dog and proceeds to throw him out the window. This leads to a series of comedic improvising by Laurel and Hardy to get the dog back as soon as they can, as well as not waking their landlord up from his slumber.

Laughing Gravy is simplicity well done, as the general bulk of Laurel and Hardy shorts are. The most evident issue here, however, is that this is an early talkie short, so you get the feeling that writer H.M. Walker, at that time, wasn't totally sure of how to structure dialog for a short/feature-film. As asinine as that sounds, after we've been graced in America with films with sound for over eight decades, it's easy to overlook that idea. However, the lack of distinguished dialog and conversation in Laughing Gravy had the ability to make me forget I was watching a short with sound half the time, as music constantly plays in the background.

Other than that, there's little else to say about Laughing Gravy other than the situational comedy in the picture works for a surprising twenty minutes, and that the ending, as unexpected as it is, finds ways to be darkly funny in a way I would've never expected an American short from the early thirties to be. The short is a simple, effective piece of early-American comedy, but not on par with the numerous other fantastic shorts of Laurel and Hardy, or the ones directed by James W. Horne.

Starring: Stan Laurel, Oliver Hardy, Charlie Hall, and Harry Bernard. Directed by: James W. Horne.

Laurel and Hardy have some trouble with a landlord who does not allow their dog. The dog is names Laughing Gravy. When the landlord discovers the dog he throws him out on the street in the cold snow. Laural and Hardy have to rescue the dog and make sure the landlord doesn't find out. You can understand the mayhem they will cause.

The typical Laurel and Hardy humor, which is quite amusing, is a little too predictable here. This short gets funnier near the end, but the first half wasn't that good. Well, one little surprise was funny in that first half. Still, I enjoyed it.

Laughing Gravy (1931)

*** (out of 4)

2-reel version

Laurel and Hardy try to hide their pet dog from the landlord. I wouldn't say this short is overly funny but there's enough fun moments to keep it entertaining. All the stuff with the landlord is good but the stuff with the dog doesn't work as well. Hardy falling in a barrel of water is certainly the highlight.

Laughing Gravy (1931)

** 1/2 (out of 4)

extended 3-reel version

Foreign markets got this extended version with an extra reel, which really hurts the film. Nothing in this added reel is funny so it's no wonder why it was cut out in most places.

Stan and Ollie live in a rooming house. The room is located on the 2nd floor. The night is cold and snowy. Having a mean landlord is not a plus. Stan and Ollie find a mut in the freezing cold of winter. Being humanitarians and virtuous Stan and Ollie have to engineer a way to get the dog ( Laughing Gravy ) up to the nice, warm room. Try as they may they just can't seem to find a way to get the poor pooch up to the room. Many attempts are made. The last one succeeds much to their relief. Granted the dog does get taken upstairs with some success. That is just half the boys problem. The fact that the landlord has a double barreled shot gun is the other. You have to see what is CLASSIC old time comedy at it's best. This is performed never better than by the grand masters of comedy, Laurel and Hardy. See this movie if you can. Better, buy it if you can ( it is currently out of print ). The laugh will be on YOU to enjoy again and again.

This is a very typical Laurel & Hardy short. It's filled with some typical and very well executed slapstick humor. This is a great example of how a Laurel & Hardy movie should be.

It's no secret that Laurel & Hardy made their best picture together in the early '30's. This movie is definitely one of their greatest and most enjoyable ones.

The first halve of the movie is mostly filled with slapstick comedy. It's most definitely the best part of the movie. The comical slapstick moments are typical and amazingly funny, mostly due to the fact how well executed and timed they are. The second halve of the movie drags on for a bit too long and doesn't rely anymore so much on its slapstick and visual humor. If only the movie would had been about 10 minutes shorter, how great than it would had been. Not saying that it isn't great or enjoyable enough now but yet the movie had more potential of becoming truly one of the greatest or most memorable Laurel & Hardy shorts.

Their mishaps with Laughing Gravy the dog are funny and provide the movie with its best moments. Also good are the comical moments with the landlord played by Laurel & Hardy regular Charlie Hall, who of course doesn't like the boys having living a dog around in his house. Still it makes me wonder why they didn't gave James Finlayson the part and why didn't Arthur Houseman played the drunk in this one? I missed the both of them in this movie and I had the feeling that the movie would had been even a more fun one with them.

A near perfect slapstick comedy, that more or less falls short of greatness in its second halve, which prevent this movie from being the best or most memorable Laurel & Hardy comedy short but nevertheless it's one of their most fun and typical comedy shorts around.

8/10

http://bobafett1138.blogspot.com/

Stan Laurel and Oliver Hardy were comedic geniuses, individually and together, and their partnership was deservedly iconic and one of the best there was. They left behind a large body of work, a vast majority of it being entertaining to classic comedy, at their best they were hilarious and their best efforts were great examples of how to do comedy without being juvenile or distasteful.

Although a vast majority of Laurel and Hardy's previous efforts ranged from above average to very good ('45 Minutes from Hollywood' being the only misfire and mainly worth seeing as a curiosity piece and for historical interest, and even that wasn't a complete mess), 'Two Tars' for me was their first truly classic one with close to flawless execution. Didn't find 'Laughing Gravy' as one of their best and a bit disappointing compared to their late 1928 and the best of their 1929 efforts, which were among their best and funniest early work. It is still very good and has much of what makes Laurel and Hardy's work as appealing as it is.

The story is extremely slight to the point of non-existence and the first part takes a little bit too time to get going and is a little formulaic and mundane. Didn't find the dog quite as funny or the material as good as the rest either.

When 'Laughing Gravy' does get going, which it does do quite quickly, it is great fun, not always hilarious but never less than very amusing, the best being classic hilarity. Love the fall into a barrel of water and the character of the landlord. It is never too silly, there is a wackiness that never loses its energy and the sly wit is here, some of the material may not be new but how it's executed actually doesn't feel too familiar and it doesn't get repetitive. Was also quite touched by the ending, quite different from the usual standard of the endings of their output (good and bad).

Laurel and Hardy are on top form here, both are well used, both have material worthy of them and they're equal rather than one being funnier than the other (before Laurel tended to be funnier and more interesting than Hardy, who tended to be underused). Their chemistry feels like a partnership here too, before 'Two Tars' you were yearning for more scenes with them together but in 'Laughing Gravy' and on the most part from 'Two Tars' onwards we are far from robbed of that. Their comic timing is impeccable, especially Laurel's.

'Laughing Gravy' looks good visually, is full of energy and the direction gets the best out of the stars, is at ease with the material and doesn't let it get too busy or static. The supporting players are solid.

Overall, very good. Not essential or classic Laurel and Hardy, but a very good representation of them. 8/10 Bethany Cox

A LAUREL & HARDY Comedy Short.

Stan & Ollie are sharing a room in a boarding house with their cute canine, LAUGHING GRAVY. Trouble is, mutts aren't allowed on the premises and what the Boys go through to keep theirs hidden shouldn't happen to a dog...

A hilarious little film, one of the best, although ending with a suicide is a bit much. Highlight: Stan & Ollie on the roof. That's Charlie Hall as the ferocious landlord.

This film is Wonderful stuff!

If you want to educate your kids or grandkids, as to what Laurel and Hardy were all about, just let them watch this.

Everything great about them is here for all to see.

Trying to be nice and kind, but everything that can go wrong does go wrong, but all comes round in the end!

"Laughing Gravy" is a hilarious Laurel and Hardy comedy as Stan and Ollie try to hide their sweet dog from their cantankerous landlord, Charlie Hall. It never fails to amaze me the laughs Laurel and Hardy can create from simple stories and situations. One classic comic set piece comes after another as Stan and Ollie finish up on the roof of the boarding house and in the middle of winter! Charlie Hall makes it clear about his feelings on dogs but Stan and Ollie imbue their pet with love and affection. My brothers and I always take the mickey when Charlie Hall instructs the boys to leave his house before he sends for a cop! Stan had his work cut out for him as he helps Ollie back into the boarding house via their bedroom window! The ending that was seen for years was the only one it would appear. However when all the Hal Roach films were released on DVD, an alternate ending was included. I shalln't give away what it is. I will say that the different ending allows for some drama and the characters of Stan and Ollie are given more depth. This all works very well and the actors rise to the challenge most effectively.

I liked "Laughing Gravy" quite a bit, it had several moments that made me laugh out loud. I guess it's among the best Laurel and Hardy movies I've seen, and I've seen more than a few now. Most of them are pretty funny, but I haven't seen any that blew me away like films by Chaplin and Keaton did.

The plot is basically down to Stan and Ollie trying to hide their dog, Laughing Gravy (a euphemism at the time for alcohol), from their evil landlord. The story isn't really much. It maintains interest, and gets laughs, through sight gags, like the obese Ollie trying to go down the chimney and breaking it, or Stan trying to pretend he was washing Ollie, and not the dog, by shoving Ollie's head underwater when the landlord walks in on them.

To end: two strange things. One is that the short begins with Stan and Ollie apparently in bed together. Obviously that makes us wonder if they were gay. What did people in 1931 think? Is it a sight gag that's supposed to make us think they were like big kids sharing a bed? The other strange thing is that the version I saw had an ending that was apparently only discovered in 1985, with Stan inheriting a "fortune" of a thousand dollars from his uncle. Apparently, in the original version, the landlord committed suicide? That seems unusually dark for material this silly.