IMDb रेटिंग
7.3/10
2.7 हज़ार
आपकी रेटिंग
एक घटिया अखबार के सिटी एडिटर ने अपनी पत्रकारिता की नैतिकता के विरुद्ध जाकर एक बीस साल पुराने हत्या के मामले को फिर से जीवित कर दिया - जिसके दुखद परिणाम सामने आए।एक घटिया अखबार के सिटी एडिटर ने अपनी पत्रकारिता की नैतिकता के विरुद्ध जाकर एक बीस साल पुराने हत्या के मामले को फिर से जीवित कर दिया - जिसके दुखद परिणाम सामने आए।एक घटिया अखबार के सिटी एडिटर ने अपनी पत्रकारिता की नैतिकता के विरुद्ध जाकर एक बीस साल पुराने हत्या के मामले को फिर से जीवित कर दिया - जिसके दुखद परिणाम सामने आए।
- निर्देशक
- लेखक
- स्टार
- 1 ऑस्कर के लिए नामांकित
- 3 जीत और कुल 1 नामांकन
James P. Burtis
- Reporter
- (बिना क्रेडिट के)
Richard Carlyle
- First Newstand Proprietor
- (बिना क्रेडिट के)
Frank Darien
- Schwartz
- (बिना क्रेडिट के)
James Donlan
- Reporter in Speakeasy
- (बिना क्रेडिट के)
Evelyn Hall
- Isobel Weeks
- (बिना क्रेडिट के)
Gladys Lloyd
- Miss Edwards
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Five Star Final according to Edward G. Robinson in his memoirs was a favorite role for him. He enjoyed having to go through a film without once taking up a weapon. But Robinson did have a weapon at his disposal here, one deadlier than the tommy gun. The power of yellow journalism to ruin and destroy lives for the sake of circulation.
Circulation is down at the New York Graphic, the sleazy tabloid where Robinson is the hardboiled editor. Publisher Oscar Apfel decides to rake over a 20 year old murder, one of those where are they now pieces. A woman killed a man who got her pregnant and refused to marry her and another man stepped up to the plate and raised her baby girl as his own. The couple, H.B. Warner and Frances Starr have lived quietly and anonymously on the west side of Manhattan the daughter, Marian Marsh is about to marry Anthony Bushell the son of a manufacturer.
The poking and prying of Robinson's reporters results in tragedy. It also gives Robinson a severe attack of conscience, encouraged by his girl Friday, Aline McMahon.
Stealing the film in the small part he's in is Boris Karloff as disgraced seminarian who affects the guise of clergyman to get the story he's after. It's one of Karloff's best non-horror film roles, he's positively creepy in the part.
The reason for Karloff's disgrace is sexual one and getting Karloff's mojo going as well is Ona Munson who also has a great part as the Nellie Bly of the tabloids. She tops Karloff in what she'll do for a story.
Five Star Final is a hard hitting well acted drama that does tend to go a bit overboard into melodrama, especially when H.B. Warner and Frances Stark are on screen. It was nominated for Best Picture of the year, but lost to the immortal classic Grand Hotel. It was later remade five years later as Two Against The World with Humphrey Bogart taking the Robinson part and the locale changed from a newspaper to a radio station.
I can easily see Five Star Final being remade for this century with the protagonist being the owner/operator of an internet website. The media may have changed, but sleaze is still sleaze.
Circulation is down at the New York Graphic, the sleazy tabloid where Robinson is the hardboiled editor. Publisher Oscar Apfel decides to rake over a 20 year old murder, one of those where are they now pieces. A woman killed a man who got her pregnant and refused to marry her and another man stepped up to the plate and raised her baby girl as his own. The couple, H.B. Warner and Frances Starr have lived quietly and anonymously on the west side of Manhattan the daughter, Marian Marsh is about to marry Anthony Bushell the son of a manufacturer.
The poking and prying of Robinson's reporters results in tragedy. It also gives Robinson a severe attack of conscience, encouraged by his girl Friday, Aline McMahon.
Stealing the film in the small part he's in is Boris Karloff as disgraced seminarian who affects the guise of clergyman to get the story he's after. It's one of Karloff's best non-horror film roles, he's positively creepy in the part.
The reason for Karloff's disgrace is sexual one and getting Karloff's mojo going as well is Ona Munson who also has a great part as the Nellie Bly of the tabloids. She tops Karloff in what she'll do for a story.
Five Star Final is a hard hitting well acted drama that does tend to go a bit overboard into melodrama, especially when H.B. Warner and Frances Stark are on screen. It was nominated for Best Picture of the year, but lost to the immortal classic Grand Hotel. It was later remade five years later as Two Against The World with Humphrey Bogart taking the Robinson part and the locale changed from a newspaper to a radio station.
I can easily see Five Star Final being remade for this century with the protagonist being the owner/operator of an internet website. The media may have changed, but sleaze is still sleaze.
Viewed this film years ago on a late late T.V. show and was able to tape it. The author of the original play, Louis Weitzenkorn, was once the managing editor of the New York Evening Graphic, a yellow journalism tabloid which gave him the idea for the main character of Hinchecliffe former publisher of the New York Mirror. The film was remade as Two Against the World in 1936. Bernard Hinchecliffe(Oscar Apfel) owner of the notorious scandal sheet, the GAZETTE and his managing editor, Joseph Randall(Edward G. Robinson), is ordered to boost the circulation by doing a story on the Vorhees case. Years ago, Nancy Vorhees(Francis Starr) murdered the man who betrayed her. Randall seeks the services of T. Vernon Isopod (Boris Karloff), an expelled divinity student. Isopod disguises himself as a clergyman and enters the Townsend home, gaining their confidence. Ona Munson, veteran film actress of the 1930's and 1940's along with Boris Karloff fullfil their newspaper duties perfectly. Five Star Final is a great film classic because of the great acting of Edward G. Robinson.
This largely forgotten film stars Edward G. Robinson and was one of the Best Picture Oscar nominees in 1931-1932. Robinson plays the editor of a newspaper whose publisher instructs Robinson to come up with a story that will increase circulation. Robinson's solution is to track down a woman who killed the father of her child twenty years before when he refused to marry her, but she was acquitted, largely because of her child. She has since married, and her daughter is on the eve of her own marriage and has no idea of her mother's past. Robinson's "what ever happened to" idea is a success, but at a horrible cost to the family involved.
Not on DVD or VHS, the film uses some techniques that were rather odd for Warner Bros at the time, considering that their urban dramas usually were very fast-paced. To begin with, the film makes a big production of introducing Robinson to the audience, having the other players talk about him at length, and even showing a shot of just his hands as he washes up before he makes his big entrance. Then - the whole movie proceeds to switch its dramatic center more to the family that Robinson's newspaper is writing a scandal piece on and its tragic effect on them.
Robinson and Boris Karloff - in an odd turn as an alcoholic reporter just prior to his star-making role in Frankenstein - have acting in the age of sound down to a fine art. However, the actors playing the roles of the family targeted by Robinson's scandal sheet seem to be hold-overs from the silent era, the best known being silent star H.B. Warner. Their speech is somewhat slow and over-dramatic, and their gestures exaggerated, but not ridiculously so. This might have been to contrast them with the hard-boiled occupants of the newsroom, but it makes the film look like it has two entirely different directors.
Not on DVD or VHS, the film uses some techniques that were rather odd for Warner Bros at the time, considering that their urban dramas usually were very fast-paced. To begin with, the film makes a big production of introducing Robinson to the audience, having the other players talk about him at length, and even showing a shot of just his hands as he washes up before he makes his big entrance. Then - the whole movie proceeds to switch its dramatic center more to the family that Robinson's newspaper is writing a scandal piece on and its tragic effect on them.
Robinson and Boris Karloff - in an odd turn as an alcoholic reporter just prior to his star-making role in Frankenstein - have acting in the age of sound down to a fine art. However, the actors playing the roles of the family targeted by Robinson's scandal sheet seem to be hold-overs from the silent era, the best known being silent star H.B. Warner. Their speech is somewhat slow and over-dramatic, and their gestures exaggerated, but not ridiculously so. This might have been to contrast them with the hard-boiled occupants of the newsroom, but it makes the film look like it has two entirely different directors.
The story holds true just as much today as it did when it was made. Powerful newspapers will stop at nothing, it seems, in the name of circulation. Scandal sells. The best scene in the whole movie is when Jenny confronts each of the three protagonists with the question, "Why did you kill my mother?". Randall, realizing what he has caused to happen, attempts to kill the story, then turns in his resignation. (Or maybe he realized just how much power he held in his hands and wanted no more of it.) This movie shows that the pen, indeed, is mightier than the sword.
Five Star Final (1931)
*** (out of 4)
An editor (Edward G. Robinson) at a sleazy newspaper makes a mistake by bringing a 20-year-old murder case back to the headlines. Earlier this year I watched the remake One Fatal Hour with Bogart, which pretty much followed this film word for word but this one here is slightly better due to the rich performance from Robinson and a powerful ending attacking the media. Some racy Pre-Code dialogue centered around a gay reporter is pretty eye catching as is the pre-Frankenstein performance by Boris Karloff as a drunken reporter.
*** (out of 4)
An editor (Edward G. Robinson) at a sleazy newspaper makes a mistake by bringing a 20-year-old murder case back to the headlines. Earlier this year I watched the remake One Fatal Hour with Bogart, which pretty much followed this film word for word but this one here is slightly better due to the rich performance from Robinson and a powerful ending attacking the media. Some racy Pre-Code dialogue centered around a gay reporter is pretty eye catching as is the pre-Frankenstein performance by Boris Karloff as a drunken reporter.
क्या आपको पता है
- ट्रिवियाOne of Edward G. Robinson's favorite films. In Robinson's autobiography, he says: "I loved Randall because he wasn't a gangster. I suspect he was conceived as an Anglo-Saxon. To look at me nobody would believe it, but I enjoyed doing him. He made sense, and thus I'm able to say that Five Star Final is one of my favorite films."
- गूफ़When Nancy Voorhees Townsend is at the newsstand and picks up the Evening Gazette with her photo from 20 years ago beside the photo of the man she killed back then on the front page, the headline above the two photos is "Nancy Voorhees Story". But after she walks away with it to pay for it, another copy with the same two photos on the front is shown at the newsstand, but with the headline "2 Die in Subway Cave-in". After she pays for the one in her hand, that's loosely folded in half, part of the headline on it can be seen, and it isn't "Nancy Voorhees Story" as it had been - it's now the "2 Die in Subway Cave-in" headline. That same 'subway' headline is in the next shot when she sits down at the desk at her apartment to read it, before she hurriedly hides it in the drawer when her daughter enters the room.
- भाव
Jos. W. Randall: God gives us heartache and the devil gives us whiskey.
- कनेक्शनFeatured in When the Talkies Were Young (1955)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Five Star Final?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Sed de escándalo
- फ़िल्माने की जगहें
- उत्पादन कंपनी
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बॉक्स ऑफ़िस
- बजट
- $3,10,000(अनुमानित)
- चलने की अवधि
- 1 घं 29 मि(89 min)
- रंग
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