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The Finger Points

  • 1931
  • Unrated
  • 1 घं 30 मि
IMDb रेटिंग
5.8/10
502
आपकी रेटिंग
Richard Barthelmess in The Finger Points (1931)
अपराधड्रामा

अपनी भाषा में प्लॉट जोड़ेंA rookie reporter receives bribes from gangsters to suspend negative press.A rookie reporter receives bribes from gangsters to suspend negative press.A rookie reporter receives bribes from gangsters to suspend negative press.

  • निर्देशक
    • John Francis Dillon
  • लेखक
    • John Monk Saunders
    • W.R. Burnett
    • Robert Lord
  • स्टार
    • Richard Barthelmess
    • Fay Wray
    • Regis Toomey
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    5.8/10
    502
    आपकी रेटिंग
    • निर्देशक
      • John Francis Dillon
    • लेखक
      • John Monk Saunders
      • W.R. Burnett
      • Robert Lord
    • स्टार
      • Richard Barthelmess
      • Fay Wray
      • Regis Toomey
    • 24यूज़र समीक्षाएं
    • 7आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • कुल 1 जीत

    फ़ोटो23

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 17
    पोस्टर देखें

    टॉप कलाकार21

    बदलाव करें
    Richard Barthelmess
    Richard Barthelmess
    • Breckenridge 'Breck' Lee
    Fay Wray
    Fay Wray
    • Marcia Collins
    Regis Toomey
    Regis Toomey
    • Charlie 'Breezy' Russell
    Robert Elliott
    Robert Elliott
    • Frank Carter
    Clark Gable
    Clark Gable
    • Louis J. Blanco
    Oscar Apfel
    Oscar Apfel
    • Ellis Wheeler
    Robert Gleckler
    Robert Gleckler
    • Larry Hayes--Sphinx Club Manager
    Noel Madison
    Noel Madison
    • Larry Hayes
    • (काटे गए सीन)
    Mickey Bennett
    Mickey Bennett
    • Arthur--Office Boy
    • (बिना क्रेडिट के)
    James P. Burtis
    James P. Burtis
    • Cop
    • (बिना क्रेडिट के)
    Martin Cichy
    Martin Cichy
    • Blanco's Bodyguard
    • (बिना क्रेडिट के)
    Lew Harvey
    Lew Harvey
    • Henchman in Office of 'Number One'
    • (बिना क्रेडिट के)
    Herman Krumpfel
    • Breck's Tailor
    • (बिना क्रेडिट के)
    Frank Marlowe
    Frank Marlowe
    • Guard in Office of 'Number One'
    • (बिना क्रेडिट के)
    Frank McLure
    Frank McLure
    • Casino Patron
    • (बिना क्रेडिट के)
    J. Carrol Naish
    J. Carrol Naish
    • Threatening Phone Caller
    • (वॉइस)
    • (बिना क्रेडिट के)
    Field Norton
    • Casino Patron
    • (बिना क्रेडिट के)
    Bob Perry
    Bob Perry
    • Henchman in Hayes' House
    • (बिना क्रेडिट के)
    • निर्देशक
      • John Francis Dillon
    • लेखक
      • John Monk Saunders
      • W.R. Burnett
      • Robert Lord
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं24

    5.8502
    1
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    8
    9
    10

    फ़ीचर्ड समीक्षाएं

    7kitchent

    Interesting Crime/Reporter Drama

    This is another film I had to see in my unhealthy quest to see all of the available Fay Wray films out there. However, this film surprised me, as it was a pretty good story. It also has a young Clark Gable as a gangster in a scene stealing role that demonstrates his star power very early in his career.

    The plot has been covered in other reviews, so I'll keep my review short.

    The pluses: Fay looks great, Clark Gable is good, and the story is solid and interesting.

    The minuses: Richard Barthelmess is fine, but being from the south, he shouldn't have even tried the accent.

    Overall a fine film and definitely worth a viewing.
    51930s_Time_Machine

    The only way to get rid of temptation is to yield to it

    Being based loosely on a true story adds the dimension of reality to this depiction of how easy it can be to be lured to the dark side. It's reasonably entertaining but nothing like as good as the classic gangster films of the era.

    The positives first: the camerawork is especially impressive: it's fluid, dynamic and visually very interesting. That positive however highlights the negative. Ernest Haller's cinematography looks anachronistic by which I mean it's what you'd expect from a classy picture from the 1930s yet weirdly looks out of place in a picture which feels more like something from the late 1920s. The acting style and dictation is what you find in those early talkies. Compared with other pictures from 1931, say PUBLIC ENEMY or APPLAUSE, the narrative is painfully slow and the characters are as believable as Mickey Mouse. (Except for Gable of course.)

    Richard Barthelmess' sensitive and thoughtful personality is occasionally perfect for a handful of roles but definitely not in this. That he could morph into a tough crime-busting reporter is utterly unconvincing. When tempted by the lure of mobster moolah, the struggle with his conscious lasts no more than about five seconds: Gable: You're a goody two shoes but would you like to join us and become filthy rich?

    Barthelmess: No, I hate corruption.... but then again... oh ok then, where do I sign?

    Terrible writing.

    Also miscast is Regis Toomey. What film does he think he's in? He tries much too hard to offset Barthelmess' humourless cold persona by being, what passed for amusing in his own mind. And Fay Wray - as always she's that simpering cardboard cutout she always is. Why she was so popular is anyone's guess.

    So despite three miscast leads, painfully slow and unemotional direction and an unrealistic script, the story and authentic feel of the age is just engrossing enough to hold your attention. If you want to bathe in the sumptuous atmosphere of 1930 and taste the grime of the era, you might just about be able to overlook this film's many shortcomings and enjoy it as a movie, not just as a museum curio.
    Michael_Elliott

    Gangster

    Finger Points, The (1931)

    ** 1/2 (out of 4)

    Static but entertaining gangster picture has a wet-nosed reporter (Richard Barthelmess) from the South going to the big city to become a star but he soon learns that nothing is easy. After busting a gambling operation and getting nothing out of it, the reporter decides to partner up with a racketeer (Clark Gable) but soon the reporter gets too big for his current situation. This film is based on the life of Chicago Tribute reporter Jake Lingle who got involved with Al Capone and the rest is history. This film version is pretty good, although it's a bit slugish at time but this is due mostly to just how movies were during this early sound era. Barthelmess is hit and miss in his role. He's somewhat shaky during the nervous reporter segments but he settles down once he starts to enter the big shot period. Gable steals the show with his supporting performance and Fay Wray plays the love interest.
    8sideways8

    Solid plot, fine acting

    I love movies which give you a sense of what it was like to be living & working in the time. (It's the sociologist in me. ) This movie is one of these. The plot is very interesting and the acting is first rate all round. Fay Wray is very good, but Richard Barthelmess steals the show and not just in the "silent" parts. Never seen him better.
    6ksf-2

    early talkie - good script

    Good story, but you can tell it was made in the early years of talkies - very slow, deliberate movements, and LOTS of dark eye makeup on everyone. The supporting cast is the strength of this movie - Fay Wray (2 years before King Kong) plays the love interest Marcia Collins. Clark Gable (eight years before Gone with the Wind) is the antagonist-designee Louis Blanco, who is helping to cover up the naughty things his boss is doing. Blanco is trying to convince reporter Breckenridge Lee, played by Richard Barthelmess to help them cover up the naughty things going on in this fair city. I love the line by Fay Wray that she can tell he's from the South from his accent, although the only accent I can hear is some dropped R's, (since he was raised in New York). Unfortunately, Barthelmess, who is very wooden and stiff, being used to working in the silent movies, is the main character and the weakest link here. Note in his list of films, he made about sixty silent films prior to 1930, but very few after that - probably his best known talkie would be "Only Angels have Wings" with Cary Grant.

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    संबंधित रुचियां

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    ड्रामा

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The film is loosely based on Chicago Tribune reporter Jake Lingle, who was shot and killed the day before he was to meet with federal agents in connection with Al Capone's finances. There was public outrage at first over the killing of a reporter, but over the next few weeks it was discovered that Lingle was living way beyond his reporter's salary, and finally that he was on Capone's payroll.
    • गूफ़
      When the front page of The Press is shown with the heading "Gang War Rages," one of the stories is entitled "Star Received with Great Ovation" and "received" is incorrectly spelled "recieved."
    • भाव

      Managing Editor Ellis Wheeler: This community is in bad shape indeed, when gangsters can perpetrate murder in broad daylight and get away with it. But there's one power in this town with sufficient courage to do what is right. And that power is The Press. The Press is going to break up the criminal gangs that infest this city and drive them out. The Press is going to expose every corrupt official preying on the community. The Press cannot be bought, intimidated or silenced. It's going to be war; a crusade, if you like. A crusade to destroy gang rule. From now on, you are more than reporters, you're crusaders and you're going to bear down on the underworld with all the power of The Press. We're going to make a fight of it. You can get your assignments from the City Editor.

    • कनेक्शन
      Referenced in Public Enemies: The Golden Age of the Gangster Film (2008)
    • साउंडट्रैक
      Funeral March (Marche Funèbre)
      (uncredited)

      from "Sonata in Bb-, Op.35 No.2"

      Music by Frédéric Chopin

      Played after Lee's death

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 11 अप्रैल 1931 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Mannen som visste för mycket
    • फ़िल्माने की जगहें
      • Warner Brothers Burbank Studios - 4000 Warner Boulevard, बर्बैंक, कैलिफोर्निया, संयुक्त राज्य अमेरिका(Studio)
    • उत्पादन कंपनी
      • First National Pictures
    • IMDbPro पर और कंपनी क्रेडिट देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 1 घं 30 मि(90 min)
    • रंग
      • Black and White

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