Devotion

Ann Harding disguises herself as a dowdy nanny--tough job, and she doesn't quite bring it off here, she's too youthful and pretty--to be near barrister Leslie Howard, likably doing one of his oh-so-British-gentry romantic leads. It's the lightest of trifles, with some lapses of logic, and after the deception is revealed, the movie drags on needlessly for a half an hour or so. But Harding's always a pleasure to watch, even if she doesn't quite convince in either of her British (Mayfair and Cockney) accents. And a plus, as noted by others, is Robert Williams, who's so marvelous in "Platinum Blonde." He had a Spencer Tracy down-to-earth quality that shines here, and he's a natural light comedian (though his character's somewhat off--are we supposed to like him or not?). Nice production values, amiable supporting cast, and was there ever a greater year for clothes than 1931?

Ann Harding, wallflower daughter of O.P. Heggie and Louise Closser Hale, for a lark takes a job as the governess to barrister Leslie Howard's son. She's got a thing for Howard, but she's too shy to come out with it.

Harding makes herself up with a wig and glasses to look way older than she is and it's as 'Mrs. Halifax' she takes the job. She fools Howard for a while, but she doesn't fool artist Robert Williams who is Howard's client as well. It's Williams's job to know faces and he spots her right away, but allows her little deception any way.

The best two in the film have to be Howard's two married servants, Dudley Digges and Alison Skipworth. Digges plays the butler quite a lot like his most famous role, Mr. Bacchus in Mutiny on the Bounty. Of course without quite the alcoholic craving that Bacchus has. He refers to Skipworth as the 'commander-in-chief' and when you see them together you'll know why.

Robert Williams whose career got cut so tragically short does a nice turn as the artist and rival of Howard. Appendicitis and accompanying peritonitis did him in like Rudolph Valentino. Williams was a good light comedian, might have had a long career in Fred MacMurray type parts had he lived.

It's a nice film, but I can't see why it was titled Devotion.

I have always thought that it was a shame that Leslie Howard is remembered today (if at all) for one of his weakest roles, that of Ashley Wilkes in GONE WITH THE WIND. He was so much better than that! An actor, director, playwright, you name it, he did it all. He was also a helpful mentor to other actors such as Humphrey Bogart (they became such close friends that Bogart named his daughter "Leslie") and William Gargan (who named his son Leslie Howard Gargan). In DEVOTION, Leslie Howard is a lawyer who is loved by Ann Harding from afar. Yes, the plot plays out a little like a Mills and Boon novel, but in such a charming manner that the viewer can just sit back and enjoy!

Will true love conquer all?

No one suffers more in movie after movie than Ann Harding. The suffering is gloriously acute, intense and wonderfully relentless.

What a bore. Every bit the "creaky early talkie", DEVOTION (1931) is stagey and the soundtrack is full of dead air and awkward silences. The story concerns "wallflower" Ann Harding disguising herself as a middle-aged governess in order to get closer to Leslie Howard (whom she secretly loves).

The movie is a chore to sit through. I've never really been a fan of Ann Harding, and she looks ridiculous in her old lady disguise. Seen nowadays, the movie is so preposterous and overdone as to be unintentionally funny. Harding's whole plan comes off as really creepy to a modern audience.

And why is Harding, a daughter in a fairly well-off family, doing chores with the servants while her parents and sisters entertain guests in the parlor? Is she the black sheep of the family? Is it a Cinderella situation?

The movie's not a total loss, however.

Robert Williams's naturalistic acting practically jumps off the screen, in contrast to the rest of the cast. Williams's bright future in Hollywood was cut short when he died shortly after this film's release in 1931. He had a natural way of delivering his lines that really stands out in DEVOTION, even though he only has a few scenes. If nothing else, this film gives viewers a rare chance to see Williams at work.