Westfront 1918: Vier von der Infanterie

This is the story of life in the trenches during World War 1 from the perspective of 4 German soldiers, one of them a Lieutenant. The fact that they are on the 'other' side makes no difference to the feel of the story or the film's message. War is bad.

There is no particular story to focus on. The film is a sequence of events during wartime and it just carries on after the film has ended, just like it was already in existence once the film had started. It does have dramatic segments, eg, the home visit granted to Gustav Diessl (Karl), the exploits involving Hans-Joachim Mobis (the student) and various battlefield situations, confrontations and realizations.

The film occasionally has slow segments but it is interesting from a social history perspective. What was the point of it all?

Although this covers the same broad subject matter as "All Quiet", there is a different and welcome perspective and the film making is very definitely more European in style, harder edged and more matter of fact, which I have to say I prefer. For the English speaking audience it does suffer in that it has not been cared for and restored in the same way as "All Quiet". The version I saw had some rather jarring (at least to my English ears) subtitles, which showed that the UK and the USA are indeed two countries divided by a common language. I'm not sure what German words translate as "What in tarnation". Having said that the film was powerful, innovative and quite startling in its use of sound, which we should bear in mind had only been in use for 3 years or so. If someone knows where there is a restored version for the English speaking audience (preferably on DVD) I will be first in the queue

My husband and I just finished seeing this movie. We hadn't heard of it before. We were quite impressed. It's an old movie. It was made just at that time when overacted stage conventions were being abandoned for the more subtle gestures of film. Taking that into account, this movie for us packed quite a wallop.

This is a movie about people attempting to fight a war as a group of small-towners who get to know each other and build a society as they go. Although they don't like the war, they are willing to go and do their part. But can these deep relationships endure in the face of an impersonal war machine? And whose fault is it if they can't? Who is responsible for the situation?

There's a fairly slow start, during which the movie establishes relationships, etc. Then there is a decisive battle. Somehow there isn't another trench warfare movie I can think of which really gets the nuances and habits of the people who were in the trenches in World War I, on either side. We don't have anything like it now. And yet it's not gruesome, so don't be worried about that. I'd definitely recommend this movie, especially in mid-2006 in the U.S. This movie asks all the right questions, subtly but effectively.

Invariably any piece of art banned by the Nazis as degenerate or in this case "cowardly defeatism" has something to offer. G.W Pabst crafts a powerful antiwar film by simply showing so many of its truisms - the senseless, horrific death of course, but also many other subversive elements, e.g. the possibility of friendly fire, the idiotic decisions made by leaders who are out of harm's way being served posh courses of food, one's wife or girlfriend being unfaithful, and the psychological trauma. At his best he simply leaves the camera stationary in longshot while men scurry about and kill one another for no good reason, letting the viewer draw their own conclusion about the madness they're witnessing.

I have to say though, the impact of it all was a little lessened because the images and concepts weren't as novel for me 90 years later, as unfair to the film as that might be. It lags as well when it's off the battlefield, showing among other things an uninteresting (and long) performance at a canteen, and the confrontation with the wife in bed with another man. I think it was trying to balance out the warfare and build up characters so that we were invested in them, but I struggled to stay interested (this and the bleakness of the thing make it one I wouldn't reach for again). Kudos to Pabst for making it, and I loved the way he closes it with "The End?!", certainly well aware of growing militarism and possibility for another devastating war.

This is a movie that actually doesn't really have a main plot-line in terms of following one main character and have a clear beginning, middle part and end. Just like war there is no logic in it and things just happen within this movie as the movie moves along. It puts you right in the middle of things and shows you the madness of war.

It handles all different kinds of aspects from the war. It doesn't only show the situation from the viewpoint of the young soldiers but it also focuses on the family and girls back home. It doesn't do this by featuring it too prominently but picks out an handful of minor characters and just a couple of sequences to get the message across. This works out really well and it doesn't feel melodramatic or anything like that. Modern movies can really learn something from this.

But of course foremost the movie gets set in the trenches, somewhere in France. The movie is filled with some WW I battle sequences, which are all surprising good and authentic looking. Guess lots of materials and places from WW I were still around during the production of this movie so they did not have an hard time recreating the look and feeling of the battles fought out in the trenches.

It was the first sound movie from Georg Wilhelm Pabst and this shows. Nothing too major, it are just some little things showing you that 'talkies' hadn't been around yet for very long and Georg Wilhelm Pabst wasn't also too experienced with it yet. He pretty much shot this movie in the same way as he would had filmed a silent movie.

The movie is of course also original with the fact that it tells the story from the German point of view. While watching this movie you don't actually ever give you the feeling you're watching the movie from the 'evil' and bad point of view. All parties are more or less victims within a war and things are not as black & white as they always seem.

Simply a real good and effective WW I production, especially when considering that it got shot way back in 1930.

8/10

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