Up the River

This is a film that can best be appreciated by old movie buffs and film historians instead of someone watching it for its aesthetic value. If you had seen this movie at the time it was made, you never would have suspected that this film was the work of one of Hollywood's greatest directors (John Ford) and featured two mega-stars (Spencer Tracy and Humphrey Bogart). That's because all were early in their careers and they were still years from being recognized for their talents. While John Ford had been in Hollywood for some time, he had yet to make his mark. 1930 marked the beginning of Tracy's Hollywood career--having starred in three minor films earlier that year without any particular distinction. And finally, Humphrey Bogart was in his second film--his first where he actually got billing (having appeared many years earlier in a film as an extra). All three were far from their later polished selves, but it sure was fascinating seeing this film because of its historical pedigree. And, because of their future greatness, this film was a training ground--helping to mold them into stars and a top-notch director.

Now if you ignore all this, the film is a very routine film and my rating of 5 might just be a tad generous. Bogart talks too fast but is otherwise fine and Tracy just comes off as a jerk. Probably the most interesting acting performance in this little film was Warren Hymer as the dumb but likable comedy relief. As for Ford, it's obvious that this was a quickly made B-film because a few scenes should have been re-shot--actors flubbing their lines and yet it was allowed to remain in the film. The plot, is mildly fun but not especially memorable.

There are a few bizarre moments here and there in the film and most of them happen in this rather luxurious and happy prison. First, the warden's young daughter (about 7 or so) hangs out with the prisoners and doesn't seem to be watched by anyone. Fine parenting, huh? Also, men and women are housed in the same prison--with not very much separating them! Finally, the prison seems like a pretty nice place to live--with baseball games, social workers handing out treats and everyone getting along like one big happy family! No wonder Tracy and Hymer didn't mind being sent back to prison!!

The plot has been discussed in other reviews, so I'll leave it to them. I do need to point out, though, that there is a serious problem with the quality of the movie. Because it was old and mostly forgotten, the print shown on Turner Classic Movies is still absolutely horrid and probably beyond restoration because repeatedly bits and pieces of the film are simply missing. As a result, scenes are often VERY choppy and you miss a lot of the dialog. It looked as if they'd decided to just randomly chop out about 5 minutes of the film and do it in 10 or 20 second bursts! TCM almost always shows the very best available prints, so I'd assume that the DVD of this film which was just released in the John Ford Mega-set is also choppy and difficult to watch.

Wonderfully entertaining comedy drama about two prisoners (Bogart and Luce) who fall in love and what happens after Bogart is paroled. Spencer Tracy plays a flamboyant convict who comes to their aid when the two lovebirds are threatened by some very bad men. Lighthearted fun, set in a prison only Hollywood could dream up. An early John Ford talkie,this was made when and Bogart and Tracy were at the beginning of their careers. They are a blast to watch, and Luce is charming as a timid young woman who has been imprisoned on the flimsiest of charges. Some great comedic moments. A must-see for fans of two of the greatest actors of the 20th century.

The other reviews posted have concentrated on Tracy and Bogart whilst ignoring the fact that this is a very early talkie from John Ford.Many of the traits which we see in his classic films of the 40s and 50s are evident in a rather primitive form here.Warren Hymer plays a role which in the later era would be played by Victor Mclaglen.Many of the antics of his characters can be seen in later films.For example the horsing around between the managers of the baseball team hitting the others players is used again by Ford in a fight scene in Fort Apache.All of the music and comedy is used many times in the future particularly in the Cavalry trilogy.So to see 3 nascent talents in one film makes it fascinating to watch regardless of the scratches and mutilation of the print.

UP THE RIVER is a landmark in many aspects. It's the feature film debut for both Humphrey Bogart AND Spencer Tracy. It is the only time these two lifelong friends worked together. John Ford wanted to make a prison drama, but MGM, the bigger studio had plans for THE BIG HOUSE. John turned his prison film into a comedy, with convict Spencer Tracy breaking IN and OUT of prison at will. My video copy is off a 16mm print that was surely on it's way out. Through the scratches, breaks in the film, Bogies and Spence's screen presence explode on the screen. You know stardom is around the corner for both.

I'm a fan of old 1930s movies, but this one really has nothing going for it except a very young Humphrey Bogart & Spencer Tracy. The movie's 92 minutes long, of which about 30 minutes consists of song & dance numbers (amateurish, to say the least) & a prisoners baseball game (with no real baseball action). Heavy on the comedy, but with only 1 or 2 chuckles. Warren Hymer is poor as the comic relief. Spencer is good & his natural delivery is in evidence here. Bogey is fine, playing a guy younger than Spencer (he's actually a year older), & this is one of the only movies where Bogey actually has a parent (a dear old mom); only "Dead End" comes to mind as a role for him with a parent. He's very good, but a little awkward at times, & he overdoes it a bit in one emotional scene near the end. It's very strange seeing Bogart play a romantic part in a standard Hollywood (soft) way, compared with his tough guy romances in his later films. A couple of other striking features of this film: there's only about 3 male & 1 female black prisoners in the jail, & there seemed to be such a "shortage" of black actors available, that they needed two white guys to do a blackface minstrel routine! The Woman's Auxiliary & the warden's daughter walk around the prison yard & mingle with the prisoners unescorted, as if they were at some sort of country club! Bogey gets to nervously shift pebbles from hand to hand in one scene; I wonder if he drew on this experience 24 years later for his similar actions as Lieutenant Commander Queeg in "The Caine Mutiny"? Claire Luce is suitably good as the romantic interest; Joan Marie Lawes is also good as the precocious warden's daughter. The plot, if there is one, is seriously underdeveloped amidst the song & comedy routines, & the expected ending is oddly left hanging without real resolution. I give it 2 points for Bogart & 2 points for Tracy, & rate this movie 4/10.