Three Faces East

Adapted from a successful play, "Three Faces East" is a clever spy thriller set during WWI. Constance Bennett plays the role of Frances Hawtree aka Agent Z-1, undercover spy for the German Intelligence Service. She is assigned to infiltrate the estate of Sir Winston Chamberlain--First Lord of the Admiralty--and meet with her contact there, where her mission will be explained.

The mansion is populated with a butler of ambiguous intentions named Valdar (Erich von Stroheim), two maids, Lady Chamberlain, their son Arthur, and two members of Chamberlain's staff.

I found the very beginning of the film to be overly dramatic, but the story quickly becomes more believable, and more interesting, when Frances arrives at the Chamberlain estate. What follows is a cat and mouse game, with twists and turns to keep the viewer guessing. The contents of Lord Chamberlain's safe may hold the key to victory in Europe. Try to guess the truth as alliances change and the lines between romance and duty become blurred.

The acting is fine and Erich von Stroheim is delightful. The script is tightly written, moving along at a brisk pace.

While it is true that not all of these very old early talkies, are wonderful, they are still enjoyable. The picture quality is very high, I did not find the sound to be bad. It is a great opportunity to see how motion pictures are progressing. The fact that this movie was released two weeks after my father was born, and he lived 90 years provided an additional incentive for me. What is also fascinating to me is to see and hear actors born in 1862 on screen. 1862 Lincoln was president. I believe this is worth your time. A spy/counter spy movie circa WWI? And yes, she is beautiful.

but is it really fair to downgrade this film because of that? Would you downgrade Star Wars because the creatures were men in rubber suits rather than CGI creations not technologically possible in 1977?

It is WWI, and Constance Bennett plays Frances Hawtree / agent Z-1, assigned to go to England by the Germans. She is to claim that she and the oldest son of Lord Winston Chamberlain and Lady Katherine Chamberlain were in the same POW hospital, fell in love, and that he died before she could escape. (He did actually die.) She brings some of his personal effects back to them. This way she can work her way into their trust, their hearts, and their home and thus abscond with some important allied secrets. Eric Von Stroheim plays Valdar, Frances' superior and contact, and is also masquerading as a butler. "Three Faces East" is the phrase that they use to recognize one another as fellow agents. I can tell you this because Von Stroheim is seen early in the movie receiving a medal from the French army. If he was a soldier there is no way he would now, a short time later, be working as a butler in the Chamberlain estate.

The rest of the movie is a series of double crosses, tricks, and surprises that have stood the test of time as far as keeping you guessing as who is really who and what happens next. Plus one thing that almost trips everything up is a piece of information that was a secret between the dead older Chamberlain son and the younger Chamberlain son, Arthur, who is home recovering from a shoulder wound. I'll let you watch and find out what happens.

Just a couple of things seem a bit silly to me. First, why is this carefully guarded information of Allied troop movements being carried by armed guard via attache case to the Chamberlain estate, then just dumped in the safe where it is completely unguarded at night where anyone could get it? Why isn't it under lock and key and under guard at a military installation, not a private estate which apparently has no security, not even a dog or alarm system? If this is the security set-up, why does Frances/Z-1 even need to be there? Couldn't Valdar sneak downstairs in the middle of the night and get the information himself? Well the answer to the this last question is probably that audiences would much rather look at Constance Bennett for 71 minutes than Erich Von Stroheim.

One more odd thing - Both young Arthur AND Valdar declare their love to Z-1, knowing only the sketchiest details about her. What if the girl has insanity in her family, lay about relatives, or annoying or spendthrift habits? But I digress.

For a well paced tale of wartime intrigue, with good dialogue and good performances, and very good direction that makes you forget that the camera still can't move much at this period in time, I highly recommend it. Plus I just love the final scene - it is not what you are expecting.

I saw this movie in the early 1990s, at a screening given by William K Everson at the New School for Social Research in New York City. I usually took detailed notes during all of Mr Everson's screenings, but this time there was a disturbance in the auditorium (no, not my fault, you clever clots) and I didn't keep my notes. I can barely remember the film, which is not a point in its favour.

The action takes place during the Great War in the home of the First Lord of the Admiralty, who has the unfortunate name Sir Winston Chamberlain. (Any relation to Neville Churchill?) His butler Valdar is played by Erich von Stroheim, so it's no spoiler to report that Valdar is a spy for the Kaiser. He does everything but click his heels and wear a monocle.

Into this cosy inglenook comes Frances Hawtree ... played by Constance Bennett, who has never impressed me (except in her off-screen work on behalf of U.S. servicemen). We find out very quickly that Frances is a counterspy. She keeps reporting to Mr Yates of the Secret Service, who addresses her by her code number 'Z-1'. Which reminds me...

Most of the characters in this film are meant to be British, but the (mostly) American actors have the sense not to attempt British accents. Still, it's annoying to hear William Courtenay as Yates addressing Bennett as 'ZEE-one'. Was nobody in this production aware that in Britain the last letter of the alphabet is pronounced 'ZED'? Since Frances Hawtree and her C.O. are allegedly British, it would make sense if they got this detail right.

The film's title is a code phrase that doesn't seem to mean anything in clear. At one point, one of the male characters needs a pretext to leave the room, so he says he has to fetch his pipe ... but the pipe is a mere sham. That's as good as this gets.

I was impressed with the performance of the character actor who played Sir Winston. He gave several good performances in the early talkie era, and he deserves to be better known. Unfortunately, his name was William Holden: the same name as the later Oscar-winning leading man. Although there was a seven-year gap between the end of the older Holden's screen career and the beginning of the younger Holden's, I've seen several references which confuse the two, crediting all of the senior Holden's films to his younger and better-known namesake. Here, the senior Holden speaks his dialogue in his own natural American accent, yet he does an impressive job of conveying a proper upper-class Englishman.

Director Roy Del Ruth also deserves to be better known, but this is not one of his better efforts. I don't remember this film very well, but the fact that I *don't* remember much of it is evidence that it wasn't very good. Even von Stroheim is subdued, for once. I'll go out on a limb and rate it 5 out of 10, largely for William Holden's fine performance.

Archaic, talky but eventually gripping WWI spy thriller, with shifting loyalties and plot twists abound. Constance Bennett plays an unusually powerful female role for 1930, and she has some showstopping closeups. Erich Von Stroheim is commanding as her possible counterpart / ally / enemy. **1/2 out of 4.