Soup to Nuts

This curio represents the nuttiness of famed cartoonist of a century ago Rube Goldberg, who co-wrote the movie and has some of his zany inventions featured. Its early talkie era technique is static and dated, but there are so many gags included that some are bound to amuse.

Ted Healy is featured with his Three Stooges, numbering Shemp, Moe (his stage name is Harry at this point) and Larry, no Curly in the group. A fourth stooge is played silent (a la Harpo in the Marx clan) by Fred Sanborn, who has memorably bushy eyebrows, is very short and throw in effeminate moves in his pantomime routine Sanborn even has a featured shtick playing the xylophone while he dances.

. The other three stooges do physical shtick and also provide a harmonized (barbershop quartet style) singing that is well-done and I don't recall being exploited in their later films.

It's clearly not up to the standard of the Marx Brothers classics, or even those popular RKO vehicles for the team of Wheeler & Woolsey, but it's still fun to watch and intentionally makes very little sense.

Having taped this movie from AMC's Third Annual Film Preservation Festival when the subject was comedy, I was very anxious to see the film debut of The Three Stooges with Ted Healy as their original leader and Shemp Howard in the original group before quitting, allowing younger brother Curly to take his place. Written by cartoonist Rube Goldberg, who makes a cameo here, the story-about an elderly costume store owner (Charles Winninger) about to lose his place-is nothing special but has some amusing visual humor when we see some of Winninger's inventions like the complicated ways to wake up and stop a robber involving a cat and a giant boot. This and other weird gadgets are what Goldberg is famous for drawing. As for the Stooges, they play firemen who Ted hangs around with when he's not constantly arguing with his girlfriend (Frances McCoy). Legend has it that Fox studio head Winfred Sheehan wanted the Stooges without Ted, who was angered and stormed off taking the boys with him, signed to a long-term contract and that's why Shemp went out on his own after a brief split soon afterwards. So this is the only time on film he's with Healy who performs along with his brother Moe (credited as Harry) and Larry Fine, none of whom have the wild hair they became known for. The reason Sheehan may have only wanted Howard, Fine, and Howard might have been the scene where they order such bizarre things like a "ham and corn beef sandwich on white on rye" or a "baloney with whipped cream"! That and a later routine with Ted in which the boys perform "The Elevator Dance" (in which Larry stands still while Moe hand pops his mouth and Shemp rubs sandpaper together) which has "no steps to it" are the funniest parts of the movie. Nearly everything else is "eh" though there's also some entertaining xylophone playing by another comic foil named Fred Sanborn and a little kid named Billy Barty amusingly attempts to pop a balloon as he keeps somersaulting. Worth a look for Three Stooges fans and anyone interested in the early talkies.

Ted Healy was one of vaudeville's most popular performer. His talents were so great in the 1920s he became the highest paid act in vaudeville, pulling down an astronomical $9,000 a week on the stage. A childhood friend, Moses Horwitz (a.k.a. Moe Howard), had briefly joined Healy, born Ernest Nash, on the stage in the mid-1910s when both were just teenagers before they split. Healy developed a revue with a cast including his wife, acrobats and singers. When the tumblers left his act, Healy thought of a comedy routine where hecklers in the audience were invited on the stage. Moe answered an ad Healy placed in the local paper, and the pair's working relationship was renewed. Moe's older brother, Shemp, later joined Healy's act in 1924 after he too proved to be a great heckler. The trio's on and off schtick eventually brought a fourth comedian to the team, Larry Fine, the lead performer at a popular Chicago nightclub. Called "Ted Healy & the Southern Gentlemen," they were hired by Fox Films to star in September 1930's "Soup to Nuts." The movie was the film debut for Healy and the soon-to-be-named 'The Three Stooges.'

Healy is a costume attire salesman who likes to hang out at the local fire station, where the stooges work. A love triangle develops between Healy and businessman Carlson (Stanley Smith), vying for the interests of a bankrupt inventor's niece, Louise (Lucile Browne). Wedged amongst a number of comic sketches at the fire house with the stooges and the finale where they respond to a fire in which Louise is trapped in, Healy and Carlson battle one another for her loving cup.

Fox Films loved the Howards' and Fine's repertoire in "Soup to Nuts" so much the studio offered them a contract. Healy, left out of the offer, argued with the studio the three comics were under his employ. And he refused to release them. The trio split from Healy and went on their own way. Performing as 'The Three Lost Soles' and 'Howard, Fine, and Howard,' they joined the RKO vaudeville circuit, taking on Jack Walsh as their straight man. Meanwhile, Healy hired three replacements, which weren't nearly as talented as the Howards/Fine package.

Two years later, with Moe as the act's business manager, Healy, not happy with the stooges' replacements, ate crow and approached them to appear in a Jacob Shubert's theatre revue. Moe, crunching the numbers, saw Healy's financial position was strong with the Shubert contact. The three joined Healy in July 1932, only to see Shemp walk out after several rehearsals. Moe's older brother was tired of Healy's temper, drinking and abusive behavior and accepted an offer with Vitaphone Studios. Moe and Larry stuck with Healy, and convinced Moe's younger brother, Jerry, to join them. In the next year, Healy inked a movie contract with MGM, where he and the three sidekicks, including newbie Jerry, who took the stage name Curly, began to really gain the attention of a nationwide audience.

Well, folks, I dunno' . . . maybe I'm just a little nutty myself, but I really like this film. For the record, I also like the movie "Meet the Baron" and a couple of the Fox Laurel & Hardy movies; on the other hand I think "Dancing Lady" is very BORING, and I think "Swing Parade" is BEYOND boring and a terrible waste of talent, especially in the finale. So that's where I stand...

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The story moves along briskly with one colorful character popping up after another, with the jokes doggedly marching along. If you don't like one gag, you'll laugh at the next—well, smile anyway... Happily enough, there are indeed a number of Rube Goldberg's "inventions" on display throughout the film.

The Three Stooges appear suddenly in the first instant of the first live-action shot of the movie, and the whole scene is very funny. They sing and do the sand-bag routine (later reprised in the 1950s on the Ed Wynn Show. Here it is more logically framed and much better timed with a stronger ending). I find Ted Healey very charming and funny, too. His girlfriend Queenie (Frances McCoy) is perfect: darling and hilarious, and remains one of the great mysteries of film--absolutely nobody seems to know whatever happened to her!

There is actually quite a lot of Stooges, and they have as merry madcap a fire department you could please. If you think of the movie being in 3 parts, they are in two-thirds of the film.

The quality of the Fox 2005 reprinting is GREAT, both image and sound. Imagine: a 1930 movie that no one cared about, saved at the last minute and looking so good. OK, it's just not a "great" film, so 7 stars out of 10; but the restoration is 9.99 stars. (One curiosity is that the end music is quite long, but there is no picture!)

We should be so lucky to see the Laurel & Hardy movies again in such pristine condition. Hallmark should be shot.

Everybody commenting here seems to forget about the fine character actor Charles Winninger, who unfortunately is one of the best things about this mediocre picture. Yeah, we Stooges fans only watched this to see our favorite slapstick guys in their very first exposure to film, and most of us already knew that Healy's semi-popularity as a comedian was a mystery. But there are indeed other things going on here, most notably the aforementioned Winninger, who's the funniest person in this film, most assuredly. Watch out for that gigantic boot!