Soup to Nuts

Everybody commenting here seems to forget about the fine character actor Charles Winninger, who unfortunately is one of the best things about this mediocre picture. Yeah, we Stooges fans only watched this to see our favorite slapstick guys in their very first exposure to film, and most of us already knew that Healy's semi-popularity as a comedian was a mystery. But there are indeed other things going on here, most notably the aforementioned Winninger, who's the funniest person in this film, most assuredly. Watch out for that gigantic boot!

"Soup to Nuts" is far from a brilliant comedy and I only scored it a mediocre 6. So why do I STILL recommend you see it? Well, it's because it is important historically, as it's the first Three Stooges film...of sorts. I say 'of sorts' because it's not exactly the Stooges you might expect. While many will remember Curly as one of the original Stooges, this really isn't the case. His older brother, Shemp, was originally one of the Four Stooges. Four? Well, I'll get to that in a second. As for Curly, he replaced Shemp as Shemp had film offers on his own and only returned to the Stooges after Curly had a stroke in 1946. Now about the four....for a brief time, Fred Sanborn played a mute Stooge...sort of like a Harpo Marx character. But after making "From Soup to Nuts" he, like Shemp, went out on his own...in this case to pursue his musical career. Additionally, through their stage act to about 1933, the Stooges were billed as Ted Healy and His Stooges. After completing this film for Fox, the group went to MGM, briefly, and Moe, Larry and Curly soon left to go to Columbia and their careers took off. As for Healy, he stayed with MGM and was beaten to death outside a nightclub only a few years later.

So, if you want to see the earliest incarnation of the Stooges on film, "Soup to Nuts" is it....though the style sure isn't what you'd expect from the boys. Ted Healy is THE act and Moe, Larry and Shemp really have little to do and Moe isn't the boss...so they all slap each other or get slapped by Healy. As for Sanborn, despite soon leaving the group, he received much more screen time than Moe, Larry and Shemp...much more. He was occasionally funny.

The plot seems only ancillary to all the weirdness and high energy. Otto owns a costume shop and it's a financial mess...so much so that the company is being taken over by creditors. The man's daughter is angry and hates the man who has come to run things....though he's actually a nice guy and helps the family tremendously...though it took the entire film for her to realize it. In the interim, there's a lot of silliness, some Rube Goldberg style inventions and a bit of music. All in all, reasonably pleasant but a bit incoherent when it comes to plot.

By the way, if you do watch, note a couple other actors in the film. In the restaurant scene, note the rotund guy. He's Mack Swain, the foil for Chaplin in many of his films, including "The Gold Rush". Also, the 'baby' doing summersaults is actually 6 year-old Billy Barty.

"Soup To Nuts" marks the debut of the legendary comedy team the Three Stooges. Here, the Stooges are comprised of Larry, Moe, and Shemp. Along for the ride is a fourth comic, a gentleman named Fred Sanborn, who's silent character is reminiscent of Harpo Marx. It suggests some Marxian thought may have gone into this, though I have no proof of this.

The plot is a bit of nonsense involving a costume shop that is swimming in red ink, and how Ted & the Stooges will save it. The Stooges are nominal firemen, while Healy works at the store. Everyone else, save for actor Charles Winniger, have been lost to time. Considering the year this is being done (1930), they're not too, too bad. Still, if you're looking for "Citizen Kane"-style performances, you've come to the wrong place.

Allow me to say something about Ted Healy. Most people have the impression that Healy was some kind of monster figure who the Stooges had to break free of. Yet something is wrong here. On one hand, the Stooges never spoke negatively of Healy after his passing, and they all worked in Hollywood for 40 more years. In addition, one can see little spots in their work with Healy that indicate some of the Stooges later routines were already in use during their Healy days. This seems to indicate that Healy had some sort of talent for at least devising comic material, if not for delivering it. This film may do little to redeem him as a comic, though you may see it different. However, if you are to believe some of the plaudits handed down to the man by others, then it is clear that we may be missing something regarding this man.

Hope you enjoy the film!

Ted Healy was one of vaudeville's most popular performer. His talents were so great in the 1920s he became the highest paid act in vaudeville, pulling down an astronomical $9,000 a week on the stage. A childhood friend, Moses Horwitz (a.k.a. Moe Howard), had briefly joined Healy, born Ernest Nash, on the stage in the mid-1910s when both were just teenagers before they split. Healy developed a revue with a cast including his wife, acrobats and singers. When the tumblers left his act, Healy thought of a comedy routine where hecklers in the audience were invited on the stage. Moe answered an ad Healy placed in the local paper, and the pair's working relationship was renewed. Moe's older brother, Shemp, later joined Healy's act in 1924 after he too proved to be a great heckler. The trio's on and off schtick eventually brought a fourth comedian to the team, Larry Fine, the lead performer at a popular Chicago nightclub. Called "Ted Healy & the Southern Gentlemen," they were hired by Fox Films to star in September 1930's "Soup to Nuts." The movie was the film debut for Healy and the soon-to-be-named 'The Three Stooges.'

Healy is a costume attire salesman who likes to hang out at the local fire station, where the stooges work. A love triangle develops between Healy and businessman Carlson (Stanley Smith), vying for the interests of a bankrupt inventor's niece, Louise (Lucile Browne). Wedged amongst a number of comic sketches at the fire house with the stooges and the finale where they respond to a fire in which Louise is trapped in, Healy and Carlson battle one another for her loving cup.

Fox Films loved the Howards' and Fine's repertoire in "Soup to Nuts" so much the studio offered them a contract. Healy, left out of the offer, argued with the studio the three comics were under his employ. And he refused to release them. The trio split from Healy and went on their own way. Performing as 'The Three Lost Soles' and 'Howard, Fine, and Howard,' they joined the RKO vaudeville circuit, taking on Jack Walsh as their straight man. Meanwhile, Healy hired three replacements, which weren't nearly as talented as the Howards/Fine package.

Two years later, with Moe as the act's business manager, Healy, not happy with the stooges' replacements, ate crow and approached them to appear in a Jacob Shubert's theatre revue. Moe, crunching the numbers, saw Healy's financial position was strong with the Shubert contact. The three joined Healy in July 1932, only to see Shemp walk out after several rehearsals. Moe's older brother was tired of Healy's temper, drinking and abusive behavior and accepted an offer with Vitaphone Studios. Moe and Larry stuck with Healy, and convinced Moe's younger brother, Jerry, to join them. In the next year, Healy inked a movie contract with MGM, where he and the three sidekicks, including newbie Jerry, who took the stage name Curly, began to really gain the attention of a nationwide audience.

Well, folks, I dunno' . . . maybe I'm just a little nutty myself, but I really like this film. For the record, I also like the movie "Meet the Baron" and a couple of the Fox Laurel & Hardy movies; on the other hand I think "Dancing Lady" is very BORING, and I think "Swing Parade" is BEYOND boring and a terrible waste of talent, especially in the finale. So that's where I stand...

~ ~ ~

The story moves along briskly with one colorful character popping up after another, with the jokes doggedly marching along. If you don't like one gag, you'll laugh at the next—well, smile anyway... Happily enough, there are indeed a number of Rube Goldberg's "inventions" on display throughout the film.

The Three Stooges appear suddenly in the first instant of the first live-action shot of the movie, and the whole scene is very funny. They sing and do the sand-bag routine (later reprised in the 1950s on the Ed Wynn Show. Here it is more logically framed and much better timed with a stronger ending). I find Ted Healey very charming and funny, too. His girlfriend Queenie (Frances McCoy) is perfect: darling and hilarious, and remains one of the great mysteries of film--absolutely nobody seems to know whatever happened to her!

There is actually quite a lot of Stooges, and they have as merry madcap a fire department you could please. If you think of the movie being in 3 parts, they are in two-thirds of the film.

The quality of the Fox 2005 reprinting is GREAT, both image and sound. Imagine: a 1930 movie that no one cared about, saved at the last minute and looking so good. OK, it's just not a "great" film, so 7 stars out of 10; but the restoration is 9.99 stars. (One curiosity is that the end music is quite long, but there is no picture!)

We should be so lucky to see the Laurel & Hardy movies again in such pristine condition. Hallmark should be shot.