IMDb रेटिंग
7.1/10
2.2 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंIn order to claim an inheritance, the boys present themselves at a creaky, bat-filled mansion on a stormy night.In order to claim an inheritance, the boys present themselves at a creaky, bat-filled mansion on a stormy night.In order to claim an inheritance, the boys present themselves at a creaky, bat-filled mansion on a stormy night.
Frank Austin
- Butler
- (बिना क्रेडिट के)
Stanley Blystone
- Detective
- (बिना क्रेडिट के)
Bobby Burns
- Nervous Relative at Window
- (बिना क्रेडिट के)
Jack Rube Clifford
- Detective
- (बिना क्रेडिट के)
Rosa Gore
- Old Relative
- (बिना क्रेडिट के)
Dorothy Granger
- Young Relative
- (बिना क्रेडिट के)
Dell Henderson
- Housekeeper
- (बिना क्रेडिट के)
Fred Kelsey
- Chief of Detectives
- (बिना क्रेडिट के)
Lon Poff
- Old Relative
- (बिना क्रेडिट के)
Art Rowlands
- Theater-goer Relative
- (बिना क्रेडिट के)
Tiny Sandford
- Policeman
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
***SPOILERS FOR EMILY***
This is one of Laurel & Hardy's weaker short film entries from Hal Roach Studios. It suffers from a repetitive script and an ending that feels so tacked-on that I can't help but wonder if the crew realized they were filming a mess with no good resolution.
The byplay between Stan and Oliver is the bright spot, though some of the gags in the bedroom scene are a little too hokey to get much of a laugh - that has to be the fakiest fake bat I've EVER seen in a movie.
The opening scene, with the Boys fishing off the pier, contains most of the movie's funniest material. You can always find something good about even the weakest Laurel & Hardy film.
This is one of Laurel & Hardy's weaker short film entries from Hal Roach Studios. It suffers from a repetitive script and an ending that feels so tacked-on that I can't help but wonder if the crew realized they were filming a mess with no good resolution.
The byplay between Stan and Oliver is the bright spot, though some of the gags in the bedroom scene are a little too hokey to get much of a laugh - that has to be the fakiest fake bat I've EVER seen in a movie.
The opening scene, with the Boys fishing off the pier, contains most of the movie's funniest material. You can always find something good about even the weakest Laurel & Hardy film.
A LAUREL & HARDY Comedy Short.
Hoping to inherit the $3,000,000 left by the murdered Ebenezer Laurel, the Boys find themselves spending a terrified evening in haunted Laurel Mansion, full of things that go bump in the night & the usual (disappearing) suspects. Who will be left to solve THE LAUREL-HARDY MURDER CASE?
An elaborate little film, somewhat longer than usual, with lots of fine Gothic touches. It's a shame it has such a weak ending. Highlight: the bat under the sheet. That's Frank Austin as the creepy butler & Fred Kelsey as the police detective.
Hoping to inherit the $3,000,000 left by the murdered Ebenezer Laurel, the Boys find themselves spending a terrified evening in haunted Laurel Mansion, full of things that go bump in the night & the usual (disappearing) suspects. Who will be left to solve THE LAUREL-HARDY MURDER CASE?
An elaborate little film, somewhat longer than usual, with lots of fine Gothic touches. It's a shame it has such a weak ending. Highlight: the bat under the sheet. That's Frank Austin as the creepy butler & Fred Kelsey as the police detective.
It seems like manna from heaven when Stan and Ollie are sitting by the river with Laurel dropping in a line for some dinner and Ollie messing it up for a change. Then Ollie finds a stray newspaper with an advertisement for the relatives of the late Ebenezer Laurel to meet at the usual grim old mansion.
But it ain't for a will reading it's the police wanting to sort through the relatives over who might have murdered the old guy for his loot.
After that it's a series of haunted house gags that the boys go through, the highlight being a bat in a bedsheet that everyone thinks is a ghost. Laurel is even willing to give up his possible riches.
In the end the boys find it all really doesn't matter.
But it ain't for a will reading it's the police wanting to sort through the relatives over who might have murdered the old guy for his loot.
After that it's a series of haunted house gags that the boys go through, the highlight being a bat in a bedsheet that everyone thinks is a ghost. Laurel is even willing to give up his possible riches.
In the end the boys find it all really doesn't matter.
Whilst sleeping on a pier, Hardy notices that a man called Laurel has died and that his $3million estate will be divided at the will reading that night. They go to the will reading but find that the police have set it up to get all the relatives together to find who has murdered old man Laurel. The pair must stay in the old house with all the relatives knowing a murderer (and a ghost!) may be among them.
I have always enjoyed Laurel and Hardy although some of their stuff isn't as consistent as you'd hope. Happily I found this to be very enjoyable even if it did start to spin off into being a horror spoof rather than the murder case of the title. The main humour involves pratfalls and running scared from various things that could be ghosts etc, but it does have some nice touches (the usual looks to the camera from Hardy) as well as some real nice lines. `$3,000,000' exclaims Laurel `is that more than a thousand?' `don't be foolish,' retorts Hardy `it's TWICE as much!'. The self-mocking humour helps lift the comedy above the level of people just falling down.
Both leads are excellent and I have always enjoyed Hardy's work to involve the audience by giving them looks of frustration at Laurel's foolishness! Laurel of course is just as good with double takes and god physical work. The support cast are not really worth a mention as you may not even notice they are there behind the dominant leads.
Overall I laughed out loud plenty of times during this short. The comedy may be basic routines that you've seen before but it's done so well and with so many nice touches that you'll enjoy it. The only weakness is that the plot is far from your mind for the most part and is weak when the film needs an ending.
I have always enjoyed Laurel and Hardy although some of their stuff isn't as consistent as you'd hope. Happily I found this to be very enjoyable even if it did start to spin off into being a horror spoof rather than the murder case of the title. The main humour involves pratfalls and running scared from various things that could be ghosts etc, but it does have some nice touches (the usual looks to the camera from Hardy) as well as some real nice lines. `$3,000,000' exclaims Laurel `is that more than a thousand?' `don't be foolish,' retorts Hardy `it's TWICE as much!'. The self-mocking humour helps lift the comedy above the level of people just falling down.
Both leads are excellent and I have always enjoyed Hardy's work to involve the audience by giving them looks of frustration at Laurel's foolishness! Laurel of course is just as good with double takes and god physical work. The support cast are not really worth a mention as you may not even notice they are there behind the dominant leads.
Overall I laughed out loud plenty of times during this short. The comedy may be basic routines that you've seen before but it's done so well and with so many nice touches that you'll enjoy it. The only weakness is that the plot is far from your mind for the most part and is weak when the film needs an ending.
This is another L & H short that deviates in some way from the general pattern of them; but this time, the central tennet is drastically different: the boys are implicated in a frankly absurd murder case. Dell Henderson's wonderfully creaking, slow turn, is a comic parody of horror movie 'housekeepers' and butlers before Universal horror really took off. I like the way an authority figure is sent up (as often in L & H); this time a bumbling, melodramatic detective, the actor hamming it up for all it was worth. There's barely a bone in this film's skeleton that isn't light and giddily brittle; only the early scene of Ollie musing on his friendship with Stan, the two of them sitting by the waterside, really seems like a typically L & H scene. And beautifully played and written it is too. It has that comic pathos that is entirely relinquished by the film from then on.
The remainder of this picture spirals off into the most obvious, overplayed silliness; but I loved it. Laurel and Hardy in a creaking, almost chuckling set, standing in for a haunted house; absurd, devilish do propagated by a leering, comatose housekeeper; predictable gags; a bat or two. Just bring it all to mind, and smile... give it a viewing some day, and I'm sure you'll be amused. "The Laurel-Hardy Murder Case" is a wonderfully enjoyable short; and a refreshing variant within their very consistent, fine work during this pre-feature length era.
Rating:- ****/*****
The remainder of this picture spirals off into the most obvious, overplayed silliness; but I loved it. Laurel and Hardy in a creaking, almost chuckling set, standing in for a haunted house; absurd, devilish do propagated by a leering, comatose housekeeper; predictable gags; a bat or two. Just bring it all to mind, and smile... give it a viewing some day, and I'm sure you'll be amused. "The Laurel-Hardy Murder Case" is a wonderfully enjoyable short; and a refreshing variant within their very consistent, fine work during this pre-feature length era.
Rating:- ****/*****
क्या आपको पता है
- ट्रिवियाLike other early talkies, this film was reshot in other languages, with casts who spoke the language and Stan & Ollie learning their lines phonetically. In one of the foreign-language versions, the butler is played by Boris Karloff.
- गूफ़After getting ready to go to bed, the boys drop the candle a few times, and it seemingly goes out. When they pick it up, it is lit again without them lighting it.
- क्रेज़ी क्रेडिटOpening credits prologue: Mr. Laurel and Mr. Hardy decided that they needed a rest - -
- They had been looking for work since 1921 -
- इसके अलावा अन्य वर्जनThere is also a colorized version.
- कनेक्शनAlternate-language version of Feu mon oncle (1930)
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