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Hogaraka ni ayume

  • 1930
  • 1 घं 36 मि
IMDb रेटिंग
6.4/10
800
आपकी रेटिंग
Hogaraka ni ayume (1930)
अपराधड्रामारोमांस

अपनी भाषा में प्लॉट जोड़ेंA small-time hood wants to go straight for a good girl but finds that starting over isn't as simple as it sounds.A small-time hood wants to go straight for a good girl but finds that starting over isn't as simple as it sounds.A small-time hood wants to go straight for a good girl but finds that starting over isn't as simple as it sounds.

  • निर्देशक
    • Yasujirô Ozu
  • लेखक
    • Hiroshi Shimizu
    • Tadao Ikeda
  • स्टार
    • Minoru Takada
    • Hiroko Kawasaki
    • Satoko Date
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.4/10
    800
    आपकी रेटिंग
    • निर्देशक
      • Yasujirô Ozu
    • लेखक
      • Hiroshi Shimizu
      • Tadao Ikeda
    • स्टार
      • Minoru Takada
      • Hiroko Kawasaki
      • Satoko Date
    • 9यूज़र समीक्षाएं
    • 17आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • फ़ोटो19

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 13
    पोस्टर देखें

    टॉप कलाकार13

    बदलाव करें
    Minoru Takada
    • Kenji Koyama
    Hiroko Kawasaki
    • Yasue Sugimoto
    Satoko Date
    • Chieko
    Takeshi Sakamoto
    Takeshi Sakamoto
    • Ono, the company's president
    Nobuko Matsuzono
    • Yasue's sister
    Hisao Yoshitani
    • Senko
    Teruo Môuri
    • Gunpei
    Utako Suzuki
    • The mother
    Kanji Kawahara
    Kenji Kimura
    Chishû Ryû
    Chishû Ryû
    Tomio Aoki
    Tomio Aoki
    Tatsuo Saitô
    Tatsuo Saitô
    • निर्देशक
      • Yasujirô Ozu
    • लेखक
      • Hiroshi Shimizu
      • Tadao Ikeda
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं9

    6.4800
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    फ़ीचर्ड समीक्षाएं

    alsolikelife

    Ozu goes gangsta

    A genuine rarity, an Ozu gangster movie, in which a conman falls for one of his targets, achieving redemption through love in a way that is highly reminiscent of Frank Borzage's tales of romantic salvation. Ozu achieves a variety of moods, from the playful hand signals and spontaneous dance routines that gangsters use to greet each other, to the passion of not only romantic love but fraternal devotion between the conman and his best buddy, resulting in one of his most macho movies as well as one of his most tender. Incidentally, Ozu gives a lot of visual time in this film to close-up shots of people's feet, a motif I don't quite understand in its relation to the movie but is certainly striking.
    6princebansal1982

    First Disappointing Ozu film I have seen

    Ozu is one of my top 3 directors and I have just loved all his movies I have seen till now except this one. "I Was Born, But..." which was made just 2 years after this movie was a delightful surprise. It was a comedy/drama centered around kids. Compared with that it feels like it is inspired from western movies. And Ozu's doesn't seems to have a developed a strong style of his own.

    Ozu's later movies are very similar in topic to each other. But they are never clichéd. He delights in subverting the genres and breaking the established norms. But "Walk Cheerfully" is very clichéd. Yes, there are few Ozu touches but as such it is not an Ozu movie.

    Of course this is just the start of his career. But it just goes to show me that even he made bad movies. This movie is average if you consider the time it was made in. But compared to other Ozu movies it is just awful. I wouldn't recommend this to his fans.
    7allenrogerj

    Ken the Knife

    An interesting film where Ozu is still working towards his later skills. The gangster scenes are wholly unreal- a never-land out of Hollywood films where gangsters play golf and billiards and pick pockets or hold up people now and then- certainly we don't see them making enough to keep them in the style to which they appear accustomed. The most interesting aspect is that the demure and innocent heroine and her family are the only unwesternised characters in the film: they live in a traditional house, wear traditional clothes- indeed, in contrast to her criminal rival for Ken's love, she even uses a Japanese-character type-writer in the office they work in.
    7gavin6942

    Japanese Gangsters

    Kenji is a small thief who likes drinking and fighting. When he falls in love with sweet and simple Yazue, and she finds out what kind of guy he really is, she leaves him 'until he becomes an honest person'.

    George Fox wrote: "Be patterns, be examples in all countries, places, islands, nations wherever you come; that your carriage and life may preach among all sorts of people, and to them; then you will come to walk cheerfully over the world, answering that of God in everyone; whereby in them you may be a blessing, and make the witness of God in them to bless you." How does that quote relate to the film? I am not entirely sure, though it seems to be the source of the title. Perhaps there is a deeper message. Regardless, Ozu made twenty-six movies in his first five years as a director (including this one), and this is a solid film. Who knew that Japan had American-style gangsters in the 1930s?
    5Jeremy_Urquhart

    Not much to this one.

    I don't know if I'm being too harsh on these early Yasujiro Ozu films, but they just haven't really been doing the job for me. I don't think the really early ones are anywhere close in quality to his later ones, and it's also hard to draw many comparisons between his very early films and those later ones.

    Watching a filmmaker's early stuff can be rewarding, even if the films are flawed, if you can watch their style take shape... but in 1929/1930, I feel maybe it was still at least a few years away from happening for Ozu. I might try one more of his films from this era before going back to his later period; could well be worth watching a filmography like this backwards, who knows.

    इस तरह के और

    Sono yo no tsuma
    6.9
    Sono yo no tsuma
    Hijôsen no onna
    6.9
    Hijôsen no onna
    Rakudai wa shitakeredo
    6.3
    Rakudai wa shitakeredo
    Shukujo to hige
    6.4
    Shukujo to hige
    Dekigokoro
    7.2
    Dekigokoro
    Tôkyô no kôrasu
    7.1
    Tôkyô no kôrasu
    Haha o kowazuya
    6.5
    Haha o kowazuya
    Hitori musuko
    7.7
    Hitori musuko
    Seishun no yume ima izuko
    6.9
    Seishun no yume ima izuko
    Munekata shimai
    7.4
    Munekata shimai
    Tôkyô no yado
    7.4
    Tôkyô no yado
    Otona no miru ehon - Umarete wa mita keredo
    7.8
    Otona no miru ehon - Umarete wa mita keredo

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The song lyrics (in English)on the wall in Kenji's apartment are for "The Gay Caballero", written by Frank Crumit / Lou Klein in 1928.
    • भाव

      Yasue Sugimoto: You don't even love yourself. How could you ever love someone else?

    • कनेक्शन
      References Rough House Rosie (1927)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 1 मार्च 1930 (जापान)
    • कंट्री ऑफ़ ओरिजिन
      • जापान
    • भाषा
      • नोने
    • इस रूप में भी जाना जाता है
      • Walk Cheerfully
    • उत्पादन कंपनी
      • Shochiku Kinema (Kamata)
    • IMDbPro पर और कंपनी क्रेडिट देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 1 घं 36 मि(96 min)
    • रंग
      • Black and White
    • ध्वनि मिश्रण
      • Silent
    • पक्ष अनुपात
      • 1.37 : 1

    इस पेज में योगदान दें

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