IMDb रेटिंग
7.2/10
1.3 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंStanley's attempts to treat Oliver's cold include dropping a swab down his friend's throat, applying a mustard plaster to his rump, and inflating the air mattress from the gas jet until it h... सभी पढ़ेंStanley's attempts to treat Oliver's cold include dropping a swab down his friend's throat, applying a mustard plaster to his rump, and inflating the air mattress from the gas jet until it has Oliver pressed against the ceiling.Stanley's attempts to treat Oliver's cold include dropping a swab down his friend's throat, applying a mustard plaster to his rump, and inflating the air mattress from the gas jet until it has Oliver pressed against the ceiling.
Charlie Hall
- Landlord
- (बिना क्रेडिट के)
Sam Lufkin
- Policeman
- (बिना क्रेडिट के)
John M. O'Brien
- Tenant
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
They Go Boom! (1929)
*** (out of 4)
Hardy has a cold so it's up to Laurel to try and find a cure so that they can get a good night's sleep. Highlights include the mustard bath and the exploding mattress.
Leave 'Em Laughing (1928)
** 1/2 (out of 4)
Laurel is suffering from a toothache so Hardy takes him to the dentist who accidentally fills them with laughing gas. The early gags of Hardy trying to pull the tooth are funny but the ending with the cars goes on a bit too long and gets rather tiresome.
One Good Turn (1931)
** 1/2 (out of 4)
L&H set out to raise $100 when they overhear an elderly woman say she's going to be evicted. Not too many laughs in this one outside the opening sequence in the woods.
Thicker Than Water (1935)
** 1/2 (out of 4)
Laurel and Hardy waste $300 on a grandfather clock so Hardy's wife hits him with a frying pan and sends him to the hospital. Again, not too funny and the worst part is the ending where the two change personalities. This here should have been a lot funnier than it turned out.
*** (out of 4)
Hardy has a cold so it's up to Laurel to try and find a cure so that they can get a good night's sleep. Highlights include the mustard bath and the exploding mattress.
Leave 'Em Laughing (1928)
** 1/2 (out of 4)
Laurel is suffering from a toothache so Hardy takes him to the dentist who accidentally fills them with laughing gas. The early gags of Hardy trying to pull the tooth are funny but the ending with the cars goes on a bit too long and gets rather tiresome.
One Good Turn (1931)
** 1/2 (out of 4)
L&H set out to raise $100 when they overhear an elderly woman say she's going to be evicted. Not too many laughs in this one outside the opening sequence in the woods.
Thicker Than Water (1935)
** 1/2 (out of 4)
Laurel and Hardy waste $300 on a grandfather clock so Hardy's wife hits him with a frying pan and sends him to the hospital. Again, not too funny and the worst part is the ending where the two change personalities. This here should have been a lot funnier than it turned out.
Laurel and Hardy are simply trying to get a good nice sleep but Mr Hardy has a really bad case of the sniffles and can't get off easily. Laurel just wants to help and tries various remedies including a bath of hot water, a mustard plaster and a water bed. But try as he might things don't seem to be getting any better for Hardy.
A oft repeated theme is used to good effect here Laurel is simply trying to help Hardy but yet he only manages to make things worse in one way or another. In this film Hardy is a little full of the cold so Laurel tries to help. The routines are pretty funny my favourite gags are the little running ones rather than the bigger set ups. So, for example, I loved the bath of water constantly getting in the way or the fat that Hardy kept getting hit in the head. The self contained nature of the film and the fact that the plot isn't something that needs a great deal of setting up works in it's favour.
Laurel does well in his wide eyed innocent role but as always Hardy has to carry the majority of the prat falls and does it very well indeed. The support cast have a very small contribution to make and it shows their class that Laurel and Hardy carry almost 100% of the screen time here.
Overall an enjoyable little short that is self contained and all the better for it.
A oft repeated theme is used to good effect here Laurel is simply trying to help Hardy but yet he only manages to make things worse in one way or another. In this film Hardy is a little full of the cold so Laurel tries to help. The routines are pretty funny my favourite gags are the little running ones rather than the bigger set ups. So, for example, I loved the bath of water constantly getting in the way or the fat that Hardy kept getting hit in the head. The self contained nature of the film and the fact that the plot isn't something that needs a great deal of setting up works in it's favour.
Laurel does well in his wide eyed innocent role but as always Hardy has to carry the majority of the prat falls and does it very well indeed. The support cast have a very small contribution to make and it shows their class that Laurel and Hardy carry almost 100% of the screen time here.
Overall an enjoyable little short that is self contained and all the better for it.
Stan Laurel and Oliver Hardy were comedic geniuses, individually and together, and their partnership was deservedly iconic and one of the best there was. They left behind a large body of work, a vast majority of it being entertaining to classic comedy, at their best they were hilarious and their best efforts were great examples of how to do comedy without being juvenile or distasteful.
Although a vast majority of Laurel and Hardy's previous efforts ranged from above average to very good ('45 Minutes from Hollywood' being the only misfire and mainly worth seeing as a curiosity piece and for historical interest, and even that wasn't a complete mess). 'They Go Boom!' is not one of the best and funniest Laurel and Hardy short films up to this point of their output, but it is still great fun. Their filmography, apart from a few bumps along the way, was getting better and better and 'They Go Boom!' exemplifies this.
Not a lot to criticise here, though the story is slight and takes time to get going.
Once again, 'They Go Boom!' is non-stop funniness all the way when it gets going. There is insane craziness that doesn't get too silly, a wackiness that never loses its energy, the lack of vulgarity that is a large part of 'They Go Boom's! ' memorability and the sly wit emerges here, some of the material may not be new but how it's executed actually feels fresh and it doesn't get repetitive. The slapstick is classic Laurel and Hardy in the best of ways
Laurel and Hardy are on top form here, both are well used, both have material worthy of them and they're equal rather than one being funnier than the other (before Laurel tended to be funnier and more interesting than Hardy, who tended to be underused). Their chemistry feels like a partnership here too, before 'Two Tars' you were yearning for more scenes with them together but in 'They Go Boom!' we are far from robbed of that. Their comic timing is impeccable.
'They Go Boom!' looks good visually, is full of energy and the direction gets the best out of the stars, is at ease with the material and doesn't let it get too busy or static. The supporting players are solid.
Overall, great fun. 9/10 Bethany Cox
Although a vast majority of Laurel and Hardy's previous efforts ranged from above average to very good ('45 Minutes from Hollywood' being the only misfire and mainly worth seeing as a curiosity piece and for historical interest, and even that wasn't a complete mess). 'They Go Boom!' is not one of the best and funniest Laurel and Hardy short films up to this point of their output, but it is still great fun. Their filmography, apart from a few bumps along the way, was getting better and better and 'They Go Boom!' exemplifies this.
Not a lot to criticise here, though the story is slight and takes time to get going.
Once again, 'They Go Boom!' is non-stop funniness all the way when it gets going. There is insane craziness that doesn't get too silly, a wackiness that never loses its energy, the lack of vulgarity that is a large part of 'They Go Boom's! ' memorability and the sly wit emerges here, some of the material may not be new but how it's executed actually feels fresh and it doesn't get repetitive. The slapstick is classic Laurel and Hardy in the best of ways
Laurel and Hardy are on top form here, both are well used, both have material worthy of them and they're equal rather than one being funnier than the other (before Laurel tended to be funnier and more interesting than Hardy, who tended to be underused). Their chemistry feels like a partnership here too, before 'Two Tars' you were yearning for more scenes with them together but in 'They Go Boom!' we are far from robbed of that. Their comic timing is impeccable.
'They Go Boom!' looks good visually, is full of energy and the direction gets the best out of the stars, is at ease with the material and doesn't let it get too busy or static. The supporting players are solid.
Overall, great fun. 9/10 Bethany Cox
Ollie has a late night cold and Stan tries to help him get over it, much to the annoyance of the irritable landlord.
I am endeavoring to work my way through the new release of "The Essential Laurel & Hardy" which finally gives the boys the DVD treatment they deserve in the United States. I have seen all of their films many times over the years, but now I have the opportunity to finally watch them in chronological order. That, perhaps, was not a wise choice. I always found a number of their early talkies weak, and I regret having to report that here in my reviews. "They Go Boom" is another example. The staging of the film feels claustrophobic, and the situation simply doesn't offer enough opportunities for comic inventiveness. There are some good moments scattered throughout, but it overall concept is better executed later in the film "Laughing Gravy."
Not a classic. For fans only.
I am endeavoring to work my way through the new release of "The Essential Laurel & Hardy" which finally gives the boys the DVD treatment they deserve in the United States. I have seen all of their films many times over the years, but now I have the opportunity to finally watch them in chronological order. That, perhaps, was not a wise choice. I always found a number of their early talkies weak, and I regret having to report that here in my reviews. "They Go Boom" is another example. The staging of the film feels claustrophobic, and the situation simply doesn't offer enough opportunities for comic inventiveness. There are some good moments scattered throughout, but it overall concept is better executed later in the film "Laughing Gravy."
Not a classic. For fans only.
These guys work in two modes. The mode I like is brilliant, when Stan basically looks at the camera in gasping anguish for what punishment is upon him. It is the first example of direct dialog with the audience while keeping in character.
The other mode is this, which is the same basic gags that dozens of others were up to: The flypaper joke. The feather joke, the blowing up the fat guy joke.
Go elsewhere if you want to see better comedy. But look at this if you have any illusions about them portraying borderline homosexuals. Its not just a matter of passing interest because much of Laurel's manner became adopted by later portrayals of gays and thus "stuck" to the subculture.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
The other mode is this, which is the same basic gags that dozens of others were up to: The flypaper joke. The feather joke, the blowing up the fat guy joke.
Go elsewhere if you want to see better comedy. But look at this if you have any illusions about them portraying borderline homosexuals. Its not just a matter of passing interest because much of Laurel's manner became adopted by later portrayals of gays and thus "stuck" to the subculture.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
क्या आपको पता है
- ट्रिवियाFor many years this was available only as a silent film. One of the Vitaphone discs was finally discovered and the sound version has now been restored.
- गूफ़Stan removes the large tub Ollie had been soaking his feet in, taking it way past the end of the bed to the other side of the room, at least. But, just before the landlord enters, the tub reappears at the end of the bed.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- They Go Boom
- फ़िल्माने की जगहें
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि21 मिनट
- रंग
- पक्ष अनुपात
- 1.20 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें