Perfect Day

Call me crazy ("Hey, crazy!") but I never enjoyed silent era films. I tried, oh I tried, but each time an actor's mouth moved there was nothing but an awkward silence. Then after what seemed too lengthy of a wait, a placard flashed on the TV screen, reflecting what the actor had just said moments before. I found this to be very distracting, plus it slowed down the natural comedic timing. This lapse between action and dialog, for me, was like watching an entire movie subtitled, and I couldn't square the two up.

That being said, I didn't watch any of the short and feature length "TV reruns" unless they were "talkies." As a kid who was fortunate enough to have a tiny black and white TV set in my bedroom, every Saturday morning before my parents or the Sun were up, I was thoroughly mesmerized by the vaudevillian, overtly physical humor of Buster Keaton, Our Gang (The Little Rascals), The Three Stooges, and of course, Laurel & Hardy.

The first Our Gang (The Little Rascals) talkie was "Small Talk" released in 1929. Buster Keaton's first talkie was "Free and Easy," released in 1930. The Three Stooges (Larry, Moe and Curly) most recognized talkie was The Woman Haters (1934). "Unaccustomed As We Are," released worldwide in 1929, was Laurel and Hardy's film debut with sound. It was an immediate hit with audiences.

Unlike many of their silent film era contemporaries who couldn't make the transition from silent to sound film, Stan Laurel and Oliver Hardy effortlessly slipped into this new media. Both actors had the rare gift of "comedic timing," and the duo knew how to thoroughly exploit sight gags. Moreover, lovable Hardy routinely broke the "fourth wall" of film, and after each hilarious yet tragic gag, he would often look straight at the camera as if to say, "Can you believe what just happened to me?"

"Perfect Day" (1929) was Laurel and Hardy's fourth sound movie. Like the first three, it is a short. The plot is simple: With their families aboard, (including a painful gout patient Edgar Kennedy) Stan and Ollie prepare to take their broken down Model T Ford out for a relaxing Sunday picnic. The boys manage to encounter everything from a flat tire to a neighbor who throws a brick through their windshield.

It's all brilliantly performed by two of the most iconic comedic teams in history, and supported by a wonderful set of actors who would often appear in many future Laurel & Hardy shorts and feature length films.

No spoilers here as usual, but I will reveal that Perfect Day contained no music other than a short piece for the opening credits. The Hal Roach Studios reissued the film in 1937 with an added music score.

A LAUREL & HARDY Comedy Short. It is a PERFECT DAY for the Laurels & the Hardys to go on a picnic, taking gouty old Uncle Ed with them. In typical fashion, the Boys proceed to demolish first the sandwiches & then the car, with Uncle's foot coming in for several good whacks along the way.

Pure slapstick from start to finish. Those who like painful physical humor will get lots of laughs here. Stan & Ollie seem much more violent towards each other than usual. Edgar Kennedy plays the much-battered Uncle Ed.

So says Mrs. Hardy when itemizing the food items to bring for a picnic on this 'perfect day.' Spotting details like this is one of the charms of watching really old films. Who knew potato chips would be a common food staple already in 1929?

Plot In a Nutshell: Stan Laurel, Oliver Hardy, their wives and a reluctant "uncle Edgar" plan a picnic on a lovely Sunday afternoon. If you know Laurel & Hardy, you know that's not going to happen...

Why I rated it an '8': this was another very good short from L&H. Not among their very best I wouldn't say, but close enough. There are mishaps with the picnic sandwiches, mishaps with uncle Edgar's gout-ridden foot, mishaps with the family dog....and that's before they even get in their temperamental Model T car. Now the possibilities are endless. Flat tires, sputtering engines...add in incompetent Stan and you get the idea. There is even a small 'mutual destruction' sequence with a neighbor that only ends when a local minister's sudden appearance nips it in the bud. Overall a pretty amusing 20 minutes.

Favorite scene: the family dog vigorously attacking uncle Edgar's bandaged foot. I don't know how they got the dog to be so aggressive, but it was freakin' hilarious!

8/10. Would I watch again (Y/N)?: That's easy. Yes!

Stan Laurel and Oliver Hardy were comedic geniuses, individually and together, and their partnership was deservedly iconic and one of the best there was. They left behind a large body of work, a vast majority of it being entertaining to classic comedy, at their best they were hilarious and their best efforts were great examples of how to do comedy without being juvenile or distasteful.

Although a vast majority of Laurel and Hardy's previous efforts ranged from above average to very good ('45 Minutes from Hollywood' being the only misfire and mainly worth seeing as a curiosity piece and for historical interest, and even that wasn't a complete mess). 'Perfect Day' is not one of the best and funniest Laurel and Hardy short films up to this point of their output, but it is still great fun. Their filmography, apart from a few bumps along the way, was getting better and better and 'Perfect Day' exemplifies this.

Not a lot to criticise here, though the story is slight and takes time to get going.

Once again, 'Perfect Day' is non-stop funniness all the way when it gets going. There is insane craziness that doesn't get too silly, a wackiness that never loses its energy, the lack of vulgarity that is a large part of 'Perfect Day's ' memorability and the sly wit emerges here, some of the material may not be new but how it's executed actually feels fresh and it doesn't get repetitive.

Laurel and Hardy are on top form here, both are well used, both have material worthy of them and they're equal rather than one being funnier than the other (before Laurel tended to be funnier and more interesting than Hardy, who tended to be underused). Their chemistry feels like a partnership here too, before 'Two Tars' you were yearning for more scenes with them together but in 'Perfect War' we are far from robbed of that. Their comic timing is impeccable.

'Perfect Day' looks good visually, is full of energy and the direction gets the best out of the stars, is at ease with the material and doesn't let it get too busy or static. The supporting players are solid.

Overall, great fun. 9/10 Bethany Cox

'Perfect Day' is pretty much the typical Laurel and Hardy comedy with the usual slapstick and jokes. However, unlike their other works, I found 'Perfect Day' to be comparatively weak. Some of the slapstick works well but some just don't gel well and look forced. Also the repetitive 'goodbye' and other gags gets irritating. I liked the interactions with Uncle Edgar and the dog and the trouble with the car. Laurel and Hardy are good at drawing some laughter but for me it was Laurel again who steals the show. Edgar Kennedy too stands out especially when he's fighting the dog. I don't mean to make it sound as though it is a terrible film because it's not. It does have its good moments but it's far from Laurel and Hardy's best.