Marianne

Marianne (1929)

** 1/2 (out of 4)

Three American GI's (Lawrence Gray, Benny Rubin, Cliff Edwards) at the end of WW1 fall in love with a French woman (Marion Davies) but she wants none of it and has to fight all of them off even though her heart might change. Apparently this film was originally made as a silent but the studio went back and re-filmed the entire thing. I'm sure they scrapped an entire movie because of Davies' famous lover but it would be interesting comparing both versions. This one here has a lot of music sequences so it would be interesting seeing what they did in the silent version. Considering this is an early sound film you have to expect some of the rather poor sound quality but Davies performance will have her fans wanting to check this out. There's really not too much story here and certainly not enough to carry a 112-minute film. The movie runs a tad bit too long because it's quite predictable so getting to the ending takes quite a while especially when you know who she's going to fall in love with. The music sequences are all rather strange because they pop out of anywhere and the film doesn't try to hide the fact that many of those doing the singing really aren't that talented in the field. The rather bland singing makes for an interesting experiment and in some ways it makes the film seem almost surreal but at the same time the bad singing works against the "musical" aspect of the film. Davies gets to belt out a couple lines but they're hidden within some comedy. Either way, she turns in a fine comic performance even though her French accent isn't the greatest. The think accent is also hard to understand at times due to the sound quality but it's only a minor problem. The three male leads are all fine in a strange sort of way and they're certainly over the top in a campy but entertaining way.

Pretty cute filmy with Marion Davies as a French mademoisette on a farm who has adventures with, and becomes the adored mascot of some dough-boys at the end of World War I. As for the plot, well, who cares about the plot, except that it provides for some vaudeville performing, and joking, and singing, and lovemaking patter between her and a soldier. High points include Davies' mangling of the English language, her impersonation of a French officer to get her American sweetie out of the guardhouse, and the musical number during the celebration on the eve of the Americans' departure. In spite of the general lightness and playfulness of tone, the picture also manages to fit in some pathos and nobility and self-sacrifice when Marianne and the American part company in favor of her fiancé, returned blind after four years' absence in the war. Sometimes it's dated, sometimes it's silly, and sometimes it doesn't work so well; but it is all the time Marion Davies, and her presence in any film makes it worth watching, no matter how bad it is; one of the few actresses it's possible to say that about.

When most silent stars feared the talkies, Marion Davies jumped in with this saucy musical comedy, playing a WW I French girl wooed by 3 American doughboys (Lawrence Gray, Cliff Edwards, and Benny Rubin). Good songs, including title tune and 'Just You, Just Me," as well as Edwards' solo (I forget the title) keep this early talkie moving nicely. Davies was a consummate comedienne and proves it in her starring talkie debut, doing impressions of Maurice Chevalier and Sarah Bernhardt as well as singing and dancing. Edward and Rubin are good comic foils, and Gray is a handsome leading man. Solid MGM talkie with good production values and sound. Davies and Gray had starred together in the silent film, "The Patsy." And I SILL say that Davies ranks with Lombard, Loy, and Arthur as the 30s best comediennes.

In the title role of Marianne was Marion Davies in her sound debut at MGM. In this she plays a French waif who is engaged to a French soldier blinded in combat played by George Baxter. That is until the sight of doughboy Lawrence Gray gets her French mojo going.

It's not a great film by any means, but it does display the comedic talents that Davies he had. She's positively a pixie in this film flitting back and forth between Baxter and Gray.

Benny Rubin and Cliff Edwards get to do a comedic bit or two, but this film without a big male screen name opposite Davies allows the film to really be her show. As this film is pre-Code there are some truly risque lines and situations in it. There is also a French language version shot simultaneously with some cast alterations.

Marianne is not a great film, but a must for a Marion Davies fans.

With the current rush to assure us that Marianne Davies was the victim of a CITIZEN KANE hatchet, job her films are being rather weirdly up rated.

MARRIANNE creaks and what Davies shows here is guts rather than talent, performing in French (of a sort), singing, doing her impressions and delivering the awful `I present you with the air' dialogue with a scary determination, she registers like somebody's mum trapped into appearing in a local operetta society performance.

The studio have poured the best state of the art technique into the piece with varied angles, glossy sets and even a wobbly dissolve in camera to impress the voracious early talkie audience but they would have done better to flesh out the doughboys in Europe plot with more than the two gags they repeat endlessly.

Of the desperate cast, Benny Rubin manages to seem most at ease.