The Manxman

Though it is a lesser Hitchcock, "The Manxman" has several strengths, and indeed it could have been a fine film if not for some major flaws in the story. The settings and photography are excellent, the acting is generally good, and the story's setup is believable and had possibilities.

The best part of the movie is the setting on the Isle of Man, which is done very nicely, with well-chosen settings and terrific photography. The setting is woven into the story very well, and many of the scenes are given backgrounds and props which re-emphasize the distinctive setting and/or give useful symbolism to the events in the plot. Fishing boats, an old water mill, and the island's rocky beauty are all used effectively.

The characters are presented well, and you quickly get to know them and sympathize with them. The first part of the story moves quickly, and efficiently establishes the love-triangle theme. The three leads (Carl Brisson, Anny Ondra, and Malcolm Keen) are all quite good in this part.

Unfortunately, the rest of the story is rather a disappointment, moving very slowly at times, and often painful to watch because of some notable flaws in the ways the characters act. All this really detracts from the continuing good direction and camera work. There is a very nicely conceived jump cut at one point that could have been very powerful if the story were better, and the climactic sequence does hold some real irony and suspense, but it just doesn't have the impact that it could have had. Hitchcock does his best with things, but it's too bad that he did not have a freer hand with the material, which was apparently based on a novel that for whatever reason had acquired a certain popularity at the time.

Ultimately, this movie is just average. But there are still some strengths here, and it is probably worth a look for silent film fans who especially appreciate good black-and-white photography, or for devoted Hitchcock fans who will appreciate the touches he added to an otherwise unsatisfying story.

I was pleased with this. I'm a great fan of Hitchcock, but I've not seen many of the early films. This one did not disappoint. It is the sad eternal triangle. It's a time when a man's oath to his best friend supersedes all, even if it means giving up the woman he truly loves. The young lady in question is of the lower classes and beautiful. It would be normal for her to marry the laughing sailor. The lawyer is actually above her station. When news comes that the betrothed has died, it would be natural for her to marry the lawyer. However, he is fraught with contradictions. His father was a failure and he is in line for a judgeship. He gets her pregnant but won't fess up. The sailor returns from the sea. News of his death was incorrect. So now we have the problem. She loves the lawyer. She doesn't love the sailor. But she has given her word to wait. Instead of being honorable, the lawyer wants it both ways. It has a pretty harsh ending which I won't spoil. I thought for a film of 1929 this was pretty good.

First time of watching this simple silent, and of course I like it as I wouldn't comment on (subjective of course) crap! It's a plain tale of a love triangle set on the Isle of Man, the woman (Ondra) falls in love with the best friend (Keen) of her absent husband-to-be (Brisson). Thanks to having to get round the censorship rules, you have to pay attention about 48 minutes in (out of 82 minutes running time on my tape) although it should be fairly obvious what was going to happen. As the immortal Bard, Charlie Chaplin said in The 1942 Gold Rush "Buzz Buzz Buzz". As Ondra stays dressed I can only surmise that this was the angle from which Hitch got his kicks.

And Anny Ondra is wondrous to behold, she was a real beauty who still looks modern all the way from '29 and worth the price of any DVD alone. She held my attention anyway, and whatever the outcome of the story would have been I would have been on her side!

But what she saw in either of her lovers is beyond me I'm afraid - Brisson couldn't stop laughing and Keen looked as if he'd never smiled in his life. It's not quite up to the level of Flesh and the Devil, but there's so few British silent films extant that it's well worth a look, or even just to view Hitchcock's early efforts.

This is a lovely, lovely film set on the Isle of Man, a place unfamiliar to many. The camera swoops over the cliffs and sea to highlight the stark beauty of the landscape which is the star of the film. Don't expect the usual Hitchcock touches that were present in his later films...he developed them more fully in his very early talkies "Murder" and "Blackmail" and somewhat in his silent "The Lodger". The use of inter-titles is limited and works well. The cast here is good, Carl Brisson (who would later become the father-in-law of Rosalind Russell) and Anny Ondra who Hitchcock would use again in "Blackmail"; however, some of the plot lines are not fully developed and one rather important element is left unsaid in the story's ending. Be that as it may, if you are a fan of the Master, it's required viewing. It will fill in the history of his work and although it is atypical of his later films, it is worth the watch.

This beautiful film is Alfred Hitchcock's last silent creation. Truly wonderful, this is a bit of a thought piece as the characters struggle with the moral dilemmas inherent in the plot. Should one stay loyal to a friend's trust or choose personal happiness at the expense of another's? Is status and appearance worth the sacrifice? Can love be forced or forgotten? This is a film that leaves you twisted and thoughtful. The actors, particularly Carl Brisson and Anny Ondra, are all wonderfully expressive. Words aren't needed to know what they are saying and what they are feeling. Miss Ondra was ethereally beautiful and heartbreakingly convincing as Kate. Very highly recommend for all true Hitchcock fans and a must for the connoisseur of the silent genre.