A Christmas Carol

I would like to say that every version of Dickens' tale is excellent in its own way but that would include Henry Winkler's "American Christmas Carol" and "Mr Magoo's Christmas Carol". Of course, then there's Albert Finney's musical "Scrooge" - Thank you very much.

But, rather than quibble about which is the best version, I will say that Dickens' story is the best illustration of the Christmas essence. Religion and commercialism aside, Christmas is about giving to mankind to better yourself and Scrooge is the poster child of that sentiment.

Now, as to Reginald Owens' version of the tale, just a couple of quick points:

This film is lighter and brighter than the others. The Lockharts are almost "cartoonish" in their portrayals. There is a cuteness in this one that makes it a bit more fitting for small children than the Sim/Scott/Stewart versions. Nephew Fred(Barry MacKay)is infectiously good natured and a fitting opposite for Owens' mean, old Scrooge.

As to Reginald Owens, his meanness is nowhere near the other Scrooge's but his character fits the overall nature of the film. I just wish that they would have tried harder with his facial makeup. In some of the scenes, he looks an awful lot like the scarecrow in "Wizard of Oz".

This version may be "A Christmas Carol Lite" but it is very watchable and entertaining.

"God Bless Us, Everyone."

This Hollywood version of the Dickens Christmas classic is overshadowed by a later British version featuring Alastair Sim. The British film is more realistic, and captures in its incidentals more of Dickens' radical spirit than this more stately American film, which as directed by the able Edward Martin, is done on a more modest scale. I find the American film cozier and warmer.

Reginald Owen is a less flamboyant Scrooge than Sim, which tends to make one concentrate more on the story. The movie was made on a medium budget, and it shows. However, this is not a bad thing, for while the later version gives has a dank, drafty Victorian mood,--one can almost feel the winter wind,--this one benefits enormously from its hearth-like intimacy. It's a very fine movie in its own right, with a mood all its own.

We are tremendous enthusiasts of A Christmas Carol in our household and watch virtually all the versions each Christmas, including the modern 1984 George C. Scott and the 1999 Patrick Stewart. Our overall favorite, however, is the 1951 black & white classic with Alastair Sim, who absolutely IS Ebeneezer Scrooge, his conversion ringing the truest. (See my comments on these other films, if interested) This older 1938 version makes a delightful story with a fine, though Hollywood generated, atmosphere. Of course one could never expect in those days to see all the location filming or special effects available today.

Reginald Owen, with his stooped figure and awkward gait, makes a likely looking Scrooge. My main problem with this movie is that he simply repents far too early. Before the Spirit of Christmas Past has taken leave, this Scrooge regrets his past miserliness and is ready to give generously & make merry. What is the point of the other two Spirits?

In addition to Scrooge's totally premature conversion, however, this movie takes far too many liberties with the novel. To name but a few... First, during Marley's ghostly visit, Scrooge summons to his chambers a trio of police officers from the street below his window. Not only is this unfaithful to the book, but totally destroys the ghostly, eerie, haunted atmosphere of the spectre's visit and poor Scrooge's resulting terror.

This adaptation makes no mention whatsoever of the young apprentice Scrooge's sweetheart, Belle, or his tragically failed romance. It does depict his sister, Fan, as younger, in keeping with the novel ...unlike most versions, which erroneously portray her as older, and claim that Scrooge's mother died in childbirth when he was born. However, Fan is, frankly, an annoying little chatterbox here!

The nephew, Fred, is supposed to be married, but in this tale he is engaged to Bess, their marriage apparently contingent on an improvement in his financial prospects. Lots of fabricated scenes, with the pair sliding in front of a church. However, I can forgive all this as Fred is wonderfully jolly & hearty, true to the book. In fact, he's one of the best Freds.

Bob Cratchit is jolly & likable but a wee bit too plump for the role of the poor clerk! Also, there's a fabricated story here in which Scrooge sacks Bob altogether. Tiny Tim is cute but far too old for the role; he's practically as tall as his father. Mrs. Cratchit is convincing, except that she is actually the one who proposes a toast to Scrooge after their Christmas dinner...quite the opposite of the novel's Mrs. Cratchit, who must be coaxed and cajoled by Bob before deigning to lift her glass to the health of her long-suffering husband's oppressive, stingy employer. That being said, otherwise it's one of the better versions of the Cratchit family's dinner, the goose & pudding scenes all beautifully done.

The worst offense is a complete elimination of the 'morning after Christmas' office scene, in which Scrooge normally shows his newfound benevolence to the flabbergasted Bob. This is usually my favorite scene in the entire movie. In this version, Scrooge actually delivers his Christmas turkey to the Cratchits personally himself on Christmas Day, with nephew, Fred, and his fiancée, Bess, both in tow.

However, the Spirits are well depicted, Christmas Past a beautiful & ethereal young lady, Christmas Present a hearty & benevolent giant (who sprinkles from his torch the essence of Christmas cheer five times distilled), and Christmas Yet To Come the typical darkly shrouded & foreboding figure. It's all well intended and difficult to really ruin this wonderful story. For all its omissions, embellishments, and deviations, it still makes for entertaining and heartwarming holiday viewing.

This is one of the fastest films ever to reach the screen. It started shooting in October and was in theaters in December. This production however is the standard in which all other versions since have copied.

This was the first production to have the "Spirits" come in one night! It also fleshed out Bob Cratchit family more. This is also one of those film that the older it gets the better the film becomes.

In case you don't know the story "Scrooge" is a cranky old man. He hates Christmas and people in general. He has more in life than the people that surround him and yet he is poor.

This 1938 film is in black and white and that seems like a huge asset. The cast is perfect!

If you have never seen this version then what are you waiting for?

Charles Dickens' immortal story certainly has resonated over the centuries, both in print and through the various cinematic interpretations of the tale. Here, Reginald Owen plays the central role of miserable, greedy old cretin Ebenezer Scrooge, a character with no use for the Christmas season. It isn't until four spirits, starting with that of his deceased business partner Jacob Marley, visit him one Christmas Eve and work hard at making Scrooge see the error of his ways.

There is enough individuality in this adaptation (scripted by Hugo Butler) to make it interesting enough to watch, although it does sort of race through the story, clocking in at a mere 70 minutes. The sequence with the Spirit of Christmas Past (the gorgeous Ann Rutherford) IS over pretty quickly, with not enough time devoted to showing us how Scrooge started adopting his present demeanor. That said, it's full of endearing, engaging performances. Owen is a solid Scrooge, although he won't make anybody forget cinemas' most memorable Scrooge, Alastair Sim. In this version, he begins repenting sooner, and plays it more low-key than Sim when Scrooge sees the light.

Gene Lockhart is appealing as put-upon clerk Bob Cratchit, and the casting makes this a bit of a family affair: his real-life wife Kathleen plays Mrs. Cratchit, and their daughter June makes her film debut as one of the Cratchit children. Terry Kilburn is a wonderful Tiny Tim, Barry MacKay is a delight as the upbeat, optimistic Fred, and that great English character actor Leo G. Carroll is an excellent Marley's ghost. One amusing touch here is that when Marley's ghost appears in Scrooges' abode, he attempts to have some gentlemen remove the "intruder", whom of course they cannot see.

This 1938 adaptation is overall definitely not as potent as the 1951 classic, but it still gets enough right to rate as decent holiday fare.

Seven out of 10.