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Bluebeard's Eighth Wife

  • 1938
  • Approved
  • 1 घं 25 मि
IMDb रेटिंग
7.1/10
5 हज़ार
आपकी रेटिंग
Gary Cooper and Claudette Colbert in Bluebeard's Eighth Wife (1938)
स्क्रूबॉल कॉमेडीकॉमेडीरोमांस

अपनी भाषा में प्लॉट जोड़ेंAfter learning her multi-millionaire fiancé has already been married seven times, the daughter of a penniless marquis decides to tame him.After learning her multi-millionaire fiancé has already been married seven times, the daughter of a penniless marquis decides to tame him.After learning her multi-millionaire fiancé has already been married seven times, the daughter of a penniless marquis decides to tame him.

  • निर्देशक
    • Ernst Lubitsch
  • लेखक
    • Charles Brackett
    • Billy Wilder
    • Alfred Savoir
  • स्टार
    • Claudette Colbert
    • Gary Cooper
    • Edward Everett Horton
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.1/10
    5 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Ernst Lubitsch
    • लेखक
      • Charles Brackett
      • Billy Wilder
      • Alfred Savoir
    • स्टार
      • Claudette Colbert
      • Gary Cooper
      • Edward Everett Horton
    • 46यूज़र समीक्षाएं
    • 26आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • कुल 2 जीत

    वीडियो1

    Official Trailer
    Trailer 3:10
    Official Trailer

    फ़ोटो89

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    टॉप कलाकार59

    बदलाव करें
    Claudette Colbert
    Claudette Colbert
    • Nicole De Loiselle
    Gary Cooper
    Gary Cooper
    • Michael Brandon
    Edward Everett Horton
    Edward Everett Horton
    • The Marquis De Loiselle
    David Niven
    David Niven
    • Albert De Regnier
    Elizabeth Patterson
    Elizabeth Patterson
    • Aunt Hedwige
    Herman Bing
    Herman Bing
    • Monsieur Pepinard
    Warren Hymer
    Warren Hymer
    • Kid Mulligan
    Franklin Pangborn
    Franklin Pangborn
    • Assistant Hotel Manager
    Armand Cortes
    • Assistant Hotel Manager
    Rolfe Sedan
    Rolfe Sedan
    • Floorwalker
    Lawrence Grant
    Lawrence Grant
    • Prof. Urganzeff
    Lionel Pape
    Lionel Pape
    • Monsieur Potin
    Tyler Brooke
    Tyler Brooke
    • Clerk
    Mariska Aldrich
    • Nurse at Door
    • (बिना क्रेडिट के)
    Leon Ames
    Leon Ames
    • Ex-Chauffeur
    • (बिना क्रेडिट के)
    Lenore Aubert
    Lenore Aubert
    • Party Guest
    • (बिना क्रेडिट के)
    Eugene Borden
    • Waiter on the Stairs
    • (बिना क्रेडिट के)
    Barlowe Borland
    Barlowe Borland
    • Uncle Fernandel
    • (बिना क्रेडिट के)
    • निर्देशक
      • Ernst Lubitsch
    • लेखक
      • Charles Brackett
      • Billy Wilder
      • Alfred Savoir
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं46

    7.15K
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    फ़ीचर्ड समीक्षाएं

    7blanche-2

    who wears the tops, who wears the pants

    Ernst Lubitsch is the guiding hand behind "Bluebeard's Eighth Wife," a 1938 comedy starring Claudette Colbert and Gary Cooper. The screenplay was written with a light touch by Brackett and Wilder.

    The story concerns a wealthy man, Michael Brandon (Cooper), who meets the very attractive Nicole De Loiselle (Colbert) in a Parisian men's department store. Brandon wants to buy the top of the pajamas, as that's what he sleeps in, but the clerk insists that he buy the entire set. Nicole enters and buys the pants.

    Nicole's father (Edward Everett Horton) is a penniless marquis, trying to sell a project to Brandon, who isn't interested. The marquis then attempts to get him to buy a Louis IV bathtub. When he realizes that Nicole is the marquis' daughter, the marquis sees immediately that there is interest and tries to get them together. After all, he's loaded, and the hotel bill is due.

    Finally, the couple does become engaged and of course the marquis brings in his entire family at his expense for the wedding. While everyone is gathering for a photograph, some white stuff falls out of Michael's suit. "What is that?" she asks. "It's rice," he says. "Don't you use it at weddings? It's supposed to bring good luck." "Did your bride and groom have good luck?" she asks. "Well," he says, "we had a pleasant six months."

    She then finds out he's been married seven times. After renegotiating some sort of prenup he has set up, she goes through with the wedding, but they live separate lives.

    For some reason, people put this film in the same category as I Met Him in Paris because they're on the same DVD and they both take place in Paris. I Met Him in Paris is not a Lubitsch film and has some problems. This film has a fine script, zips along at a great pace, and has some wonderful scenes. I Met Him in Paris didn't really pick up until the second part.

    Gary Cooper and Claudette Colbert are delightful. It's hard to believe that someone like Gary Cooper actually existed - tall, drop dead gorgeous, and a cowboy to boot. Talk about your perfect man. And what a smile.

    Colbert is flawless in acting and in beauty - I saw her up close in 1974 and she looked the same as she did in this film. For as much success that she had, I don't think she ever received the credit for her dramatic work that she deserved, though she did for her comedy.

    In her last appearance, in The Two Mrs. Grenvilles, she played an actual person, Elsie Woodward (name changed in the movie), and people who knew Elsie said Colbert was totally the character.

    I don't think this is Lubitsch's best, but it's still delightful. How can you miss with those stars, that director, and those writers.

    David Niven has a supporting role as an employee of Brandon's who is also a friend of Nicole's. He's very funny.
    6AlsExGal

    Not the best these talents have done, but still entertaining

    An Ernst Lubitsch comedy, co-scripted by Billy Wilder and Charles Brackett, which has always been generally dismissed by critics and fans alike. Perhaps with the film's reputation as a lesser effort those who sit down to view it will be pleasantly surprised to find it an agreeable affair, anyway.

    Gary Cooper plays a seven times married American businessman millionaire who finds that with wife no. 8 (Claudette Colbert) he may have met his match. She has made him agree to a pre nuptial agreement of paying her $100,000 should there be a divorce and then makes him spend much of the marriage unhappy and wishing he hadn't signed that agreement.

    While the film is never as funny or clever as the best of Lubitsch, it still has its moments. The film is remembered primarily for the scene in which Colbert and Cooper "meet cute" as they agree to split a pair of pajamas in a department store.

    But there are other moments, too, such as the scene in which Cooper, inspired by having just read Taming of the Shrew, bursts out of his room, walks with great macho determination and accompanying soundtrack drum roll down a hallway, enters a room where Colbert stands and slaps her across the face. She responds by slapping him back and Cooper, perplexed by this unexpected turn of events, leaves the room, walks back through that same hallway to his room again and picks up the book to try to figure out what he did wrong.

    Like all Lubitsch productions this film has a graceful air of sophistication, with a physical elegance in its sets and photography. Colbert is an old hand at frothy material like this while Cooper, cast against type, plays his role with obvious enthusiasm. He's a far cry from the Cooper we're used to seeing on screen in the scene in which he plays a piano while singing "Looky, looky, looky, Here comes Cookie" to Claudette. The supporting cast is first rate, all of them deft performers: a young David Niven, and old pro character actors Edward Everett Horton and Herman Bing.

    English mangling, beer barrel shaped Herman Bing is the unlikeliest of detectives, hired by Cooper to follow his wife to see if she has any lovers. "Don't forget," he tells the millionaire, "we are a first class firm. You will find that out when you get our bill." Recommended as middling production code era Paramount fare.
    Jessica-65

    yes - a misfire

    I have to agree with other reviews I've seen of this movie - despite some funny scenes and good lines, as a whole it just doesn't get off the ground, and Gary Cooper is wrong in the role of the much-married millionaire. Having said that, I love the scene where Claudette Colbert's character, talking about her financial difficulties, says: "Have you ever had a waiter look at you with untipped eyes? And when I ask the elevator boy for the fourth floor, he says 'Yes, Madame' and takes a detour through the basement." A small detail: in one scene Colbert is looking at a book called "Live Alone and Like It" which was an actual best-seller at the time.
    7bkoganbing

    Shaving A Bluebeard

    Years before pre-nuptial agreements became a regular thing, Ernest Lubitsch made a screen comedy on which they are the basis. Bluebeard's Eighth Wife involves Gary Cooper as a multi-millionaire living on the French Riviera who's been married seven times and now marries Claudette Colbert for number eight. But Cooper's a good sport about it, he always settles with his ex-wives for a $50,000.00 a year as per an agreement they sign before marrying him. Sounds like what we now call a pre-nuptial agreement.

    Of course Claudette wants a lot more than that and she feels Cooper takes an entirely too business like approach to marriage. She'd like the real deal and is willing to go some considerable lengths to get it.

    Bluebeard's Eighth Wife has some really funny moments, the original meeting of Cooper and Colbert in a men's store where Cooper is insisting he wants only pajama tops and Colbert looking for only bottoms. And of course my favorite is Colbert trailing and blackmailing the detective Cooper sends to spy on her. Herman Bing has the best supporting role in the film as that selfsame, flustered detective.

    I've often wondered how back in the day Hollywood could get away with casting so many people who are non-French in a film like this. Of course Cooper is an American and Colbert of the cast is the only one actually of French background. Though David Niven is charming as always, having him be a Frenchman is ludicrous, he is sooooooo British.

    Nevertheless Bluebeard's Eighth Wife is an enjoyable film and a great example of what was called 'the Lubitsch touch' back in the day.
    chaos-rampant

    Continuous shift

    Oh Lubitsch how we needed you. Others could elicit fiery performances from actors, captivate with riveting story or lavish us with sets and camera magic. These usually require to be propped up with some effort, but what Lubitsch does simply requires letting go of, in particular letting go of our need to prop up fiction a certain way.

    Usually understood as a gift for wit, his famed 'Lubitsch touch' is actually a mastery of something else, spontaneous illogicality. I have written about him in a few other posts so will not bore you here. It's the continuous shift of context, the dismantling of our expectation that story plays out a certain way.

    The story could be anything, here a man and woman court each other while vacationing in the French Riviera. He's the blustering American type who won't take no and won't tiptoe around European niceties. She's elegant and smart but will not stoop to be wowed by money like her shyster father.

    In the usual mode, they would brush and bounce off each other whilst trying to top each other for control over the story. This as hardwon love that surprises. That's fine, plenty of enjoyable films were being made in this time, what we now know as screwball. For me it's all a matter of how we brush, how much narrative space the players create by pushing and pulling, in which self can take shape, actual visible shape, as the story we watch. Capra has a very agile touch in It Happened One Night. I happen to find His Girl Friday coarse, par the course for Hawks.

    In Lubitsch's world, we shift and shift again in a jazz merry-go-round of elusive self. Here's some of it. They meet as strangers in a store, cooperating over trying to buy pyjamas. He decides he's smitten, but uses money to come close to her. So what happens? She agrees to be bought as a wife but gives him a thankless marriage for it, although in love herself.

    This is lovely work, clean, vibrant. Some if are just gags, like having married seven times before her. But quite a bit of it is that wondrous surprise where emotions express themselves in paradoxical ways.

    इस तरह के और

    Midnight
    7.8
    Midnight
    The Rich Are Always with Us
    6.2
    The Rich Are Always with Us
    Bluebeard's 8th Wife
    6.9
    Bluebeard's 8th Wife
    Design for Living
    7.4
    Design for Living
    Lilly Turner
    6.4
    Lilly Turner
    The Gilded Lily
    6.7
    The Gilded Lily
    Desire
    7.1
    Desire
    Trouble in Paradise
    7.9
    Trouble in Paradise
    Torch Singer
    6.6
    Torch Singer
    Professional Sweetheart
    6.0
    Professional Sweetheart
    Ball of Fire
    7.7
    Ball of Fire
    Saratoga Trunk
    6.3
    Saratoga Trunk

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      This was the first collaboration of director Ernst Lubitsch with writers Charles Brackett and Billy Wilder. At their first production meeting, Lubitsch posed this question: "How do the boy and girl get together?". Wilder promptly suggested that the opening scene should be in the men's shop of a department store. "The boy is trying to buy a pajama," he extemporized, "but he sleeps only in the tops. He is thrifty so he insists on buying ONLY the tops. The clerk says he must buy the pants, too. It looks like a catastrophe. Then the girl comes into the shop and buys the pants because she sleeps only in the pants." Lubitsch and Brackett were enchanted with this idea. Months later, they discovered that Wilder himself was a pajama tops-only sleeper and had been contemplating this idea for months, waiting for a chance to use it in a comedy.
    • गूफ़
      When Nicole shuts the door to her part of the apartment to keep Michael out, the door can be heard being locked. However, there is no keyhole or lock visible on either side of the door.
    • भाव

      Nicole de Loiselle: [sarcastically] Mr. Brandon, you're terrific. You're gigantic! You're - you're breathtaking. I wish someone would tell you what I really think of you.

    • कनेक्शन
      Featured in The Great Canadian Supercut (2017)
    • साउंडट्रैक
      Here Comes Cookie
      (1935) (uncredited)

      Music and Lyrics by Mack Gordon

      Performed by Gary Cooper (vocal and piano)

    टॉप पसंद

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    अक्सर पूछे जाने वाला सवाल18

    • How long is Bluebeard's Eighth Wife?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 25 मार्च 1938 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
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    • इस रूप में भी जाना जाता है
      • Osma žena Plavobradog
    • फ़िल्माने की जगहें
      • Paramount Studios - 5555 Melrose Avenue, हॉलीवुड, लॉस एंजेल्स, कैलिफोर्निया, संयुक्त राज्य अमेरिका(Studio)
    • उत्पादन कंपनी
      • Paramount Pictures
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    बॉक्स ऑफ़िस

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    • चलने की अवधि
      • 1 घं 25 मि(85 min)
    • रंग
      • Black and White
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      • 1.37 : 1

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