अपनी भाषा में प्लॉट जोड़ेंA wealthy socialite finds herself between two suitors, one a presumed-dead jewel thief living under an alias, the other an ex-FBI detective. When an emerald necklace becomes a target, suspic... सभी पढ़ेंA wealthy socialite finds herself between two suitors, one a presumed-dead jewel thief living under an alias, the other an ex-FBI detective. When an emerald necklace becomes a target, suspicions rise.A wealthy socialite finds herself between two suitors, one a presumed-dead jewel thief living under an alias, the other an ex-FBI detective. When an emerald necklace becomes a target, suspicions rise.
- Le Marchand
- (as Ien Wulf)
- Detective
- (बिना क्रेडिट के)
- Detective
- (बिना क्रेडिट के)
- Party Guest
- (बिना क्रेडिट के)
- Squad Car Driver
- (बिना क्रेडिट के)
- Vasseur
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Nominally a sequel to the 1932 movie starring the Barrymore brothers, this movie would probably work better as a standalone entry. There is a jarring change in tone and style between the two that watching them back-to-back like I did probably hurt my enjoyment of the second movie, if only slightly. Gone is the pre-Code raciness, replaced with a more standard late 30s chasteness, and the distinctly European setting of the first is now very Americanized, even when set in Europe.
However, once I was able to get past the differences I started to appreciate the sequel on its own merit. The movie managed to preserve a sense of mystery despite knowing the identity of the master thief the entire time. The only real complaint I had was that Douglas and William should have swapped roles. There is nothing about Melvyn Douglas that will make you believe he is ever a master French thief, whereas Warren William at least has an air of international sophistication.
It turns out he didn't die as per the original film, but is now living in quiet retirement, at least until some enterprising thief decided to do a job and pin it on him. Now it's up to Lupin to clear himself.
The plot of Arsene Lupin Returns is remarkably similar to Alfred Hitchcock's classic To Catch A Thief, right down to the French locale for most of the story. Of course this B film was shot on the MGM back lot.
For a B film, Arsene Lupin Returns boasts a remarkable cast of classic players. Melvyn Douglas, Warren William, John Halliday, Monty Woolley, George Zucco and Tully Marshall all had years of stage training before going into film. In fact when about five of these guys were in the same scene, I have to say I haven't so much perfect diction this side of a Ronald Colman film.
Given however it is a B film with a limited cast too much talk will give away the culprit. Looking over the list I can say any one of these guys by past roles could have been the thief. I'll say this though, leading lady Virginia Bruce didn't do it.
No color cinematography, no good French Riviera locations, but Arsene Lupin Returns has a nice story done by a group of the classiest players ever to be assembled on one movie.
And for a B film besides.
This would become a running gag in Maurice Leblanc's series of stories about the master criminal. He would fall off a cliff or something at the end of a novel. Then the next would open with him being a decorated hero of the French Foreign Legion, or Prefect of Police in Paris, and no one would ever recognize him, because he is such a master of disguise. George Fitmaurice directs it as a comedy of manners. He was one of those directors who never quite fell off the A list in the early sound era, mostly because of working for Sam Goldwyn. He did have a falling-off of quality with the enforcement of the Production Code, but at MGM he was buoyed by a staff of writers who knew how to work together under producer John Considine. He died in 1940 at the age of 55.
क्या आपको पता है
- ट्रिवियाOf the primary cast members, only Melvyn Douglas and Virginia Bruce were born in the 20th Century. The rest were born in the 1800s.
- गूफ़When Steve goes into his boss's office to resign from his G-man's job, the door oddly has no door frame as the camera follows him past a coat rack and a water cooler. A very unusual set construction and shooting technique to show a character passing from one room to the other. This may also reveal the budget constraints of the picture - at least in regards to set construction.
- भाव
Lorraine de Grissac: Now I know you really missed me when I was away.
Rene Farrand: Missed you? I'll have you know I took shower baths in my own tears.
[Lorraine laughs]
- कनेक्शनFollows Arsène Lupin (1932)
- साउंडट्रैकNocturne No. 2 in E flat major Opus 9
(1830-1) (uncredited)
Written by Frédéric Chopin
Played on piano by Melvyn Douglas
टॉप पसंद
विवरण
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- 1.37 : 1