IMDb रेटिंग
6.8/10
2.4 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंThis send-up of ragtime song and dance begins in 1915 San Francisco when society boy Roger Grant decides to pursue popular rather than serious music.This send-up of ragtime song and dance begins in 1915 San Francisco when society boy Roger Grant decides to pursue popular rather than serious music.This send-up of ragtime song and dance begins in 1915 San Francisco when society boy Roger Grant decides to pursue popular rather than serious music.
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- 5 जीत और कुल 6 नामांकन
फ़ीचर्ड समीक्षाएं
The main reason to watch this movie is to enjoy the great music of Irving Berlin (né Israel Baline). Anyone who is responsive to good music will enjoy his compositions. The dance numbers are not spectacular but they do add to the music. As for the story, well it's nothing more than to tide the viewer over from song to song. Tyrone Power, Alice Haye and Don Ameche are all more than competent in their roles though they really aren't asked to do too much given the triteness of the plot. They are all very photogenic. A great film for any fan of swing music, 7/10.
"Alexander's Ragtime Band" has always been a personal favorite of mine and an excellent example of the kind of lively and jubilant musicals Fox specialized during the golden age. It was a huge hit in its day and remains a huge improvement over the monotonous "In Old Chicago"(1937). I saw "Alexander's Ragtime Band" again last night and it may well be my favorite Fox musical, though I have dozens of other favorites. Directed by the underrated Henry King with a rich and endlessly tuneful score, the film is a fictionalized account on the early days of jazz, and contains close to 30 Irving Berlin songs. Alice Faye never looked so ineffably beautiful, Tyrone Power never more charismatic, Don Ameche never more genial. It's all about the music and the stars. A great timeless classic that becomes more entrancing and enriching with each viewing.
Alexander's Ragtime Band is a combination musical/drama with Alice Faye belting out Irving Berlin songs and making eyes at her leading man, Tyrone Power. Young Power is far more beautiful than his leading lady and is good as the wealthy classic musician turned band leader who shapes a cheap Faye into a classy performer. Worthwhile to see because of the song Faye sings "to" Power and the kiss they share afterward.
Otherwise, the movie is melodramatic with its storyline stretching over many years, rivalry, and World War I. But what else do you expect from a musical? A classic worthy to be seen.
Otherwise, the movie is melodramatic with its storyline stretching over many years, rivalry, and World War I. But what else do you expect from a musical? A classic worthy to be seen.
For viewers who like Irving Berlin music, this is a film to watch. His songs are really the main attraction. But the story, which encompasses a group of musicians and their career changes, has an interesting series of romantic plot twists that is intriguing.
The main character is Roger (Tyrone Power), a man who starts his career in a highbrow musical setting, but changes to more popular ragtime. The story is fictional, but Roger's character arc is inspired by the life of Irving Berlin.
A big-budget film that was in production for almost two years, "Alexander's Ragtime Band" received a huge promotional build-up in 1938. And it was well received by audiences. Sets are lavish. B&W cinematography is competent. Casting and acting are acceptable overall. However, Tyrone Power is the only major actor who lacks musical talent, and it shows. Both Don Ameche and Jack Haley add luster. Alice Faye is adequate.
The film is less constricted by plot than other musicals. But there's still a lot of dialogue. And, except for the title song and a quick version of "Easter Parade", the music is somewhat bland and uninteresting. I would have preferred more evocative music. The film's tone ranges from semi-bawdy to mushy romanticism.
This is a large-scale, Americana period piece film, with an accent on the music of Irving Berlin. It is old fashioned, both in plot and in style. It's technically well made. But to me it's too removed in time from current culture to be anything other than historically quaint.
The main character is Roger (Tyrone Power), a man who starts his career in a highbrow musical setting, but changes to more popular ragtime. The story is fictional, but Roger's character arc is inspired by the life of Irving Berlin.
A big-budget film that was in production for almost two years, "Alexander's Ragtime Band" received a huge promotional build-up in 1938. And it was well received by audiences. Sets are lavish. B&W cinematography is competent. Casting and acting are acceptable overall. However, Tyrone Power is the only major actor who lacks musical talent, and it shows. Both Don Ameche and Jack Haley add luster. Alice Faye is adequate.
The film is less constricted by plot than other musicals. But there's still a lot of dialogue. And, except for the title song and a quick version of "Easter Parade", the music is somewhat bland and uninteresting. I would have preferred more evocative music. The film's tone ranges from semi-bawdy to mushy romanticism.
This is a large-scale, Americana period piece film, with an accent on the music of Irving Berlin. It is old fashioned, both in plot and in style. It's technically well made. But to me it's too removed in time from current culture to be anything other than historically quaint.
The last time I saw this movie was probably the late '60s, when I watched it on television with a group of friends. I just saw it again on DVD, and it's as much fun as I remember it. In 108 minutes, I wouldn't be surprised if 90 minutes was music, and what music! One Irving Berlin song after another, sung by either Alice Faye, Don Ameche, Ethel Merman, or Jack Haley. A young Merman, with a sexy figure, really pops in this film with her exciting belt voice.
A thinnish plot surrounds the songs. It's the story of a classical musician (Tyrone Power) who forms a swing band and, because of the song "Alexander's Ragtime Band" takes the name Alexander for himself and the Ragtime Band for his group. The movie takes us loving, losing, and playing music through World War I and into the swing era, though there's not a gray hair to be found among our heroes.
Ameche and Power were friends before either one of them was signed by 20th Century Fox, and with Faye, they made "In Old Chicago" together plus this film - and both Faye/Ameche and Faye/Power made other films together as well. The three work very well as an ensemble. Faye is especially lovely in this. She sings in a commanding contralto, wears some great fashions, and is appropriately feisty, low-class, or classy as the part demands.
As lovely as she was, though, she's no competition for the most gorgeous one in the movie, Tyrone Power. He's pretty darn breathtaking in that tuxedo of his. He could have conducted me anywhere.
Monumentally entertaining music and plenty of eye candy - highly recommended.
A thinnish plot surrounds the songs. It's the story of a classical musician (Tyrone Power) who forms a swing band and, because of the song "Alexander's Ragtime Band" takes the name Alexander for himself and the Ragtime Band for his group. The movie takes us loving, losing, and playing music through World War I and into the swing era, though there's not a gray hair to be found among our heroes.
Ameche and Power were friends before either one of them was signed by 20th Century Fox, and with Faye, they made "In Old Chicago" together plus this film - and both Faye/Ameche and Faye/Power made other films together as well. The three work very well as an ensemble. Faye is especially lovely in this. She sings in a commanding contralto, wears some great fashions, and is appropriately feisty, low-class, or classy as the part demands.
As lovely as she was, though, she's no competition for the most gorgeous one in the movie, Tyrone Power. He's pretty darn breathtaking in that tuxedo of his. He could have conducted me anywhere.
Monumentally entertaining music and plenty of eye candy - highly recommended.
क्या आपको पता है
- ट्रिवियाDue to Motion Picture Production Code which was enforced between 1934 and 1968, this film's content was subject to rigid censorship. In her autobiography, Ethel Merman said that the original lyrics to "Heat Wave": "She started a heat wave by letting her seat wave" was changed for the movie to "She started a heat wave by letting her feet wave."
- गूफ़Alexander returns from World War I after it ended, which occurred in late 1918. Even allowing for a year or two's delay, the women he meets upon his return are wearing clothing from the wrong era - they are immediately dressed in late 1930s fashions (appropriate for the year the film was released) instead of the lower hemlines and low (close to the face) hat styles of the early '20s. Hemlines didn't rise to just below the knee until the mid '20s, and women's body silhouettes were mannish, with the bust and waistline de-emphasized, unlike the fitted suit worn by Alice Faye when she sees Alexander upon his return.
- भाव
Stella Kirby: You haven't left me with a word to say.
Charlie Dwyer: That's good. People talk too much anyway.
- क्रेज़ी क्रेडिटThe music that Tyrone Power "conducts" during the film's opening credits is the song "Marching Along With Time", which was ultimately cut from the film. The song, however, as sung by Ethel Merman, has survived as an outtake and can be seen as an extra feature on the DVD.
- कनेक्शनFeatured in 20th Century-Fox: The First 50 Years (1997)
- साउंडट्रैकAlexander's Ragtime Band
(1911) (uncredited)
Written by Irving Berlin
Performed by Alice Faye with Tyrone Power on violin, Don Ameche on piano,
Jack Haley on drums, and others
Reprised by Alice Faye at the end
Snippets played in the score throughout
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Alexander's Ragtime Band?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Irving Berlin's Alexander's Ragtime Band
- फ़िल्माने की जगहें
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $20,00,000(अनुमानित)
- चलने की अवधि
- 1 घं 46 मि(106 min)
- रंग
- पक्ष अनुपात
- 1.37 : 1
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