उपयोगकर्ता समीक्षाएं

"A criminal mastermind known as 'The Tiger' has set his sights upon the beautiful fiancée of a bank teller. Hoping to eliminate his rival, the criminal plots to frame the young man for passing counterfeit money, thus have him sent to prison and freeing him to pursue the girl. After the man serves his time for the crime he didn't commit, he returns home to win his love over and stop 'The Tiger'," according to the DVD sleeve's synopsis.

Barnstorming Tod Slaughter (as James "The Tiger" Dalton) breathes some life into this old English chestnut. Earnest John Warwick and soprano Marjorie Taylor are the pretty fiancée and bank teller. The men wear phony sideburns. Mr. Slaughter kissing the fainted body of Ms. Taylor is a memorable moment. And, both "The Tiger" and hawk-nosed "moneylender" Frank Cochran (as Melter Moss) are more properly disposed of than in the original play.

***** The Ticket of Leave Man (10/37) George King ~ Tod Slaughter, John Warwick, Marjorie Taylor

Ticket of Leave Man, The (1937)

** 1/2 (out of 4)

A serial killer known as The Tiger (Tod Slaughter) falls for a beautiful blonde so he frames her boyfriend sending him to prison in hopes that he'll get the girl. When the boyfriends gets out of prison The Tiger must try a new method to get the girl. I believe this is the sixth or seventh Slaughter film I've seen and they all feature the same plot of him trying to win a girl by framing their boyfriends. Slaughter has become a cult item the past several years and if you can tolerate him he's not too bad but non-fans will probably scratch their eyes out. He's as over the top as ever here but this nuttiness keeps the film moving. The supporting cast members are all dry and dull as is the creaky direction. The ending is downright stupid but it fits in with the campy nature.

thoroughly enjoyed this Todd Slaughter vehicle,, to be honest I never heard of him before till this movie,, he's very funny, entertaining, and just a joy to watch on the screen as the "Tiger".. a con man goes around London, killing people,, then decides it's time to pull the ultimate con,, he sets up a charity,,, called ticket of leave man,, a charity to help those who have just gotten out of jail,, and need a break,, i.e. a job... our main character is very nieve, and get's taken in by the nefarious tiger... he meets a beautiful young woman he intends to marry, but now their future is in jeopardly as he has lost faith in being an honest man,, and is contemplating a life of crime, to better his financial situation, and take care of his girl...

You've got to love Tod Slaughter. This hammy English actor has more or less been forgotten nowadays. He seems to be no more than a footnote of cinematic history. Yet I think this is a serious injustice, as every Tod Slaughter vehicle I have seen has never been anything less than entertaining. He specialized in playing cads in a series of Victorian melodramas. There weren't that many of them and Slaughter's cinematic career doesn't encompass all that many screen outings. He seemed to end up going back to the stage. His acting certainly would not have been out of place in the theatre, it's so hammy and over-the-top. But the leering villains he played were tremendously memorable, and Slaughter never seems to ever let you down. In this one, like all of them, he plays a middle-aged villain who lusts after a much younger woman, and nefariously sets a plan in motion where her fiancée is incarcerated, leaving Tod with seemingly easy access to the girl. This plot-line is extremely typical for his films. His character is a killer called the Tiger, who goes around London murdering people. He is aided by a stereotypical crooked Jewish moneylender. The innocent fellow they put in prison is the ticket of leave man of the title, i.e. a chap just out of jail looking for a break. Naturally, evil Tod has to deal with this chap when he comes back into society.

This is not the best Slaughter production. And like most of the others it's certainly no classic. But Tod is a very fun guy to watch and these melodramas he appeared in back in the 30's are still enjoyable to watch, unlike many other similar cheap productions from the time. This one is certainly formulaic, but it's acceptable when it's the unusual and unique attractions of Tod Slaughter that is the main draw.

The oh so hammy Tod Slaughter is good as usual in this mediocre crime thriller - it's more of a crime drama than a thriller. The film is a bit dry to me - it's missing something... darker elements. The film seems to "bright" or a bit "cheery" for a crime thriller. If it was meant to be comedy then this film would be perfect for that but the film is not a comedy. It doesn't have the elements of twisted darkness that one would expect from a Tod Slaughter film.

The movie is exactly what the description says: an innocent man is falsely accused of counterfeiting, put in prison and must prove he is innocent. "The Tiger" is actually responsible for the murders.

It's not a horrible film - but it's not all that great. I'll have to rate this one somewhere in the middle ground.

4.5/10

Pudgy screen presence Tod Slaughter deliciously plays a killer named the Tiger, famed for his thieving, murder, and anonimity. Slaughter, as with all his films it seems, sets his sights on the fiancée of a young bank clerk. Tod practically drools as he leers at the young lady and then sets up a plan with a dishonest moneylender to set the boyfriend up with some counterfeit bank notes. The plan works and the young man serves his term in prison. He gets out early and finds that no one will give a second chance to a Ticket of Leave man, that is a man who has been released from prison. Slaughter, still with designs on the pretty young lady, must find new ways now to deal with the man she still loves. Maybe if the young man becomes too desperate he will go to a life of crime. Slaughter is wonderful in this film. When we first see him, he is wearing a striped outfit with a bowler hat that makes him look truly ridiculous. Even when he disguises himself as an older man trying to help ticket of leave men(this is done to impress the young lady), Slaughter still forces the young lady to kiss him for his favors. His screen time is a joy to behold. He leers better than any other actor ever has on the screen. If you doubt it...watch his films. Slaughter makes leering an art form. This is a nicely directed film and lots of fun. Director George King does a serviceable job with an above-average cast, but make no mistake...this is Tod's film all the way!

In THE TICKET OF LEAVE MAN, the inimitable Tod Slaughter plays yet another notorious murderer. This time, he's The Tiger, a killer who leaves his victims garroted. Obviously, he chortles his way through each murder, in signature Slaughter style.

The Tiger is also a thief who has taken a fancy to a beautiful singer. Alas, she's already got a fiance. No problem, The Tiger finds a way to get rid of loverboy, and deceive the poor woman. He also decides to hide in plain sight by becoming the head of a local charitable organization. How better to fleece the wealthy? Will no one stop this eeevil monster?

Another classic for Slaughter fans...

I have never heard of the phrase 'Ticket of Leave', but I can safely assume from watching the story that it is referring to a person who is paroled out of prison.

The basic idea behind "The Ticket of Leave Man" is decent and the story should have been a lot better. After all, it does involve an evil criminal who not only steals but garrotes his victims! And, the guy later frames an innocent man only because he hopes to one day use him in his gang--but first he needs to break the man! However, the story itself is quite poor--mostly because of some horrible over-acting by Tod Slaughter who plays the evil killer. Subtle his performance isn't--and he even snickers a bit like Snidely Whiplash! Additionally, a few of the other performances are less than stellar. Because of the high cheese factor, it's really hard to recommend the film--unless you are making up a list of movies that SHOULD have been better or ones that featured very hammy performances.

I would've shrugged off this typical Tod Slaughter exercise in over-the-top Victorian-era villainy, but there was a character in the film which I couldn't ignore. It seems that Slaughter's usual crook/murderer/lecher is this time helped by another crook named Melter Moss. This man is one of the most vicious anti-semitic caricatures anyone would want to see. Made up to look ugly, and with a high, nasal, whiny voice, Melter joins with Slaughter's villain, the Tiger, to steal as much as they can from Britain's supposedly noble aristocracy. Of course, the Jewish character is shown to be cheap, worships money, and doesn't care about the Tiger's stranglings "as long as they don't interfere with (his) business." At the time, Britain restricted Jewish immigration to pre-independence Israel and put the Jews of Europe within the grasp of Nazi Germany's Final Solution; therefore England freely promoted anti-semitic stereotypes in its films, including, unfortunately, a poor excuse for a B grade melodrama like this.

On the positive aspect of the film, there is a villain who thinks on his feet in addition to planning his way to the financial top. There's something to be said about society's notion of 'good character' and credit as well as a quickly wrapped up moral at the end.

Dialogue was laborious both in detail and cliché. Motivations and execution are certainly questionable. Maybe some of this style of theatre got lost in translation from stage to film. All characters were pretty much static and stereotypical. I'm not sure who the target audience for the film would be. Maybe a young couple afraid of the rich and/or powerful?

This is one of the scariest movies I have seen. If you want to see a really good horror movie see this movie. It has a great story line. It also has great acting. If it does not scary you know movie will. This is better then A Nightmare on elm street.