They Won't Forget

One of Warner Brothers' `hard-hitting' social comment dramas of the 1930s, They Won't Forget leaves viewers all riled up – though, today, maybe less at the judicial process in the Deep South than at Mervyn LeRoy's depiction of it in the movie. Based not too loosely on the Mary Phagan murder case of 1913, it updates the events to the late Depression and also advances the victim's age (Phagan was 13; here, the victim – an unrecognizable Lana Turner, in her debut – is a student at a small business college).

It's Confederate Memorial Day, April 26, and the college lets out early, unexpectedly for instructor Edward Norris, a Northerner. But Turner returns for the vanity case she's left behind. Hours later, her body is discovered at the base of an elevator shaft. The town prosecutor (Claude Rains, slinging a Southern drawl) smells a political advantage that might propel him to the state senate, an advantage of no use if the perpetrator is only the illiterate black janitor who found her. Suspicion falls on Norris, and soon the judicial establishment, the press and the townspeople have turned against him. Outside help – a detective and a defense attorney – prove of no avail. Turner is convicted and sentenced to death; when the governor commutes his sentence, he's lynched (as was Leo Frank in the original case). It's fast, brutal and pretty unsentimental.

LeRoy was known for his slam-bang, take-no-prisoners style but here he dawdles at first. Under the credits is a medley of songs of the South, bolstered by quotations from Lincoln and Robert E. Lee to soften up those touchy audiences in Dixie so they won't know what hit them. When he gets up to speed, however, he doesn't slacken, cutting quick to advance the action – his movie's an unstoppable steamroller, just like the judicial railroading of the story (the lynching itself, expressed by a mailbag clipped off its hook by a passing train, is especially and darkly adroit).

But there's a near-fatal flaw in the story. We're meant to harbor persuasive doubts as to Norris' guilt, but the possibility of a suspect other than he is never more than fleetingly entertained. The movie purports to document a miscarriage of justice, but it fails to build an ironclad case.

A dark haired, southern drawled Claude Rains has an actor's field day as D.A Andy Griffin. Griffin needs to win one sensational court case to move his career foward. He gets it when a Yankee school teacher (Edward Norris) is accused of murdering a high school girl (Fetching Lana Turner in her film debut) Griffin turns the trial into a media circus and a kangaroo court. The ending is grim, and Griffin gets what he wants. Mervyn LeRoy (Warner Brothers' prize director in the 1930's) moves the story along at rocket pace. He gets fine performances out of Rains, Norris, Otto Kruger and a young Elisha Cook Jnr. LeRoy always cut the fat from his films, meaning very rarely will he show an unimportant aspect of the story. (Example: a scene begins with a sobbing janitor calling the police. We see the police leave. Cut to them at the crime scene. Cut to them grilling their first suspect- the janitor- cut to a newspaper headline about the murder. all of this in about 12 seconds) A film far above average.

A young girl (Lana Turner in her first role) is killed in a small Southern town. A Northener, Robert Hale (Edward norris) is accused of it...but is he guilty? It doesn't seem to matter because everybody uses his accusation for their own gain. Fast moving, still relevant (sadly) look at prejudice, gossip, mob rule and media manipulation. Occasionally the characters give out unmotivated speeches (especially Hale's wife), but the movie is very well-written and acted with Claude Rain chewing the scenery again and again. A must see...don't miss this one!

In a small Southern town celebrating Confederate Memorial Day, a young woman (Lana Turner) is murdered. Suspicion quickly falls on her Northern teacher at business school, Robert Hale (Edward Norris), whom she had a crush on. Ambitious district attorney Andy Griffin (Claude Rains) uses this as an opportunity to build a name for himself, not caring about Hale's guilt or innocence. Hale is arrested and tried but the anti-Northern sentiment running through the town guarantees his trial won't be fair.

Great role for Claude Rains, who owns every scene he's in as a remorseless politician out to further his career regardless of cost. Edward Norris (Ann Sheridan's first husband) has probably his biggest role as Robert Hale and does a fine job. Film debut of Allyn Joslyn, who plays a slimy reporter colluding with Rains. Pretty Gloria Dickson plays Hale's wife. She has a potent speech at the end. First significant role for Lana Turner. Note the tight sweater which accentuates her...attributes. This is why she was dubbed "the sweater girl" early in her career. The rest of the cast is made up of familiar faces, including Otto Kruger and Elisha Cook, Jr.

Loosely based on the real story of Leo Frank, a Jewish man accused of murdering 13 year-old Mary Phagan in Georgia. He was lynched in 1915. The story here keeps antisemitism out of it, instead making it more of a focus on the resentments and prejudices of the South towards the North. Having grown up in the South, I know these sentiments were very real for many even decades after this movie was made. This is a film that examines everything from bigotry to mob mentality and the manipulation of the public by politicians and the media. Sociologically and historically relevant, it's a powerful movie from Warner Bros. with a good cast.

They Won't Forget (1937)

**** (out of 4)

Terrific Warner drama about a school teacher (Edward Norris) from the North who's working in the South when one of his students his murdered. The local D.A. (Claude Rains), wanting to rise in the political game, charges the teacher with the murder not because of evidence but because the Southerners think he's guilty due to being from the North. I've been wanting to see this film for many years now after hearing so much about it and it certainly didn't let me down. I think the courtroom drama is probably my favorite genre and this here ranks with the very best out there. What really stands out are the performances, which are all excellent. Norris doesn't stand out in the crowd but he delivers a very somber performance. The real standout is Gloria Dickson as his wife. The final speech she gives is quite chilling and very memorable. Rains also gives a great performance, although I think he goes a bit over the top in a couple of the courtroom scenes. Lana Turner, in her screen debut, also comes off very memorable especially with her "giggle" as she walks down the street in that tight sweater. Mervyn LeRoy does a great job at building all the suspense and anger that surrounds the controversy of the case, which is based on a true story. After watching this film as well as Mississippi Burning this year it's rather amazing to know this stuff happened within the last one-hundred years.