Stage Door

A very well acted classic drama with great characters that interact realistically when together, it is also supported by some fine acting. Katharine Hepburn is very strong and natural, and Ginger Rogers matches her, playing a witty and almost cynical character very well. Gail Patrick is great too, yet Andrea Leeds was the only cast member to go on to receive an Academy Award nomination, however she is the best of the bunch, giving life to a frail and emotionally unstable aspiring actress. It is a bit overly talkative, and it has at least one too many subplots going on, however the film presents such an interesting insight into the lives of wannabee actresses that these points hardly matter. It is indeed a little difficult to distinguish each of the supporting characters as individuals, and perhaps they could done with further development, but yet this factor is very much like how all the aspiring actresses in the world are: indistinguishable, until you get to know them - and how actresses get ahead in the world is a lot of what this film is about. The final few minutes of the film could have been chopped out; otherwise this is good viewing all the way through.

Thanks to the BBC this finally appears as a long-overdue TV showing in tribute to Kate Hepburn. A stunning cast includes Ginger Rogers, Eve Arden, Lucille Ball and Ann Miller (both looking impossibly young!), Constance Collier (one of the great old troupers), Andrea Leeds, Adolphe Menjou, and in the cast but not credited an hilarious performance from Franklin Pangborn as Menjou's butler, plus appearances from Jack Carson, Grady Sutton, Ralph Forbes. It is a classic film fan's joy even if the plot does creak along on a variation of the 'heiress who wants to act' theme.

Hepburn looks fabulous and that brittle voice was rarely used better than to deliver the sparkling script required. Great role for Ginger too (time off from dancing with Fred, this being around the middle of their legendary partnership). Love it. One to treasure.

In fact this film version of a stage play by Edna Ferber and George S Kaufman, directed by Gregory La Cava is 70 years old and although it may show a wrinkle here or there - like having Adolph Menjou as the romantic lead - the youthful energy in the acting and dialog has surfed the waves of time unscathed. The bunch of girls populating the Footlights lodgings is a smashing crowd. Katharine Hepburn, brisk and Hepburnish already to the hilt. Ginger Rogers drinks, scratches and dances a duet with Ann Miller. Eve Arden, as usual, delivers the best one liners and Lucille Ball seems ready for a startling career. Andrea Leeds got an Oscar nomination and Constance Collier plays an over the hill actress that becomes Hepburn's minder, just like in real life. The film moves at an incredible speed and I defy you not to tear up when Hepburn makes her entrance with the Calla Lillies in bloom.

I don't quite know how to put my passion for this film into words. It's something I never expected. I taped it off of television because I've been on a Ginger Rogers kick lately (I think I'm in love with her), and very luckily experienced something of enormous quality.

There is not a regular plot. Unlike most classical cinema, the goal towards which the film is striving is quite tenuous. Basically, the goal is for Katherine Hepburn to get a part in a play and give a good performance, but it is never stressed. Instead, what we get is more of an ensemble piece. There are characters who are more central than others, but we get to know well a great number of characters. And we live with them, experience their dreams, hardships, and successes, falling more and more deeply in love with them every minute, caring about them as we would dear friends or siblings.

It is most often referred to as a comedy, and the dialogue tends to be hilarious (Ginger Rogers is in full form here, wisecracking at the speed of light), but the film's drama is very affecting, too. This film's ending is so beautiful, and like all great films, we're reluctant to say goodbye to the characters. Fortunately, since I have it on tape, I can visit the boarding house any time I want. Unfortunately, since this film is neither on VHS nor DVD, you probably cannot. Watch for it on AMC or TCM or other stations that play classic films. You will not be disappointed. 10/10

Something very sinister happened to movies between 1937 and the 1950s that made this kind of film impossible to make. It's a terrific example of ensemble acting, with no one taking a back seat to anyone else. Ginger Rogers is absolutely amazing, especially after seeing some of the fluffy stuff she did with Astaire. It's hard to believe this is the same actress.

The dialogue zips along with lighting speed including some great laugh-out-loud one-liners. What a wonderful script! Very much like "Grand Hotel" in its structure and shockingly adult themes.

The relationships between all the women are so complex it's hard to believe it was actually made when it was. It makes men look very bad - at best we're imbeciles, at worst, Svengalis. And it has the same kind of uneasiness and disillusionment with the theater that "Sunset Boulevard" had with the movies. I wish there were more like it.