Silver Blaze

Arthur Wortner appeared as Conan Doyle's great detective in six films, four of which survive today. Silver Blaze was the last one, by which time Wortner was over sixty, although still looking the picture of Holmes as he appeared in the Paget illustrations of Strand Magazine.

This version of Silver Blaze takes some liberties with the story; it involves Sir Henry Baskerville, plus Professor Moriarty (an engaging and entertaining performance from Lyn Harding), and Colonel Moran from The Empty House. However it retains the same twists and turns which were present in the original story and, as a film, it works very well.

Filmed on the cheap with obviously faked sets (notably when Holmes and Watson transfer their investigations to 'the moors') it is good to see Wortner's excellent Holmes, sardonic and sharp. Dr Watson is played by Ian Fleming, who is fairly good as well.

John Turnbull as Lestrade is a good foil for Holmes, and one can sense the level of tolerance and grudging admiration that exists between the two crime-solvers.

For Sherlockians, this version of Silver Blaze compares well with the one created during the 1980s as part of Granada's TV adaptations, and stands up well in its own right as a B-picture mystery.

Am a huge fan of Sherlock Holmes and get a lot of enjoyment out of Arthur Conan Doyle's stories. Also love Basil Rathbone's and especially Jeremy Brett's interpretations to death. So would naturally see any Sherlock Holmes adaptation that comes my way, regardless of its reception.

Furthermore, interest in seeing early films based on Conan Doyle's Sherlock Holmes stories and wanting to see as many adaptations of any Sherlock Holmes stories as possible sparked my interest in seeing 'Silver Blaze', part (the last in fact) of the series of film with Arthur Wontner. Would also see anything that has Holmes encountering his arch-nemesis Professor Moriaty.

'Silver Blaze', not just a straight adaptation of just this particular story, but with elements of other Holmes stories (with the interesting inclusion of Moriaty and the Baskervilles) too, is very much worthwhile. Not one of the best Sherlock Holmes adaptations certainly, the best of the Jeremy Brett adaptations and films of Basil Rathone fit under this category. It's also not among the worst, being much better than any of the Matt Frewer films (particularly 'The Sign of Four') and the abominable Peter Cook 'The Hound of the Baskervilles'.

It's not perfect. The sound quality is less than great, while some of the pace could have been tighter, especially at the start as it does take too long to get going.

Some of the dialogue unnecessarily rambles a bit in a particularly talky outing in the Wontner Holmes films, and the low budget limitations do show in the production values (other than some nice shots the film looks pretty cheap, the cheapest looking of the Wontner Holmes films).

However, there are some nice interesting shots that stop the film from looking completely cheap. The writing generally is thought-provoking, Holmes' deductions and crime solving are a huge part of the fun as well as very true in detail and spirit to Conan Doyle's writing, the mystery elements are intact, there are moments of suspense and the story is intriguing and not hard to follow.

Arthur Wontner may technically have been too old for Holmes but he did not look too old and his portrayal is on the money, handling the personality and mannerisms of the character spot on without over-doing or under-playing. Ian Fleming is a charming, loyal, intelligent and amusing Watson, with nice chemistry between him and Wontner, really liked his inferior attempts at deduction. The support is competent without being outstanding or as memorable, Lyn Harding's Moriaty comes off best.

Overall, worth watching and decently solid if not great. 6/10 Bethany Cox

Murder at the Baskervilles (1937)

** (out of 4)

Sherlock Holmes (Arthur Wontner) and Dr. Watson (Ian Fleming) investigate a kidnapped horse and the murder of its trainer. Wontner appeared as Holmes in six films, although two are now lost and this one here was the last in the series. I can't say I was really impressed with that much here, although there's one very good sequence when a car is following Holmes and tries to kill him. There's some nice tension in this scene but tension is missing throughout the rest of the film, which moves at a snail's pace. It takes twenty-six minutes for the actual mystery to start and all of the introductions leading up to it are rather bland and boring. The supporting cast doesn't help matters as they add very little to the movie. Wontner on the other hand is quite good as Holmes and he certainly makes me interested in the other films in the series.

Dedicated Sherlockians on both sides of the Atlantic used to regard Arthur Wontner as the definitive Holmes. Partly this was reaction against the Basil Rathbone films, with their serial-style WWII plots and the portrait of Watson as a lovably bumbling idiot; Rathbone was admired but the films were blasphemy. By comparison, Wontner's Holmes was visually the absolute picture of the Sidney Paget illustrations that accompanied the original stories in The Strand, and at least some of the six films (not all of which survive) were faithful adaptations of notable Holmes stories not otherwise filmed.

Then... along came Jeremy Brett (also the picture of the Paget illustrations), and it had to be admitted that the Wontner films were so cheaply made that they really had nothing going for them besides Wontner, and lacked the polish and entertainment value of even the Universal Bs in the Rathbone series. Next to Brett, also, Wontner's Holmes is if anything too genial; he lacks the suffer-no-fools snappishness that is an essential part of Holmes' character. (That's especially odd considering that that's exactly the sort of character Wontner plays in his best-known role outside this series, as an acerbic ambassador in The Life and Death of Colonel Blimp.) Silver Blaze (a short story padded out much like the Brett series episodes would be) is probably the best of the bunch, and remains watchable but, now, a minor chapter in the saga of Holmes on film next to better movies starring Holmeses such as Basil Rathbone, Robert Stephens, Christopher Plummer, Ian Richardson and, best of all, Jeremy Brett.

Twenty years after solving the famous 'Hound of the Baskervilles' case, Sherlock Holmes is invited to return to Baskerville Hall to take a holiday. At Watson's urging he accepts and the pair head to the West Country. They haven't been long when a stable boy working for a local race horse owner is found murdered and the prize horse, Silver Blaze, is missing. Following tracks onto the moor the horse's trainer is found dead... presumed murdered. Holmes soon begins to suspect that his arch nemesis Professor Moriarty is behind the events.

While this is far from the best Sherlock Holmes mystery it is still rather fun. Certain aspects of the story are fairly easy to figure out, such as who actually stole the horse, but others are less obvious. Arthur Wonter does a solid job as Holmes and Ian Fleming is a decent Watson. Lyn Harding isn't bad Professor Moriarty although the case does seem a little trivial for such a master criminal. Given the fact that it is over eighty years old it isn't surprising that it shows its age somewhat; but that shouldn't put anybody off. It might not be a must see but if you are a fan of inter-war cinema it passes seventy minutes nicely enough.