The Shadow Strikes

Former silent screen matinée idol Rod LaRocque stars as the famous radio detective The Shadow in The Shadow Strikes. Modern fans will remember the film with Alec Baldwin in the Nineties playing criminologist Lamont Cranston aka The Shadow.

The Shadow has a real bag of tricks and the power of illusion at his command. He's not a superhero as such with any real superpowers, but his knack for remaining inconspicuous while waiting to strike was what radio audiences thrilled to.

Unfortunately this film was made by the short lived Grand National studios, a B picture company with limited budget and consequently limited production values. At a major studio even in their B picture unit The Shadow would have fared better.

As it LaRocque is fine in the part and in this case as The Shadow he foils a robbery at a lawyer's office. When the police come he pretends to be that lawyer and the police captain accompanies LaRocque on an errand to a rich man's home who called and wanted the attorney to draw up a new will. But before that could happen John St. Polis playing the rich Mr. Delthern is shot by a sniper.

The plot gets thicker than an Irish stew. But the story was a serviceable murder mystery without the whole Shadow gimmick which wasn't utilized to the max. That must have disappointed fans back in 1937.

Always good is Cy Kendall who plays a gambler/racketeer who has a vested interest in that will. The heavyset Kendall is always playing bad guys in modern dress and in westerns.

Still bad production values from Grand National don't augur well for viewers who might want to see The Shadow Strikes.

This is a fast-paced B feature with Rod La Rocque, in the role of "The Shadow", getting involved in a fairly interesting and unpredictable mystery. In several respects, it doesn't really have the expected feel that goes with "The Shadow", but in itself its not bad at all. La Rocque works all right as a mild-mannered, secretive hero, with his manner and even-toned voice conveying calm.

The story in this one starts with "The Shadow" breaking up what seems to be just another petty crime, but quickly becoming involved in a wider and more serious mystery. He must assume additional extra identities, playing a risky game with the various suspects and witnesses.

La Rocque's restrained style makes it come off naturally enough, and while the rest of the characters are mostly one-dimensional, there is enough going on to keep things interesting. While it has a noticeably different feel from the "Shadow" of stories or radio, in itself it's a fairly entertaining way to pass an hour for anyone who enjoys these old B-movies.

With veteran heavy Cy Kendall and versatile movie cop Kenneth Harlan in support, and the extremely experienced and suave Rod LaRocque in a popular product "The Shadow", this film is somewhat of a disappointment in comparison to what it could have been. LaRocque gives us a supremely confident Cranston in a poised performance. LaRocque, a large, very tall man, wisely had perfected the art of downplaying since his entrance into talking pictures and he is fine here. But he should be surrounded with a vigorous director and some more active styled performers. This film falls into the unfortunate detective- filmmaker's pitfall namely: lack of energy.

Whatever Colony Pictures was or wasn't, it certainly was a cheap outfit. While competent and watchable, this film lacks any spark in cinematography, editing or overall direction, apparently due to lack of funds. The plot is a basically solid detective mystery, but the execution of it was sort of loosely thrown together for filming in as few days as possible.

Considering LaRocque's strong screen presence and the generally adequate efforts of the mostly discount cast, a fan of the black and white mystery/detective genre will find this film OK and representative of the genre in the bargain-basement sense.

This SHADOW is not the Shadow of the radio or the comics or even the Alex Baldwin movie of recent vintage. Rather, it is about a bon vivant who likes to play detective and gets mixed up in a murder mystery during which he impersonates a prominent lawyer. This would be all well and fine if Lamont Cranston donned some sort of disguise as the lawyer -- the Shadow is a master of disguises -- but he does nothing to alter his appearance and depends way too much on being able to conveniently appear, disappear and then reappear as the lawyer, who happens to be on vacation. So it's not really the Shadow, but at the very least star Rod La Roque (now there's a moniker!) plays Cranston as a real smoothie. The Shadow as such (and again I must point out this is not the Shadow most of us know, just a guy wearing a hat and hiding his face) puts in all of a 10-second appearance at the beginning and end of this dated little melodrama. Watch it for La Roque, a silent-era heart throb who survived the transition to talkies.

I was drawn to this movie by it's attractive pulp 'Scourge of the Underworld' poster. The action surrounds the will of the eccentric Caleb Delthern who is seen at the beginning before he is shot dead through a window. Delthern's two nephews and a niece are the main suspects of his murder along with gang boss Brossett. One of the nephews is under the control of Brossett through gambling debts. There are plenty of added characters who flit on and off screen so the viewer is constantly whirled through this cast of suspects at speed. This was my double introduction to the actor Rod La Rocque and the shadow character of Lamont Cranston. Cranton (Rod La Rocque) is a will-o'-the-wisp character who has the ability to swiftly disappear when the police or other trouble arrive on the scene. He also has the mercurial ability to easily take on other peoples' identities and gain the confidence that he is who he says he is. I enjoyed the wily interactions between Cranston and his servant Hendricks. Hendricks (Norman Ainsley) is an apologetic slightly-built man in a bowler hat who is ever-alert to his master's thoughts and tricks. I enjoyed this gun-happy 1930s B-mystery and watched it for a second time to clear up some character loose-ends and I look forward to seeing it again.