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Personal Property

  • 1937
  • Approved
  • 1 घं 24 मि
IMDb रेटिंग
6.5/10
1.2 हज़ार
आपकी रेटिंग
Jean Harlow and Robert Taylor in Personal Property (1937)
कॉमेडीरोमांटिक कॉमेडीरोमांसस्क्रूबॉल कॉमेडी

अपनी भाषा में प्लॉट जोड़ेंRaymond Dabney returns to his family after trouble with the law. He convinces the sheriff to give him a job watching the house and furniture of widow Crystal Wetherby without knowing she is ... सभी पढ़ेंRaymond Dabney returns to his family after trouble with the law. He convinces the sheriff to give him a job watching the house and furniture of widow Crystal Wetherby without knowing she is engaged to his brother.Raymond Dabney returns to his family after trouble with the law. He convinces the sheriff to give him a job watching the house and furniture of widow Crystal Wetherby without knowing she is engaged to his brother.

  • निर्देशक
    • W.S. Van Dyke
  • लेखक
    • Hugh Mills
    • Ernest Vajda
    • H.M. Harwood
  • स्टार
    • Jean Harlow
    • Robert Taylor
    • Reginald Owen
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.5/10
    1.2 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • W.S. Van Dyke
    • लेखक
      • Hugh Mills
      • Ernest Vajda
      • H.M. Harwood
    • स्टार
      • Jean Harlow
      • Robert Taylor
      • Reginald Owen
    • 27यूज़र समीक्षाएं
    • 14आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
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    टॉप कलाकार26

    बदलाव करें
    Jean Harlow
    Jean Harlow
    • Crystal Wetherby
    Robert Taylor
    Robert Taylor
    • Raymond Dabney
    Reginald Owen
    Reginald Owen
    • Claude Dabney
    Una O'Connor
    Una O'Connor
    • Clara
    Henrietta Crosman
    Henrietta Crosman
    • Mrs. Cosgrove Dabney
    E.E. Clive
    E.E. Clive
    • Cosgrove Dabney
    • (as E. E. Clive)
    Cora Witherspoon
    Cora Witherspoon
    • Mrs. Burns
    Marla Shelton
    Marla Shelton
    • Catherine Burns
    Forrester Harvey
    Forrester Harvey
    • Herbert Jenkins
    Lionel Braham
    Lionel Braham
    • Lord Carstairs
    Barnett Parker
    Barnett Parker
    • Arthur Trevelyan
    Melville Cooper
    Melville Cooper
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      Jimmy Aubrey
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      • (बिना क्रेडिट के)
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      Billy Bevan
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      • (बिना क्रेडिट के)
      Thomas Braidon
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      • (बिना क्रेडिट के)
      Robert Cory
      • Moving Van Man
      • (बिना क्रेडिट के)
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      Herbert Evans
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      • (बिना क्रेडिट के)
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      Douglas Gordon
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      • (बिना क्रेडिट के)
      • निर्देशक
        • W.S. Van Dyke
      • लेखक
        • Hugh Mills
        • Ernest Vajda
        • H.M. Harwood
      • सभी कास्ट और क्रू
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      उपयोगकर्ता समीक्षाएं27

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      फ़ीचर्ड समीक्षाएं

      6blanche-2

      Harlow's last completed film for MGM

      I always watch Robert Taylor in memory of my mother; she loved him. This film is a Taylor-Harlow pairing, "Personal Property," a watered-down version of the play, and the first time it was made, it was a precode film, A Man of Possession.

      Taylor is Raymond Dabney, the black sheep in a successful family, all of whom are British except for him, evidently, as he sports no accent. He's been released early from prison after selling a car he didn't own. His brother Claude (Reginald Owen) and father (E.E. Clive) aren't happy to see him, unlike his mother, so they offer Raymond 300 pounds to go anywhere he wants, preferably out of the country. Raymond chooses London.

      At a cocktail lounge, Raymond meets Crystal Wetherby (Harlow), a widow. Raymond is interested and follows her to the opera Aida, and then he follows her home. At her home, he meets a bailiff who is going to sit in Crystal's house until she pays what she owes.

      Crystal is throwing a dinner for her fiancé and future in-laws; Raymond kindly offers to pretend to be her butler. When the future family shows up, a few problems present themselves.

      Jean Harlow was always very likable, although here, she's a little more low-key. She wears her engagement ring from William Powell throughout the film; it's sad that her life was cut so short. I thought Taylor was just fine. He had a nice sense of comedy. But I have to agree with some others that the role would have been better suited to Franchot Tone or Cary Grant. Taylor was a beautiful man, and he looked great in evening clothes, but he was a farm boy at heart and didn't have quite the sophistication necessary.

      I found this film slow and not very involving, but I loved the two stars.
      Kalaman

      Jean Harlow and Robert Taylor's only film together

      Apparently the only film Jean Harlow and Robert Taylor starred together, this harmless but ultimately forgettable MGM star vehicle is gravely marred by plush MGM studio sets and a drab, unconvincing direction by W.S. Van Dyke, though it has its moments of unintentional humor. But given the stars and the studio, this could have been more entertaining. It is a tedious mélange of romance and comedy that somehow frazzles or drowns when a good or funny scene ends. Harlow plays an impoverished but glamorous American widow named Crystal Wetherby who, at first, has her sights set on a penniless Englishman (Reginald Owen) but soon becomes interested in Robert Taylor. If you are a fan of the stars, "Personal Property" can be eminently watchable, though Dyke's sluggish pacing can be gruelling at times.
      6bkoganbing

      Finding Love When You Look For Money

      Personal Property was the last completed film of Jean Harlow and the only one she was teamed with Robert Taylor. She's an American married to an Englishman who died and left nothing to her, but debts. She's got bill collectors beating down her door.

      She figures an upper class accent is a guarantee of security, but tain't so Jean. She's set to marry Reginald Owen, who's family has a title, but little else. Their business has suffered some reversals and they need some quick capital themselves.

      Before this double calamity takes place, along comes Robert Taylor who is a black sheep in Reginald Owen's family as his younger brother. Through an incredible comedy of errors he winds up Harlow's bill collector and later butler.

      It's not a bad film, Harlow is great, she was sparkling and delightful and no trace of the illness that would claim her life while filming her last picture Saratoga.

      Taylor is oddly miscast though. I'm sure this was a part that was originally intended for Franchot Tone and he would have had just the right upper class touch. Taylor handles the comedy well, but Tone or Cary Grant would have made the film a classic.

      In fact Taylor's part and some of the film premise you can also find in My Man Godfrey with William Powell without the social commentary.

      Film buffs should see it for a once in a lifetime pairing.
      6lugonian

      Gentleman Prefers Blonde

      PERSONAL PROPERTY (Metro-Goldwyn-Mayer, 1937), directed by W.S.Van Dyke, stars Jean Harlow in one of her final screen performances before her untimely death later in the year. In her only comedy, in fact, only movie role opposite then rising leading man, Robert Taylor. It was also a remake of MGM's earlier carnation titled THE MAN OF POSSESSION (1931) starring Robert Montgomery and Irene Purcell in the Taylor and Harlow roles. While each have aired on Turner Classic Movies for comparison, both are forgotten comedies with the latter noteworthy only for the screen presence of Jean Harlow alone.

      Taylor plays Raymond Dabney, son of an accomplished British family. Having served a jail sentence for selling a car without having paid for it, and now released early for good behavior, Raymond, greeted by his loving mother (Henrietta Crosman), doesn't get the same reception from his serious minded brother, Claude (Reginald Owen), partners with his father (E.E. Clive) in women's underwear. With both men disowning him as part of the family, Raymond is offered 300 pounds to go far away as possible and start life anew, possibly in Canada or Australia, but he would rather remain in London instead. Later, while at a cocktail lounge, Raymond meets Crystal Wetherby (Jean Harlow), an American widow of a big game hunter. Impressed by her beauty, Raymond, after making a bad impression, follows her to the opera and seats himself beside her during a performance of "Aida." If that's not enough, Raymond follows her home after the performance. Through arrangements by Herbert Jenkins (Forrester Harvey), a bailiff working for the sheriff whose wife is in the hospital expecting a baby, Raymond gets his opportunity by taking his place and legally entering as well as staying in Crystal's mansion as a "man in possession," a custodian of her possessions until the debts of her personal property have been paid. Due to her upcoming dinner plans to entertain her fiancé and future in-laws, Raymond agrees to assist her by acting the role of Ferguson, her butler. All goes well until Raymond meets Crystal's guests, who turn out to be more than familiar faces from his questionable past.

      With the plot being centered more on Robert Taylor's character than Harlow's, both become equally balanced by the midway point. PERSONAL PROPERTY does has some funny scenes. While, Hugh Mills and Ernest Vadja, who scripted this story from the play by H.M. Harwood, make every effort by turning this into an honest effort of hilarious drawing room comedy, the final results are simply average, no more, no less. One truly funny moment occurs with the arrival of mumbling British bore (Barnett Parker) and his confused exchange with Taylor. This great scene was later clipped into a 1964 documentary, MGM'S BIG PARADE OF COMEDY, which indicates others have felt this a highlight as well. Very brief, but good. A pity there weren't enough great scenes like it to make up for some rather weak material. Another problem with PERSONAL PROPERTY is that Taylor acts and looks too American to play the part of a British family. Taylor's butler and Harlow's rich girl gimmick is an obvious attempt to bring forth another MY MAN GODFREY (1936) that served William Powell and Carole Lombard so well, though not on the same level.

      Cora Witherspoon, who previously enacted opposite Harlow in the hilarious LIBELED LADY (1936) as Mrs. Burns-Norvell, the gabby mother, assumes similar chores here, this time simply as Mrs. Burns, with Marla Shelton as her flirtatious daughter who has her eyes on the young "butler" (Taylor). Interesting to note the supporting players, consisting those of Una O'Connor (in the role as Harlow's maid); Forrester Harvey and E.E. Clive to be those in memorable support in the James Whale science fiction classic, THE INVISIBLE MAN (Universal, 1933). Even more interesting is both Reginald Owen and Forrester Harvey reprise their roles from the 1931 film. Other British character types as Billy Bevan and Lionel Brahm serve their brief parts well.

      Placed on home video in the 1990s, PERSONAL PROPERTY should make an impression on those curious about the careers of both Harlow and Taylor, or lesser known "screwball comedies" from this era. With better roles ahead for Taylor, especially his reported personal favorite being WATERLOO BRIDGE (1940), Harlow next project would be another comedy, SARATOGA, noteworthy mostly as the one she never lived to complete, though her remaining scenes were performed by a stand-in double. For PERSONAL PROPERTY, it's all Harlow. (**1/2)
      6Doylenf

      Mildly amusing battle of the sexes between Harlow and Taylor...

      What surprised me about PERSONAL PROPERTY is that Robert Taylor had such a good sense of humor that could have been used in more films of this type for him when he was starting out. Usually cast as a rather dour and stern looking type (and later, the heroic villain or bad guy with a gun), it's a pleasure to see him in this mild romantic comedy that passes the time pleasantly enough but is easily forgotten.

      Jean Harlow co-stars with Taylor in what would be her last completed role for MGM. She seems a bit sluggish with her comeback remarks and somehow seems lacking the zest she usually showed in her romantic comedies with William Powell or Clark Gable. But she and Taylor make a handsome couple.

      The silly story never quite comes off as convincing enough with a strange number of elements in the plotting that has Taylor pretending to be her butler while falling in love with her--although she seems to resist his charms from the start. While the predictable ending is never in doubt, it takes a bit of persuasion to believe his brother could be Reginald Owen.

      Summing up: The thin plot moves rather sluggishly despite the brief running time but there are a few chuckles to get out of the whole thing. All in all, it's undistinguished from any viewpoint and a not too subtle jab at the idle rich.

      इस तरह के और

      Saratoga
      6.5
      Saratoga
      Wife vs. Secretary
      7.0
      Wife vs. Secretary
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      7.1
      Bombshell
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      6.6
      The Girl from Missouri
      Hold Your Man
      6.9
      Hold Your Man
      When Ladies Meet
      6.5
      When Ladies Meet
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      6.9
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      6.4
      Reckless
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      6.7
      Platinum Blonde
      Red-Headed Woman
      7.0
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      Suzy
      6.4
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      Riffraff
      6.2
      Riffraff

      कहानी

      बदलाव करें

      क्या आपको पता है

      बदलाव करें
      • ट्रिविया
        Throughout the film, Jean Harlow wears the massive 152-carat star sapphire ring (also reported as an "85-carat" gem), a round cabochon, which was given to her by her then boyfriend William Powell, supposedly for their engagement. Star sapphire rings were very popular in Hollywood in that era, and Harlow's was said to be the biggest one owned by any film star. At one point during the film's production, Harlow lost her ring, removing it for a dish-washing scene and handing it to a makeup man. An all night search finally turned up the ring in an ashtray.
      • गूफ़
        While it is never explicitly stated, it can reasonably be assumed that Mrs. Dabney, like Mrs. Wetherby, is an American and thus her American accent is explainable; but no is reason given for why her eldest son speaks with a British accent and her youngest son speaks with an American accent. In one scene, Catherine even says that Ferguson (Raymond) could easily get a job in America as an English butler, which makes zero sense with Robert Taylor not even attempting to sound like an Englishman.
      • भाव

        Claude Dabney: Miss Briggs, how many years have you been making what for convenience I call my tea?

        Miss Briggs: What's wrong with it this time, Mr. Dabney?

        Claude Dabney: Why nothing... except that it tastes absolutely filthy.

      • कनेक्शन
        Featured in The Big Parade of Comedy (1964)
      • साउंडट्रैक
        Aida
        Written by Giuseppe Verdi

        Excerpts played and sung at the opera

      टॉप पसंद

      रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
      साइन इन करें

      अक्सर पूछे जाने वाला सवाल

      • How long is Personal Property?
        Alexa द्वारा संचालित

      विवरण

      बदलाव करें
      • रिलीज़ की तारीख़
        • 19 मार्च 1937 (यूनाइटेड स्टेट्स)
      • कंट्री ऑफ़ ओरिजिन
        • यूनाइटेड स्टेट्स
      • भाषाएं
        • अंग्रेज़ी
        • फ्रेंच
        • इतालवी
      • इस रूप में भी जाना जाता है
        • Man in Her House
      • फ़िल्माने की जगहें
        • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., कल्वर सिटी, कैलिफोर्निया, यूएसए(Studio)
      • उत्पादन कंपनी
        • Metro-Goldwyn-Mayer (MGM)
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      बॉक्स ऑफ़िस

      बदलाव करें
      • बजट
        • $2,99,000(अनुमानित)
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      तकनीकी विशेषताएं

      बदलाव करें
      • चलने की अवधि
        1 घंटा 24 मिनट
      • रंग
        • Black and White
      • पक्ष अनुपात
        • 1.37 : 1

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      किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
      Jean Harlow and Robert Taylor in Personal Property (1937)
      टॉप गैप
      By what name was Personal Property (1937) officially released in India in English?
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