अपनी भाषा में प्लॉट जोड़ेंA young woman finds herself as the intended victim of a murder plot on a transatlantic flight from London to New York.A young woman finds herself as the intended victim of a murder plot on a transatlantic flight from London to New York.A young woman finds herself as the intended victim of a murder plot on a transatlantic flight from London to New York.
Francis L. Sullivan
- Hugo Brant
- (as Francis Sullivan)
Albert Chevalier
- Counterman
- (बिना क्रेडिट के)
Atholl Fleming
- Pilot
- (बिना क्रेडिट के)
Alf Goddard
- Holloway Prison Warder
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
"Non-Stop New York" is a delightful film from 1937 starring Anna Lee, John Loder, and Francis L. Sullivan.
Anna Lee (Lila Quartermaine on General Hospital) is pretty Jenny Carr, a young British actress in New York City with a flop play. So soon, she'll be on her way back to London. She meets a man who sees she's hungry and offers to buy her a meal.
That man is later murdered, and a bum is arrested. He is due to be executed in a matter of days. He says that an English girl knows he didn't do it, but no one can find her. She's already home. Once she sees a headline that she's being searched for, she realizes she has to get back to the US immediately. She and her mother find a plane that goes London to NY in 18 hours, and her mother pretends to be drowning while Jenny boards the plane.
Little does Jenny know but the real killers are out to stop her.
This plane is something to behold. It's a clipper, and apparently this type of plane did exist. Wish it still did. The inside is more like a train, with sleeping compartments, dining room, and one can step out onto a terrace like thing outside the plane. It also flies rather low. Totally amazing.
Francis L. Sullivan is excellent as the slimy gang head who wears different disguises in his quest to get rid of Jenny. Apparently - could this be true - he was 35 years old when he did this. If you'd told me he was 65 I would have believed you.
John Loder, who was married at one time to Hedy Lamarr, is the handsome investigator who really doesn't believe Jenny.
This film is available on youtube. Try and see it - it's very enjoyable.
Anna Lee (Lila Quartermaine on General Hospital) is pretty Jenny Carr, a young British actress in New York City with a flop play. So soon, she'll be on her way back to London. She meets a man who sees she's hungry and offers to buy her a meal.
That man is later murdered, and a bum is arrested. He is due to be executed in a matter of days. He says that an English girl knows he didn't do it, but no one can find her. She's already home. Once she sees a headline that she's being searched for, she realizes she has to get back to the US immediately. She and her mother find a plane that goes London to NY in 18 hours, and her mother pretends to be drowning while Jenny boards the plane.
Little does Jenny know but the real killers are out to stop her.
This plane is something to behold. It's a clipper, and apparently this type of plane did exist. Wish it still did. The inside is more like a train, with sleeping compartments, dining room, and one can step out onto a terrace like thing outside the plane. It also flies rather low. Totally amazing.
Francis L. Sullivan is excellent as the slimy gang head who wears different disguises in his quest to get rid of Jenny. Apparently - could this be true - he was 35 years old when he did this. If you'd told me he was 65 I would have believed you.
John Loder, who was married at one time to Hedy Lamarr, is the handsome investigator who really doesn't believe Jenny.
This film is available on youtube. Try and see it - it's very enjoyable.
In NYC, struggling actress Jennie Carr (Anna Lee) finds herself in the middle of a murder mystery, with her own life in imminent danger. After fleeing to London, and getting little help from Scotland Yard, Jennie stows away on the transatlantic mega-plane of the title.
The NON-STOP NEW YORK is a sort of luxury liner in the sky. It gets very interesting when both the killers and a Scotland Yard Inspector happen to be aboard for the flight.
Packed with intrigue, thrills, and humor, this movie deserves to be rediscovered...
The NON-STOP NEW YORK is a sort of luxury liner in the sky. It gets very interesting when both the killers and a Scotland Yard Inspector happen to be aboard for the flight.
Packed with intrigue, thrills, and humor, this movie deserves to be rediscovered...
English and American characters and accents mingle in this lively thriller about a murder witness on the run.
from and then back to New York.
Anna Lee is our heroine, a young English chorus girl; hungry and out of luck in New York and about to board ship for home, she is befriended by a young lawyer who invites her over for a meal. Once inside his apartment, however, the man is promptly murdered by a gang of thugs headed by big smoothy Francis L. Sullivan. Noting that Lee is "the only person alive who knows that we were in that apartment last night"—at least that's what he thinks at the time—Sullivan subtly trails her.
The action moves to London, where the gang attempts to prevent Lee from returning to New York, where the imminent execution of an innocent fall guy will close the case. Will Lee's character realize the situation? And will she be able to reach America in time to save the innocent man's life? –This is where the story takes off: when all of the major characters board a trans-Atlantic airplane that is easily the most memorable element of this movie.
The plane is like no other: ordinary airliner on the outside, on the inside it's more like an ocean liner—complete with staterooms instead of rows of seats. It's even got a sort of porch—an observation deck—for characters who care to step outside, mid-Atlantic Ocean, and get a breath of wind in the face.
Among the cast, Anna Lee is quite dashing as the girl with a brain and some courage. John Loder is fine as a handsome young police inspector who is drawn into the case and onto the plane; Loder and Lee don't have a whole lot of scenes together but share a cute scene on the observation deck.
Francis L. Sullivan is excellent as the boss gangster. With the looks of Sidney Greenstreet and a voice like George Sanders, he is indeed a memorable villain. Young Desmond Tester is also a lot of fun to watch—a violin prodigy traveling with a grumpy aunt, the kid is prone to snooping and illicit saxophone playing.
A nice variety of characters, a decent plot, and that fantastic airliner make this one a winner.
Anna Lee is our heroine, a young English chorus girl; hungry and out of luck in New York and about to board ship for home, she is befriended by a young lawyer who invites her over for a meal. Once inside his apartment, however, the man is promptly murdered by a gang of thugs headed by big smoothy Francis L. Sullivan. Noting that Lee is "the only person alive who knows that we were in that apartment last night"—at least that's what he thinks at the time—Sullivan subtly trails her.
The action moves to London, where the gang attempts to prevent Lee from returning to New York, where the imminent execution of an innocent fall guy will close the case. Will Lee's character realize the situation? And will she be able to reach America in time to save the innocent man's life? –This is where the story takes off: when all of the major characters board a trans-Atlantic airplane that is easily the most memorable element of this movie.
The plane is like no other: ordinary airliner on the outside, on the inside it's more like an ocean liner—complete with staterooms instead of rows of seats. It's even got a sort of porch—an observation deck—for characters who care to step outside, mid-Atlantic Ocean, and get a breath of wind in the face.
Among the cast, Anna Lee is quite dashing as the girl with a brain and some courage. John Loder is fine as a handsome young police inspector who is drawn into the case and onto the plane; Loder and Lee don't have a whole lot of scenes together but share a cute scene on the observation deck.
Francis L. Sullivan is excellent as the boss gangster. With the looks of Sidney Greenstreet and a voice like George Sanders, he is indeed a memorable villain. Young Desmond Tester is also a lot of fun to watch—a violin prodigy traveling with a grumpy aunt, the kid is prone to snooping and illicit saxophone playing.
A nice variety of characters, a decent plot, and that fantastic airliner make this one a winner.
I bought the video of Non-Stop New York on a whim when I saw it was about a double-decker airplane with an outside deck(!). However, the plane only comes into play during the last half of the film, and when it does, the design of it is so downplayed that we assume double-decker planes were mainstream travel in 1938. The plot involves a chorus girl trying to free an innocent man from death row while being pursued by the gangsters that did it. Yeah, we've all seen it before, but the plane, and the way the movie uses it, truly make this trip worth it.
In my opinion, if you stumbled across a film as esoteric as this in the IMDb and actually are taking the time to read about it, you'll enjoy it. This is what all those Airport movies wish they were.
In my opinion, if you stumbled across a film as esoteric as this in the IMDb and actually are taking the time to read about it, you'll enjoy it. This is what all those Airport movies wish they were.
I first heard of Non-stop New York while browsing, of all things, the Aurum Encyclopaedia of Science Fiction films. The only reason that this film was included in that book was because it is 'futuristic' by 3 years; it was made in 1937 while the main action takes place in 1940. One interesting point is that the filmmakers did not know that WW2 had started by then and so there is no mention of it.
For some reason, the film is very obscure, only 39 viewers (including me) having voted for it on IMDb at the time of this writing. But is a fast moving little thriller full of incisive British wit. The film is so quintessentially British that one cannot help but notice that even the 'Americans' are local actors wincing with their attempts at transatlantic accents. But for this one minor flaw, the film is thoroughly enjoyable with perfect casting and good, if lightweight performances. An added bonus, certainly from my own perspective, is that most of the action takes place on board a Transatlantic Clipper, one of those seaplanes that were so glamorous in the 1930s. A definite Collector's item and I am the proud owner of a good quality VHS tape.
For some reason, the film is very obscure, only 39 viewers (including me) having voted for it on IMDb at the time of this writing. But is a fast moving little thriller full of incisive British wit. The film is so quintessentially British that one cannot help but notice that even the 'Americans' are local actors wincing with their attempts at transatlantic accents. But for this one minor flaw, the film is thoroughly enjoyable with perfect casting and good, if lightweight performances. An added bonus, certainly from my own perspective, is that most of the action takes place on board a Transatlantic Clipper, one of those seaplanes that were so glamorous in the 1930s. A definite Collector's item and I am the proud owner of a good quality VHS tape.
क्या आपको पता है
- ट्रिविया(At around 30 mins) There is a reference to pounds and guineas. It may be helpful to all that "five guineas" meant, in 1937, five pounds plus five shillings (each guinea being a pound plus one shilling). Thus, the negotiations in that scene in the film were concluded with: "Five pounds" and "five bob for the missus." (A "bob" was the nickname for a shilling) A witty comment it was, in context, notwithstanding that the concept of "the missus" is rather outdated nowadays! Pre-decimal currency remains complicated, even in the UK, in retrospect.
- भाव
Jennie Carr: As a matter of fact I could eat a horse!
Billy Cooper: By the look of this place you probably will!
- साउंडट्रैकAtlantic Love Call
Performed by Desmond Tester
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Dramat på flygexpressen
- फ़िल्माने की जगहें
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि1 घंटा 9 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.37 : 1
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