अपनी भाषा में प्लॉट जोड़ेंTwo men stumble into an old mansion, and get involved with a crazed scientist, torture chambers and sinister medical experiments.Two men stumble into an old mansion, and get involved with a crazed scientist, torture chambers and sinister medical experiments.Two men stumble into an old mansion, and get involved with a crazed scientist, torture chambers and sinister medical experiments.
Rita Carlyle
- Mrs. Shippam
- (बिना क्रेडिट के)
Ramsay Hill
- Police Inspector
- (बिना क्रेडिट के)
Olaf Hytten
- Wilson
- (बिना क्रेडिट के)
Richard Lancaster
- English Constable
- (बिना क्रेडिट के)
Edgar Norton
- Mr. Henry Shippam
- (बिना क्रेडिट के)
Tom Ricketts
- Peters
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Although not perfect, this is a film that cheats its audience in order to have a proper running time, this is still a good film. The basic plot has a man from America going to England because he has inherited a house. Amazingly when he gets there, he finds that there are people there already who threaten him and run him off. With the help of a friend who is a well known detective he tries to get to the bottom of it all and falls in love in the process.
This is a very good old dark house story, or would be if the film were really set in the house. Much of the movie is involved in getting into the house and in wooing the girl.
As I mentioned earlier this is also a movie that can be frustrating since several times characters are about to talk about whats going on when the movie fades to black or cuts to the next scene. Its annoying, for some fatally so, for me I just shrugged and went with it. There is no reason for the fades , other than to annoy the audience since in all but one instance and earlier fade out would have been less maddening.
Should you run across this on late night TV give it a shot. Its a nice way to spend an hour.
This is a very good old dark house story, or would be if the film were really set in the house. Much of the movie is involved in getting into the house and in wooing the girl.
As I mentioned earlier this is also a movie that can be frustrating since several times characters are about to talk about whats going on when the movie fades to black or cuts to the next scene. Its annoying, for some fatally so, for me I just shrugged and went with it. There is no reason for the fades , other than to annoy the audience since in all but one instance and earlier fade out would have been less maddening.
Should you run across this on late night TV give it a shot. Its a nice way to spend an hour.
Based on one of the stories by Sydney Horler, this one takes a while to get going. Twelve minutes in, and we finally figure out what's going on.... there's something shady going on at this estate, and the rightful owner is run off "his own property", according to him, Barry Wilding (Leslie Fenton). He bumps into Julie (Muriel Evans), who warns Barry against confronting the squatters at the estate. All so mysterious. The only name I recognize in here is Sidney Blackmer, who had appeared in so many films. so just WHAT is going on at that estate? the rightful owner is SO patient.... letting people live there, and do whatever the heck they are doing! meh. skip this one. who cares. showing on moonlight movies channel. yawn....
"House of Secrets" was a second feature when it came out before World War II. Directed by Roland D. Reed, whose major career in film was as an editor and a producer, this is a mystery with many unnecessarily improbable twists Good acting and occasional crisp dialog make the movie enjoyable.
Leslie Fenton, who made a lot of forgettable and forgotten flicks, is Barry, an American who on the channel ferry to Dover rescues very pretty Julie, Muriel Evans, from the clutches of a cad. A violent one at that. Instantly smitten, he defers returning to the states so as to find Julie in London. Despite being rescued by this gallant, she refused to give him her name, address or measurements.
Fortuitously, Barry is called to a solicitor's office where he is told that an unknown and eccentric uncle bequeathed an ancient manor house to him. But on arriving to take possession he's driven off by dogs, the butler and a gun-wielding older guy. Coincidence of coincidences, Julie is residing at this manor. Only happens in the movies.
What follows is a combination of typical thirties crime genre topped by a mysterious house, possible mad doctor caper. Always the gentleman, Barry pursues Julie who endlessly tells him to stay away from HIS house. Scotland Yard and even the Home Secretary is entangled in the story as Barry remains passionately persistent in trying to see Julie at HIS house from which he's repeatedly barred.
Not the most convincing of plots but some nice lines - including a back and forth between Barry and his solicitor as they attempt to translate Anglo-American slang for each other to facilitate understanding.
Yep, it's a "B+." Alpha has this super bargain DVD out as part of its very large release of old, pre-war flicks (I paid $4.99).
So try and catch it.
6/10.
Leslie Fenton, who made a lot of forgettable and forgotten flicks, is Barry, an American who on the channel ferry to Dover rescues very pretty Julie, Muriel Evans, from the clutches of a cad. A violent one at that. Instantly smitten, he defers returning to the states so as to find Julie in London. Despite being rescued by this gallant, she refused to give him her name, address or measurements.
Fortuitously, Barry is called to a solicitor's office where he is told that an unknown and eccentric uncle bequeathed an ancient manor house to him. But on arriving to take possession he's driven off by dogs, the butler and a gun-wielding older guy. Coincidence of coincidences, Julie is residing at this manor. Only happens in the movies.
What follows is a combination of typical thirties crime genre topped by a mysterious house, possible mad doctor caper. Always the gentleman, Barry pursues Julie who endlessly tells him to stay away from HIS house. Scotland Yard and even the Home Secretary is entangled in the story as Barry remains passionately persistent in trying to see Julie at HIS house from which he's repeatedly barred.
Not the most convincing of plots but some nice lines - including a back and forth between Barry and his solicitor as they attempt to translate Anglo-American slang for each other to facilitate understanding.
Yep, it's a "B+." Alpha has this super bargain DVD out as part of its very large release of old, pre-war flicks (I paid $4.99).
So try and catch it.
6/10.
Sailing from the United States to London, chivalrous Leslie Fenton (as Barry Wilding) saves pretty Muriel Evans (as Julie Kenmore) from the advances of brutish Matty Kemp. The lady is grateful, but rejects Mr. Fenton's more mannered advances. After debarking, Fenton learns he has inherited a deceased uncle's estate. But, when he visits his mansion, Fenton is chased off the property, by interloping inhabitants. Surprisingly, Ms. Evans (the woman he saved on the ship) is among the uninvited tenants. During the running time, you go from wondering what's happening in "The House of Secrets", to indifference. Fenton and a good cast, including pal Sidney Blackmer (as Tom Starr), try to keep it simmering.
**** The House of Secrets (10/28/36) Roland D. Reed ~ Leslie Fenton, Muriel Evans, Sidney Blackmer
**** The House of Secrets (10/28/36) Roland D. Reed ~ Leslie Fenton, Muriel Evans, Sidney Blackmer
An American, who has inherited a stately British house, travels to the UK to take ownership of his new estate. What he finds though, are a group of shady individuals living in it, who are seemingly up to no good. Our hero then tries to get to the bottom of this mysterious situation.
House of Secrets is another in the seemingly endless cycle of 30's mystery films. I found it all-in-all to be one of the more enjoyable ones, as there are quite a few plot threads going on, so the film never drags. When it comes to old creaky Poverty Row movies you do have to keep your expectations in check, as these old flicks do have definite limitations. This one does have many of the deficits of these pictures – flat dialogue, a lack of suspense and a ridiculous plot – but it at least tries to keep us entertained throughout with plenty of characters and plot avenues. So overall, as these films go, this one's not too bad at all.
House of Secrets is another in the seemingly endless cycle of 30's mystery films. I found it all-in-all to be one of the more enjoyable ones, as there are quite a few plot threads going on, so the film never drags. When it comes to old creaky Poverty Row movies you do have to keep your expectations in check, as these old flicks do have definite limitations. This one does have many of the deficits of these pictures – flat dialogue, a lack of suspense and a ridiculous plot – but it at least tries to keep us entertained throughout with plenty of characters and plot avenues. So overall, as these films go, this one's not too bad at all.
क्या आपको पता है
- ट्रिवियाThe earliest documented telecast of this film took place in New York City 11/13/48 on WATV (Channel 13). It first aired in Cincinnati 11/10/49 on WKRC (Channel 11).
- भाव
Dan Wharton: That dick can see with his ears and with the back of his head.
- कनेक्शनRemake of The House of Secrets (1929)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The House of Secrets?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- House of Secrets
- फ़िल्माने की जगहें
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि
- 1 घं 10 मि(70 min)
- रंग
- पक्ष अनुपात
- 1.37 : 1
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