अपनी भाषा में प्लॉट जोड़ेंJudge Hardy navigates work pressures from town elites seeking his removal, relationship issues involving his daughters Joan and Marion, and son Andy's interest in Polly Benedict, offering gu... सभी पढ़ेंJudge Hardy navigates work pressures from town elites seeking his removal, relationship issues involving his daughters Joan and Marion, and son Andy's interest in Polly Benedict, offering guidance amid family conflicts with composure.Judge Hardy navigates work pressures from town elites seeking his removal, relationship issues involving his daughters Joan and Marion, and son Andy's interest in Polly Benedict, offering guidance amid family conflicts with composure.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- कुल 1 जीत
Erville Alderson
- Dave
- (बिना क्रेडिट के)
King Baggot
- Convention Delegate
- (बिना क्रेडिट के)
Don Barclay
- Drunk in Car
- (बिना क्रेडिट के)
Barbara Bedford
- Minor Role
- (बिना क्रेडिट के)
Joe Caits
- Convention Delegate
- (बिना क्रेडिट के)
Stephen Carr
- Convention Delegate
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Family Affair, A (1937)
** 1/2 (out of 4)
The first film in the Andy Hardy series is actually a lot more different in tone, subject matter as well as cast members than the later films. Here we have Lionel Barrymore playing Judge Hardy who must fight off some higher ranked members of the city who want to blackmail him into approving a plant coming to town. They plan on using a scandal involving his daughter (Julie Haydon) while his other daughter (Cecilia Parker) strikes up a relationship with a new man. It's nearly impossible to watch this film without comparing it to future entries. Not only does Barrymore get the main role but we have Spring Byington playing Emily Hardy and of course in future films we only have one daughter. I think Barrymore is pretty good in the role, although I will add that I prefer Lewis Stone. I think Stone did a better job at making a character as Barrymore is pretty much just playing his usual, tough self here. I was a little surprised at the subject matter as we get a lot of talk about scandal and even a brief mention of suicide. What's really surprising, and in a way kills the film, is that the small town flavor just doesn't ring through because the city is full of some mean people who will scoop pretty low in terms of blackmail and various other ugly things. This ugly nature pretty much kills what the series was trying to be like and in many ways I think it's safe to call this a standalone film and pretend that the real Andy Hardy series started with the next entry. As I said, Barrymore isn't too bad but the rest of the cast are clearly trying to find what they want to do with the characters. I wasn't overly thrilled with Haydon who is a bit too wooden for me. Mickey Rooney makes his first appearance here as Andy but really doesn't have much to do. Sara Haden is also here as Aunt Milly but she too is pretty much in the background. This certainly isn't a bad film but in the end it's not that all memorable and in the end I think the series was much better off with the changes it would eventually make.
** 1/2 (out of 4)
The first film in the Andy Hardy series is actually a lot more different in tone, subject matter as well as cast members than the later films. Here we have Lionel Barrymore playing Judge Hardy who must fight off some higher ranked members of the city who want to blackmail him into approving a plant coming to town. They plan on using a scandal involving his daughter (Julie Haydon) while his other daughter (Cecilia Parker) strikes up a relationship with a new man. It's nearly impossible to watch this film without comparing it to future entries. Not only does Barrymore get the main role but we have Spring Byington playing Emily Hardy and of course in future films we only have one daughter. I think Barrymore is pretty good in the role, although I will add that I prefer Lewis Stone. I think Stone did a better job at making a character as Barrymore is pretty much just playing his usual, tough self here. I was a little surprised at the subject matter as we get a lot of talk about scandal and even a brief mention of suicide. What's really surprising, and in a way kills the film, is that the small town flavor just doesn't ring through because the city is full of some mean people who will scoop pretty low in terms of blackmail and various other ugly things. This ugly nature pretty much kills what the series was trying to be like and in many ways I think it's safe to call this a standalone film and pretend that the real Andy Hardy series started with the next entry. As I said, Barrymore isn't too bad but the rest of the cast are clearly trying to find what they want to do with the characters. I wasn't overly thrilled with Haydon who is a bit too wooden for me. Mickey Rooney makes his first appearance here as Andy but really doesn't have much to do. Sara Haden is also here as Aunt Milly but she too is pretty much in the background. This certainly isn't a bad film but in the end it's not that all memorable and in the end I think the series was much better off with the changes it would eventually make.
This is a excellent start to the film career of Mickey Rooney. His talents here shows that a long career is ahead for him. The car and truck chase is exciting for the 1937 era. This start of the Andy Hardy series is an American treasure in my book. Spring Byington performance is excellent as usual. Please Mr Rooney or owners of the film rights, take a chance and get this produced on DVD. I think it would be a winner.
This was a charming movie which I unfortunately tuned into half way through, shown on Turner Classic Movies in the wee hours on May 19, 2004. I'll look for it again and tape it. I was surprised to see Lionel Barrymore as Judge Hardy. Very creditable performance. Probably he wasn't used again in the resultant series because of his ill health, but I'm just guessing. It was indeed a treat to see pre-December Bride Spring Byngton (how many of you readers can name her co-stars in that sit com?). And who can name the Western series she was featured in some 40 years ago? I digress. Turner has just started Judge Hardy's Children with Lewis Stone taking his rightful place as Judge Hardy. It's 4:32 am and I think I'm hooked on the students of Carvel High. Check out A Family Affair, you'll like it. Ted Turner must own the rights, so how about an Andy Hardy DVD box?
This is the first of the Hardy Family series of movies. The formula for that series is well known and a part of film lore. This film helps establish some of the values that made America fall in love with The Hardy's, but there are differences in this film that set it apart.
The actors who portray the Hardy's are not all the same. Mickey Rooney, who later became the focus of the family by dint of his energetic and lovable performances, is here. But Judge Hardy and his wife are played by Lionel Barrymore and Spring Byington. It would be easy to prefer the actors who carried on these roles in the later episodes, but Barrymore plays the judge with an energy that is suited for this story (see the scene where he physically throws a man out of his chambers) and Byington, in a subordinate role, really displays the love of a mother and wife (note her reaction when her eldest daughter reveals the path her marriage has taken).
It is true that the Andy Hardy movies are anchored in the values that middle America sees as sacrosanct: good citizenship, democracy, the primacy of the family, a religious outlook. This film establishes those values, but if one looks closer, it is easy to see (in this film) how flimsy those values may be. In even a more dramatic way than Inge's Picnic demonstrates, A Family Affair reveals how shallow people and society may be.
Good citizenship may be an established basis for societies and their governments, but the political process is depicted in this film as run by a corrupt political machine designed to profit ruthless men who care only about their own wealth. Judge Hardy is an exception--an educated man who is willing to suffer scorn in the name of duty and the concept of justice.
Religious values may be advertised as charitable and forgiving, but this film shows that the measure of a town's morals is not how many churches dot the landscape or how many Bible verses are read. In a small town where a man's reputation is his measure and agreements are made on the basis of handshakes, we see that many delight in ruining reputations and that the mob mentality prevails when times get tough.
Democracy might be touted as the cornerstone of American governmental process, but the rule of the majority is nothing more than mob rule. Government's true rule is to protect the rights of those in the minority also.
In the end, it is strength of the Hardy family unit--personified by Judge Hardy--that pulls the family through the crises of its individuals and its external stresses. When Judge Hardy strides into the convention and Andy yells "Give it to them with both barrels, Dad," he has no inkling what his father intends. He displays a fundamental faith in his father and the principles he stands for. His father beams in response, because it is that trust he most cherishes, knowing it binds the family and protects them against any threats.
The primacy of the family is a theme that runs through all of the Hardy Family films and it is one of the reasons this series was so popular.
A Family Affair is well worth seeing, both because it is the first in a series and because it stands apart from the others. There is even a great chase scene. Such action was not used in the later Hardy Family films, which focused entirely on personal interactions.
The actors who portray the Hardy's are not all the same. Mickey Rooney, who later became the focus of the family by dint of his energetic and lovable performances, is here. But Judge Hardy and his wife are played by Lionel Barrymore and Spring Byington. It would be easy to prefer the actors who carried on these roles in the later episodes, but Barrymore plays the judge with an energy that is suited for this story (see the scene where he physically throws a man out of his chambers) and Byington, in a subordinate role, really displays the love of a mother and wife (note her reaction when her eldest daughter reveals the path her marriage has taken).
It is true that the Andy Hardy movies are anchored in the values that middle America sees as sacrosanct: good citizenship, democracy, the primacy of the family, a religious outlook. This film establishes those values, but if one looks closer, it is easy to see (in this film) how flimsy those values may be. In even a more dramatic way than Inge's Picnic demonstrates, A Family Affair reveals how shallow people and society may be.
Good citizenship may be an established basis for societies and their governments, but the political process is depicted in this film as run by a corrupt political machine designed to profit ruthless men who care only about their own wealth. Judge Hardy is an exception--an educated man who is willing to suffer scorn in the name of duty and the concept of justice.
Religious values may be advertised as charitable and forgiving, but this film shows that the measure of a town's morals is not how many churches dot the landscape or how many Bible verses are read. In a small town where a man's reputation is his measure and agreements are made on the basis of handshakes, we see that many delight in ruining reputations and that the mob mentality prevails when times get tough.
Democracy might be touted as the cornerstone of American governmental process, but the rule of the majority is nothing more than mob rule. Government's true rule is to protect the rights of those in the minority also.
In the end, it is strength of the Hardy family unit--personified by Judge Hardy--that pulls the family through the crises of its individuals and its external stresses. When Judge Hardy strides into the convention and Andy yells "Give it to them with both barrels, Dad," he has no inkling what his father intends. He displays a fundamental faith in his father and the principles he stands for. His father beams in response, because it is that trust he most cherishes, knowing it binds the family and protects them against any threats.
The primacy of the family is a theme that runs through all of the Hardy Family films and it is one of the reasons this series was so popular.
A Family Affair is well worth seeing, both because it is the first in a series and because it stands apart from the others. There is even a great chase scene. Such action was not used in the later Hardy Family films, which focused entirely on personal interactions.
First in the wonderful Andy Hardy series from MGM. For those who don't know, this series was as wholesome and American as apple pie. It draws snickers and insults from the "too cool for school" crowd but don't let that put you off of trying these fine films. They were quality dramas with dashes of comedy and lots of heart. The plot to this one has Judge Hardy (Lionel Barrymore) ticking off some businessmen and local politicians over a land deal. So the big shots, including former friends of the judge, band together to try to stop his re-election. There's also a subplot involving the judge's eldest daughter's troubled marriage that intersects with the judge's problems. Meanwhile, son Andy (Mickey Rooney) has the first of many girl problems in this series.
This is the only entry to feature sister Joan. Not sure why she was dropped but the series isn't hurt by it. The roles of Judge Hardy and his wife would be recast in the next film with Lewis Stone and Fay Holden, who would play the roles for the remainder of the series. Once you see them in the parts it will be hard to imagine that anybody else could do the roles justice. Also Mickey Rooney's Andy would become the star of the later films, whereas in the early films (such as this) Judge Hardy is clearly the star. It's a fantastic series that gets its start here in this somewhat atypical but still high quality movie.
This is the only entry to feature sister Joan. Not sure why she was dropped but the series isn't hurt by it. The roles of Judge Hardy and his wife would be recast in the next film with Lewis Stone and Fay Holden, who would play the roles for the remainder of the series. Once you see them in the parts it will be hard to imagine that anybody else could do the roles justice. Also Mickey Rooney's Andy would become the star of the later films, whereas in the early films (such as this) Judge Hardy is clearly the star. It's a fantastic series that gets its start here in this somewhat atypical but still high quality movie.
क्या आपको पता है
- ट्रिवियाThis is the first of 16 Andy Hardy films starring Mickey Rooney, but the only one to feature Lionel Barrymore as Judge Hardy; Barrymore had to withdraw from the series because of mobility issues which confined him to a wheelchair for most of the remainder of his film career..
- गूफ़When Marion and Wayne are riding in the car, they come out of a left hand turn. When the steering wheel returns to center it continues to turn left as the car drives straight.
- कनेक्शनFollowed by You're Only Young Once (1937)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- I Stand Accused
- फ़िल्माने की जगहें
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $1,90,000(अनुमानित)
- चलने की अवधि
- 1 घं 9 मि(69 min)
- रंग
- पक्ष अनुपात
- 1.37 : 1
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