अपनी भाषा में प्लॉट जोड़ेंAfter rival reporters, jealous of Torchy's success, conspire to fake the murder of an actor in order to embarrass her, he ends up being strangled.After rival reporters, jealous of Torchy's success, conspire to fake the murder of an actor in order to embarrass her, he ends up being strangled.After rival reporters, jealous of Torchy's success, conspire to fake the murder of an actor in order to embarrass her, he ends up being strangled.
- निर्देशक
- लेखक
- स्टार
Charles C. Wilson
- Mortimer Gray
- (as Charles Wilson)
Leyland Hodgson
- Harvey Hammond
- (as Leland Hodgson)
Jimmy Conlin
- Dr. Bolger
- (as James Conlon)
James Adamson
- Porter
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Glenda farrell is torchy blane, on a train, heading east to get married. Co-stars the usual barton maclane and tom kennedy. It's a battle of newspapers, and the other reporters want to put torchy in her place. So they stage a fake murder. Which turns out not to be fake. Will she ever get married? Some funny lines. Fast action. Well done who-dunnit, wrapped up in sixty one minutes. We were still pretty happy go lucky, between the two wars. I really liked the energy of this one... not a minute wasted. It really moved along. Fun stuff. Directed by frank mcdonald; he made six films with farrell. Torchy blane character by writer fred nebel.
The whodunit part is fairly complicated involving a newspaper rivalry, a faked murder that turns real, along with Torchy and her cop buddy trying to stay out of trouble. Logic-wise, the plot's more than the usual stretch.
I haven't seen other entries in the Blaine series so I can't compare. This programmer, however, carries the earmarks of 30's style WB—fast paced, lots of street-wise mugs, few lengthy talk scenes, and a sassy blonde. Torchy (Farrell) is a cannily aggressive reporter who pairs up with cop Steve (Mac Lane) to scoop rival reporters. Note how, in one scene, she even takes over Steve's seat at the station house. There's some typical lowbrow humor from the likes of Tom Kennedy who specialized in such roles. And catch tough guy Mac Lane in what's almost a leading man role, certainly a departure for him. Likely a handsomer Lawler (Hugo) was added to compensate in the looks department. I guess I missed Perry Mason's William Hopper who's in the credits, but short on screen time.
Anyway, the programmer's okay as a time passer, especially if you keep a note pad to keep up with the plot, but otherwise it's nothing special.
(In passing—Over the years, I've surmised that whenever viewers see a city street closed off at one end by a cross street, that means it's a back lot set, as is the case here.)
I haven't seen other entries in the Blaine series so I can't compare. This programmer, however, carries the earmarks of 30's style WB—fast paced, lots of street-wise mugs, few lengthy talk scenes, and a sassy blonde. Torchy (Farrell) is a cannily aggressive reporter who pairs up with cop Steve (Mac Lane) to scoop rival reporters. Note how, in one scene, she even takes over Steve's seat at the station house. There's some typical lowbrow humor from the likes of Tom Kennedy who specialized in such roles. And catch tough guy Mac Lane in what's almost a leading man role, certainly a departure for him. Likely a handsomer Lawler (Hugo) was added to compensate in the looks department. I guess I missed Perry Mason's William Hopper who's in the credits, but short on screen time.
Anyway, the programmer's okay as a time passer, especially if you keep a note pad to keep up with the plot, but otherwise it's nothing special.
(In passing—Over the years, I've surmised that whenever viewers see a city street closed off at one end by a cross street, that means it's a back lot set, as is the case here.)
Torchy and Steve just might get married this time around: they've got the license and the minister and are meeting at the station. But wait—the boys from the rival paper hatch a plan: they stage a phony murder, arrange for Steve to be called in to investigate, and hire an actor to play the corpse.
—Heavy on the comedy so far, but when the "corpse" is really murdered, the plot thickens into a somewhat convoluted but very funny comedy-mystery, the third film in the Torchy Blane series (and third of the same year!).
Barton McLane is fine in his third go-round as Steve McBride, serious-minded police detective; gruff but loyal and tenacious, Lieutenant McBride seems to be getting smarter and more appealing as the series progresses.
Glenda Farrell is just great as reporter Torchy Blane, once again mixed up in a murder investigation once again scooping her rival reporters and once again staying approximately one step of Steve in a case that sorely interferes with their wedding plans.
Tom Kennedy is also back as Officer Gahagan, composing poetry in his spare moments and hopefully asking, "Siren and all?" every time McBride orders him to drive somewhere in a hurry.
It's an unsettled first fifteen minutes; that phony murder plot really makes little sense. Once the real plot starts rolling, however—and once Torchy is on the case—this picture is great fun and moves at a terrific pace.
The supporting cast is steady if unspectacular; the plot itself is rather complicated at times, partly because Farrell talks so fast. Luckily, the appealing main characters, and a script that gives them some good moments together, do keep things zipping right along, whether they're talking murder or marriage:
Steve: "I never know what you're gonna do next." Torchy: "You wait'll we're married."
Exceedingly light but delicious.
—Heavy on the comedy so far, but when the "corpse" is really murdered, the plot thickens into a somewhat convoluted but very funny comedy-mystery, the third film in the Torchy Blane series (and third of the same year!).
Barton McLane is fine in his third go-round as Steve McBride, serious-minded police detective; gruff but loyal and tenacious, Lieutenant McBride seems to be getting smarter and more appealing as the series progresses.
Glenda Farrell is just great as reporter Torchy Blane, once again mixed up in a murder investigation once again scooping her rival reporters and once again staying approximately one step of Steve in a case that sorely interferes with their wedding plans.
Tom Kennedy is also back as Officer Gahagan, composing poetry in his spare moments and hopefully asking, "Siren and all?" every time McBride orders him to drive somewhere in a hurry.
It's an unsettled first fifteen minutes; that phony murder plot really makes little sense. Once the real plot starts rolling, however—and once Torchy is on the case—this picture is great fun and moves at a terrific pace.
The supporting cast is steady if unspectacular; the plot itself is rather complicated at times, partly because Farrell talks so fast. Luckily, the appealing main characters, and a script that gives them some good moments together, do keep things zipping right along, whether they're talking murder or marriage:
Steve: "I never know what you're gonna do next." Torchy: "You wait'll we're married."
Exceedingly light but delicious.
This is the Poverty Row take on films like The Front Page/His Girl Friday, one of a series with perky Glenda Farrell playing a reporter called Torchy Blane. In this one she gets herself involved in the solving of a murder mystery: who strangled the matinée idol? Like The Front Page, there's a running gag about a postponed wedding. There are several nifty one-liners, too, and actors run in and out of scenes so fast that it's easy to forgive the implausibility of the plot, and to forget that this is all talk. It's nice to see Barton MacLane in a lead role for a change, and the supporting cast, especially character actors such as Frank Shannon, Jimmy Conlin, George Guhl and Houseley Stevenson, are worth the price of admission alone. Hardly a comedy masterpiece but there are worse ways to while away an hour. This is the second in the Torchy Blane series.
Barton MacLane, William Hopper and George E. Stone all appeared in TV's Perry Mason. Hopper as a main character PI Paul Drake, Stone as the court reporter in many episodes and MacLane as a guest star.
क्या आपको पता है
- ट्रिवियाThe plane at the end of the film is an American Airlines Douglas DC-3-A made in 1937, registration NC17336, named "Flagship Boston". It flew for AA from 1937 to 1948. It was last registered with the FAA in 1976 and its certificate was canceled in 2013.
- गूफ़When McBride tells the dead actor to get up from the floor (after he finds out about the hoax that turns out to be real), the dead man moves slightly.
- भाव
Lieutenant Steve 'Stevie' MacBride: [Exasperated] I never know what you're gonna do next.
Torchy Blane: Wait'll we get married!
- कनेक्शनFeatured in Inside the Dream Factory (1995)
- साउंडट्रैकHappy Birthday to You
(1893)
Written by Mildred J. Hill and Patty S. Hill
Sung a cappella by the reporters with the modified lyrics, "Happy Marriage to You"
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Loura do Outro Mundo
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि
- 1 घं 1 मि(61 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.37 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें