अपनी भाषा में प्लॉट जोड़ेंAn incompetent solicitor unwittingly becomes party to a bank robbery.An incompetent solicitor unwittingly becomes party to a bank robbery.An incompetent solicitor unwittingly becomes party to a bank robbery.
Harry Adnes
- The Pawnbroker
- (बिना क्रेडिट के)
Gordon Begg
- Aldrich, The Butler
- (बिना क्रेडिट के)
Mickey Brantford
- Jimmy Burbank
- (बिना क्रेडिट के)
Pam Downing
- Lady Smoking at Table
- (बिना क्रेडिट के)
Lilli Palmer
- Undetermined
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Penniless solicitor Benjamin Stubbins takes on a job from a group of Americans who say that they want to track down their ancestors from Scotland. In reality they want to rob the bank below his office but soon Stubbins realises his mistake and tries to thwart their getaway.
A vehicle for Will Hay in which, typically, he plays a bungling character. The humour is patchy, and the best scenes are those early on in the interplay with his office boy, played by Graham Moffat, but there's enough laughs to make it worthwhile. Hay fans will enjoy.
A vehicle for Will Hay in which, typically, he plays a bungling character. The humour is patchy, and the best scenes are those early on in the interplay with his office boy, played by Graham Moffat, but there's enough laughs to make it worthwhile. Hay fans will enjoy.
After a slow start, this builds up into the perfect comedy heist movie. Although no longer a school teacher, Will Hay is the same unpleasant but somehow loveable silly old git. It's not to OH MR PORTER standards but is still one of his best.
Compared with his first Gainsborough picture, BOYS WILL BE BOYS, in terms of plot, humour and production standards, this it at a noticeably higher level. It's not just a display of Will Hay's tried and trusted old music hall act, this is a proper film - an American crime caper! The Americans in the cast fit seamlessly into this making it seem both typically English and also American. Maybe having an American director helped? Director William Beaudine wasn't just contracted to make this, he was actually involved in its writing so being completely on board with this project from its inception ensures a lovingly well made picture.
Only the genius of Will Hay could make such an unpleasant, selfish and incompetent character a hero. He's horrible to his colleagues, he's lazy and corrupt but from the first moment he's on screen we're rooting for him. Why we find him so likeable makes no sense, it just does.
Compared with his first Gainsborough picture, BOYS WILL BE BOYS, in terms of plot, humour and production standards, this it at a noticeably higher level. It's not just a display of Will Hay's tried and trusted old music hall act, this is a proper film - an American crime caper! The Americans in the cast fit seamlessly into this making it seem both typically English and also American. Maybe having an American director helped? Director William Beaudine wasn't just contracted to make this, he was actually involved in its writing so being completely on board with this project from its inception ensures a lovingly well made picture.
Only the genius of Will Hay could make such an unpleasant, selfish and incompetent character a hero. He's horrible to his colleagues, he's lazy and corrupt but from the first moment he's on screen we're rooting for him. Why we find him so likeable makes no sense, it just does.
Director William Beaudine has over 300 credits,including Will Hays first film Dandy Dick.The problem with this script was the including of American gangsters,partly Hays fault as a co writer
There are some funny scenes such as those with Graham Moffatt.
5sol-
Will Hay's funniest films were generally written by Marriott Edgar and Val Guest, with Marcel Varnel in the director's chair. Working with William Beaudine as director and a different team of writers, it is perhaps not surprising that this is not one of Will Hay's better films. There are some funny moments to be had, whenever young Graham Moffatt is on screen in particular, but in general little imagination can be seen in both the screenplay and Beaudine's vision of the material.
Nearly half an hour passes before the crime plot at the centre of the film starts to develop, with nothing but jokes to sustain it for the first third of its duration. The film not only progresses slowly because of this, it also has no real atmosphere either. The characters are all stereotypes too: the clever and dumb criminals, the altruistic daughter, the disapproving family members, although given a couple of exceptions for Moffatt's office boy and Martin, the easily drunken butler.
What the film does do very well is jokes that rely on how scenes are cut together in order for them to work. For example, one character says "I wonder what is holding him up", which is followed by a shot in another scene of the man she was talking about literally held up by some rope or cloth. It is hardly a poor film, although the coincident reliance plot is nothing to boast about. It is an amusing one and a half hours, but nothing hysterically funny, nor anything thought provoking or particularly clever.
Nearly half an hour passes before the crime plot at the centre of the film starts to develop, with nothing but jokes to sustain it for the first third of its duration. The film not only progresses slowly because of this, it also has no real atmosphere either. The characters are all stereotypes too: the clever and dumb criminals, the altruistic daughter, the disapproving family members, although given a couple of exceptions for Moffatt's office boy and Martin, the easily drunken butler.
What the film does do very well is jokes that rely on how scenes are cut together in order for them to work. For example, one character says "I wonder what is holding him up", which is followed by a shot in another scene of the man she was talking about literally held up by some rope or cloth. It is hardly a poor film, although the coincident reliance plot is nothing to boast about. It is an amusing one and a half hours, but nothing hysterically funny, nor anything thought provoking or particularly clever.
"Where There's a Will" mightn't go down as one of Will Hay's best films but he maintained my interest throughout. The material is rather inconsistent and the direction sluggish. Marcel Varnel would have been far better a choice.
The scene with Hay and the butler getting drunk is very well done and the film does build to a good climax. Graham Moffatt has nothing to do, no point in him being included. Luckily, this would all change for the better before long.
I'm not sure why there were American actors cast for the film, the people of the United States wouldn't understand Will Hay's humor as it's distinctly British.
क्या आपको पता है
- ट्रिवियाThis is the first of six films in which Graham Moffatt appeared with Hay.
- भाव
Benjamin Stubbins: A merry Christmas, girls and boys / I've brought you jewels, instead of toys / In spite of what you think / it seems to me I've earned a drink.
- साउंडट्रैकGood Kong Wenceslas
(uncredited)
Traditional
Sung by the police carollers
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- चलने की अवधि1 घंटा 20 मिनट
- रंग
- पक्ष अनुपात
- 1.37 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें