लुई पाश्चर की कहानी

What a pleasure to see a film so unabashedly idealistic! The film's emotional ending (a well-deserved and long-overdue tribute to Pasteur's work by his collegues) centers on a closing speech by Pasteur (Paul Muni) in which he explains, simply and with passion, that making a contribution to the wellbeing of mankind is the most important work of all.

Pasteur's discovery of the role of bacteria in spreading disease seems self-evident now, but he faced years of ridicule and isolation before his findings were accepted and played their part in transforming our world.

This film is a vaccine against the cynical, self-referential, "in it for me (and maybe my small circle of friends)" films of the recent decades. See it and feel good about being human.

In 19th century France, a ridiculed chemist branching out into medicine is called a charlatan by Europe's most prestigious doctors, even after he finds a vaccine for anthrax in sheep; next, he tackles hydrophobia in dogs, then humans. Medical history, compressed and simplified for the sake of popular entertainment, but no less rewarding for it. Paul Muni gives an impressive, Oscar-winning performance as Louis Pasteur, so fiercely dedicated to his findings and the results they receive, he drives himself to a partial stroke. One might think Pasteur as a family man might be difficult to live with, yet his loved ones merely beam and glow with pride, as does the opposition (seen as ego-fed and pig-headed) once Pasteur's experiments pay off. It's an awfully brief biography at just 85 minutes, yet it certainly has charm and moments of solid drama. **1/2 from ****

Enjoyable biopic about the famous chemist Louis Pasteur, played by Paul Muni. It doesn't focus on all of the man's life and achievements. But it tries to cover some of the highlights, including his fight against anthrax and rabies. Muni does a great job. He's backed up by solid actors like Donald Woods, Henry O'Neill, Fritz Leiber, and Halliwell Hobbes, as well as the lovely Anita Louise and Josephine Hutchinson. It's a well-written and directed film. There are liberties taken with the facts but this is a movie not a history book. As with the best of Hollywood's great old biopics, its focus is to tell the inspirational story of a historical figure in an entertaining way. It does just that. Fans of Paul Muni and fans of old school Hollywood biopics will love it.

Story of Louis Pasteur, The (1935)

*** (out of 4)

Bio pic of chemist Louis Pasteur (Paul Muni) who found a cure for the black plague but was then blacklisted when he made the claim that childhood fever was caused when doctors didn't wash their hands before delivering babies. This is a pretty strong film from start to finish that features a terrific performance by Muni who rightfully deserved his Best Actor Oscar. I was really shocked at how well Muni was here because I was a little skeptical going in. God knows he's given countless great performances throughout his career but I was shocked at how well he play Pasteur who of course used his brains more than his muscles or mouth like many of Muni's other roles. There's not a single second where Muni comes off as himself but the entire film he gives the performance that we think we're actually watching Pasteur work. The supporting cast is also very good with Josephine Hutchinson, Anita Louise and Donald Woods all turning in good work.

... Both star Paul Muni in a historical biopic, the location is France, he's on the side of right but the French establishment - in this case the medical establishment - opposes him, he withdraws to a remote location at one point to escape persecution and even prosecution, and there are some tense situations where he could be facing a long prison term for putting his work into action.

This is not to say that the biopic is not worthwhile, and as far as the scientific facts go, it is pretty true to the facts. Because this is a 90 minute film, Pasteur's work is "boiled down" - pardon the expression - into two parts. First is his work in the germ theory of diseases. The second part of the film focuses on his work in the area of vaccines, first anthrax and then rabies.

In the first part on Pasteur's work on germ theory - that germs infect a living host and thus produce disease NOT that the germs somehow "rise up" from within the host - the film focuses on the prevention of childbirth fever. Although Pasteur was better known for his work in the prevention of silkworm disease, the studio probably rightly divined that the prevention of the death of new mothers has more human interest than the preservation of silkworms and would make a more compelling film. The same was probably true in the second part with its focus on the treatment of rabies victims.

There are some fictitious parts of course, for the purpose of dramatic license, such as Pasteur's daughter's marriage to a young scientific ally of his and the dramatic search for a doctor who will agree to deliver that daughter's baby according to Pasteur's principles so that his daughter does not contract the dreaded childbirth fever herself.

If you like the better made biopics of the 30s and appreciate Paul Muni's talents in such films, I'd recommend it.