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Private Number

  • 1936
  • Approved
  • 1 घं 20 मि
IMDb रेटिंग
6.7/10
631
आपकी रेटिंग
Private Number (1936)
कॉमेडीड्रामारोमांस

अपनी भाषा में प्लॉट जोड़ेंA maid secretly marries the son of her wealthy boss.A maid secretly marries the son of her wealthy boss.A maid secretly marries the son of her wealthy boss.

  • निर्देशक
    • Roy Del Ruth
  • लेखक
    • Gene Markey
    • William M. Conselman
    • Cleves Kinkead
  • स्टार
    • Robert Taylor
    • Loretta Young
    • Basil Rathbone
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.7/10
    631
    आपकी रेटिंग
    • निर्देशक
      • Roy Del Ruth
    • लेखक
      • Gene Markey
      • William M. Conselman
      • Cleves Kinkead
    • स्टार
      • Robert Taylor
      • Loretta Young
      • Basil Rathbone
    • 27यूज़र समीक्षाएं
    • 6आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • फ़ोटो38

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 31
    पोस्टर देखें

    टॉप कलाकार39

    बदलाव करें
    Robert Taylor
    Robert Taylor
    • Richard Winfield
    Loretta Young
    Loretta Young
    • Ellen Neal
    Basil Rathbone
    Basil Rathbone
    • Wroxton
    Patsy Kelly
    Patsy Kelly
    • Gracie
    Joe E. Lewis
    Joe E. Lewis
    • Smiley Watson
    • (as Joe Lewis)
    Marjorie Gateson
    Marjorie Gateson
    • Mrs. Winfield
    Paul Harvey
    Paul Harvey
    • Perry Winfield
    Jane Darwell
    Jane Darwell
    • Mrs. Meecham
    Paul Stanton
    Paul Stanton
    • Rawlings
    John Miljan
    John Miljan
    • Stapp
    Monroe Owsley
    Monroe Owsley
    • Coakley
    Billy Bevan
    Billy Bevan
    • Frederick
    Frank Dawson
    Frank Dawson
    • Graham
    George Irving
    George Irving
    • Judge
    May Beatty
    May Beatty
    • Grandma Gammon
    Alexander Pollard
    Alexander Pollard
    • Footman
    • (as Alex Pollard)
    Jack Pennick
    Jack Pennick
    • Gus Rilovitch
    John Van Eyck
    • John
    • निर्देशक
      • Roy Del Ruth
    • लेखक
      • Gene Markey
      • William M. Conselman
      • Cleves Kinkead
    • सभी कास्ट और क्रू
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    उपयोगकर्ता समीक्षाएं27

    6.7631
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    फ़ीचर्ड समीक्षाएं

    7Nubian-3

    The Great Loretta Young

    I caught this film for the very first time,as I can remember,on Fox Movie Channel.The lead actor was listed as Tyronne Power instead of Robert Taylor.I don't know whether the fault lies with TV Guide or the cable channel.Maybe both.

    I enjoyed watching a young Loretta Young,one of my favorites.The storyline deals with a maid who falls in love,marries and has a baby for her employers son.Basil Rathbone,another one of my favs,plays the wicked butler who cooks up a devilish plot to have her arrested and and discredited in the eyes of her employers and fired.

    This old black and white charm took me way back to my childhood days watching Ms Young's television show with similar stories.Released way back in the 1930's,it is a jewel of a picture.

    Can you believe TV Guide even had it listed as a comedy?
    7daoldiges

    Solid Performances Elevate Story Holes

    Private Number starts off strong and interesting and remains so until the near ending. It's one of those stories where all kinds of hubris, angst, and courtroom drama unfold simply because the two leads refuse to have a simple 10 minute conversation that could easily and readily clear things up. Yes, I know that is a device to create drama and tension but here it only served to annoy me. Especially when having that very brief conversation could improve your life so completely. Anyway, Young and Taylor are very good as the young lovers and Rathbone is excellent as the bad guy. Despite my issues with the near ending of Private Number it's still fairly entertaining and one worth checking out.
    7CinemaSerf

    Private Number

    Down on her luck "Ellen" (Loretta Young) arrives at "Winfield Manor" seeking a position. She's completely unqualified, but butler "Wroxton" (Basil Rathbone) takes a bit of a shine to her and so she gets a job anyway. Indeed, fairly swiftly she is the personal maid to the lady of the house - but it's the son "Richard" (Robert Taylor) who really catches her eye, and she his. What can they do though - she's a mere servant and he is from the bluest of New York blood? Well they pretend it's Elizabethan times and marry in secret, but that's not their biggest one of those and when the intensely jealous "Wroxton"" finds out, he proceeds to make things distinctly awkward for the couple and for his family. With the odds stacked against them, and misunderstandings galore going on, it's going to be tough for them to remember that they were/are/might still be in love! It's all a bit predicable as far as the story goes, but there's quite an effective on-screen malevolence from an on-form Rathbone, there's also an amiable chemistry between Young and a Taylor who looks much younger than his actual 25 years, and we've even a tiny slice of courtroom duplicity at the end to round things off. Never mind a woman scorned, worry about the butler...!
    HarlowMGM

    Maid in Heaven

    "Private Number" is a nice little romantic picture about love between the haves and have nots. Representing the latter is lovely Loretta Young, a penniless young woman who decides to apply for a job as a maid and on the other side is handsome Robert Taylor, who happens to be the son of the wealthy couple who employ her. Back home from college for the summer, Taylor presumes Loretta is one of the guests for the party welcoming him home but even after discovering her actual status is bewitched enough by her beauty to still pursue her. Looking on with malice is head butler Basil Rathbone who wants Loretta for himself (his creepy demeanor and malevolent running of the house staff cancels any possibility Loretta would want him). Taylor persuades Young to secretly marry him, planning to announce their marriage after graduation. Trouble is Loretta with child while he is away at school, leading a jealous Rathbone scheme to destroy her relations with the family.

    Robert Taylor was only a year into his stardom when this film was made in 1936 and he is once again in the type of role he specialized in at the time, the dashing young heir pursuing a young woman in a Cinderella romance but one that has turns with misunderstandings and mistrust. It's almost the same story as "Small Town Girl", a better picture he also made that year. On loanout here to 20th Century-Fox, the MGM hunk was the undisputed heartthrob of the moment and among the top five box office stars (he would have been unrivalled in the late 1930's had Fox not quickly developed their own matinee idol in Tyrone Power later that year.) Taylor's very good but since Loretta Young was a Fox contractee, her character dominates the story. Gentle and graceful, Loretta was a moderately talented actress very capable in light stories like this one.

    The supporting cast is hit and miss. Earthy chatterbox Patsy Kelly steals the film as Loretta's best friend, one of the family's other maids, and the excellent, elegant character actress Marjorie Gateson is quite good as Taylor's mother, taking a shine to Loretta early on and making her a personal maid. Basil Rathbone, alas, was always unsubtle when playing a villain and here he's such a creep it's hard to believe the family would ever believe he was looking out for their best interests. Paul Harvey was also a little excessive as Taylor's father. On the other hand, the underrated Monroe Owsley, is a bit of a surprise. Always cast as untrustworthy dalliances for movie queens (Stanwyck, Mae West, etc.) here he comes across a believable nice guy. We (and Loretta!) should have known better! Kane Richmond, a Robert Taylor type for B movies in that era, has a brief role as the family's chauffeur.

    The film audaciously has many parallels with Loretta Young's private life, one wonders if the studio had concocted this little story to put some confusion in the public re speculation about her private romances, as if the public hearing the Hollywood whispers might conclude it was all just a movie plot. Unwed Loretta had just given birth to Clark Gable's child which much of Hollywood suspected but it was never acknowledged until the 1990's when Loretta was near the end of her life. In this movie, Loretta has to fight an annulment so that her baby will remain "legitimate". If that's not nervy enough, how about a scene where Patsy Kelly rhapsodizes about Clark Gable's screen sex appeal to which Loretta whole-heartedly agrees!

    "Private Number" is basically just a pleasant but unremarkable romantic drama, the screen equivalent to a paperback romance novel but with beautiful stars and a smooth production to hold your interest.
    8glennstenb

    A very fun film featuring Loretta Young's glistening eyes.

    "Private Number" is a most enjoyable film that may be largely unknown among most buffs of older films today. But it has a very pleasing cast , good dialog, beautiful sets and costuming, a dastardly Basil Rathbone, the beautiful voice of a young Robert Taylor, and the gloriously glistening eyes of Miss Loretta Young. How did they do that with her eyes? She was such a fine and watchable actress, her performance here nuanced and anticipatory in her give and take with the troupe, even though the production was likely on a conveyor-belt schedule. It isn't one of the all-time great films, but it is a very good and worthwhile one. The film's subject matter may have even made a lot of those in the 1936 movie audiences a bit uncomfortable.

    इस तरह के और

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    7.2
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    6.4
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    6.5
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    6.7
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    6.6
    Rings on Her Fingers
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    6.6
    Wicked as They Come
    Sleep, My Love
    6.8
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    Three Blind Mice
    6.4
    Three Blind Mice
    The Amazing Mr. X
    6.4
    The Amazing Mr. X

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Early in the picture, Ellen, portrayed by Loretta Young, is discussing a blind date with Gracie, portrayed by Patsy Kelly. Ellen says she hopes the guy can dance. Gracie replies that the last one was a corporal that "was as handsome as Gable, and Gable ain't bad!" Ellen replies, "Oh I'll say not!" This discussion is ironic because when filming The Call of the Wild (1935) the year before this film was released, Young had an affair with Clark Gable, leading to the birth of their daughter, Judy Lewis. Audiences at the time didn't realize the irony since this secret affair wasn't made public until years later.
    • गूफ़
      Jane Darwell is billed as "Mrs. Meecham" but is called "Mrs. Frisby" twice.
    • भाव

      Ellen Neal: I'm talking about love Dick. You're talking about marriage. I couldn't marry you because... it would just be a mistake. That's all.

    • कनेक्शन
      Alternate-language version of Common Clay (1930)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल14

    • How long is Private Number?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 5 जून 1936 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • आधिकारिक साइटें
      • Streaming on "" YouTube Channel
      • Streaming on "All Best Cinema" YouTube Channel
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    • फ़िल्माने की जगहें
      • 20th Century Fox Studios - 10201 Pico Blvd., Century City, लॉस एंजेल्स, कैलिफोर्निया, संयुक्त राज्य अमेरिका(Studio)
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      • Twentieth Century Fox
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 1 घं 20 मि(80 min)
    • रंग
      • Black and White
    • पक्ष अनुपात
      • 1.37 : 1

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